This is a dark tale of loneliness and self-worth, and how the love of a woman can change a man.My world was dark and filled with pain.Loneliness gnawed at my soul.I found solace in a bottle.Music was my only refuge . . . until I met her.She was a dark Gothic goddess in thigh-high leather boots.She brought light into my life and showed me what it was like to be loved.But could she handle the demons that haunted me and the vices that kept them at bay?This is the one everyone's been waiting for. This is Damien and Alyssa's story. Delve into the mind of Immortal Angel's brooding, hardcore bassist with a troubled past.Life wasn't always good to Damien Diamond. An alcoholic, abusive mother left him to fend for himself and with little self-esteem. He turned to drugs and alcohol to mask his inner pain. If it weren't for Angel Garcia, he would have perished on the streets of New York City, but it was a dark Gothic goddess who gave Damien a reason to live. She wouldn't put up with his self-destructive behavior, and he needed to turn his life around in order to win back the only woman he ever loved.Alyssa never took an ounce of crap from anyone. The last thing she needed was a tattooed punk rocker with a boatload of baggage, but once Damien Diamond walked into her life, she couldn't stop thinking about the sweet and sensitive guy that hid behind the tough-as-nails exterior.Follow Damien Diamond as he prepares for the third leg of his successful World Tour with Immortal Angel, and as he reflects on his bitter past and the road that led him to be part of one of the most popular and radical punk rock bands in the nation.Books in the Radical Rock Stars Series:The Prince of Punk RockBetween A Rock and A Hard PlacePunk Rock Resurrection (a true stand-alone novel)Rock Star RedemptionPunk Rock-A-Bye-BabyThe Stage (an Immortal Angel/Bulletproof crossover story)Don't Miss the Next Generation of Rock Stars!The progeny of legendary punk rock band Immortal Angel bring you an enemies-to-lovers and friends-to-lovers duet.LUCAS BLADE, Radical Rock Stars Next Generation Duet #1MASON WILDER, Radical Rock Stars Next Generation Duet #2

Here is the autobiography of Cheetah Chrome, lead guitarist of the Dead Boys, one of the greatest punk bands ever. It’s a tale of success--and excess: great music, drugs (he overdosed and was pronounced dead three times), and resurrection. The Dead Boys, with roots in the band Rocket from the Tombs, came out of Cleveland to dominate the NYC punk scene in the mid-1970s. Their hit “Sonic Reducer” soon became a punk anthem. Now, for the first time, Cheetah dishes on the people he’s known onstage and off, including the Dead Boys’ legendary singer Stiv Bators, Johnny Thunders of the New York Dolls, the Ramones, the Clash, Pere Ubu, and the Ghetto Dogs, as well as life at CBGBs, a year with Nico, and more. Straight from the man, these are the backstage stories that every punk fan will want to hear. Never mind the Sex Pistols, here’s Cheetah Chrome!

Armed with cheap digital technologies and a fiercely independent spirit, millions of young people from around the world have taken cultural production into their own hands, crafting their own clothing lines, launching their own record labels, and forging a vast, collaborative network of impassioned amateurs more interested in making than consuming. DIY Style tells the story of this international do-it-yourself (DIY) movement through a major case study of one of its biggest, but least known contingents: the "indie" music and fashion scene of the predominantly Muslim Southeast Asian island nation of Indonesia. Through rich ethnographic detail, in-depth historical analysis, and cutting-edge social theory, the book chronicles the rise of DIY culture in Indonesia, and also explores the phenomenon in Europe and the United States, painting an evocative portrait of vibrant communities who are not only making and distributing popular culture on their own terms, but working to tear down the barriers between production and consumption, third and first world, global and local. What emerges from the book is a cautiously optimistic view of the future of global capitalism - a creative, collectivist alternative built from the ground up. This exciting and original study is essential reading for students and scholars of anthropology, fashion, media studies, cultural studies and sociology.

An updated edition of the biography of The Stone Roses, the band who single-handedly set the blueprint for the resurgence of UK rock'n'roll in the 1990s. This is the story of their success, written with full co-operation of the various band members, including John Squire and Ian Brown.

"Stole my heart from the first page to the last. Endlessly funny and sincere." —Tillie Walden, Eisner & Ignatz Award–winning cartoonist A debut graphic novel from Ignatz Award–winning and nationally syndicated cartoonist, Bianca Xunise. When life gives you guitars, smash them! School is out for summer and Ariel Grace Jones is determined to make it one for the books! Together with their bestie bandmates, Michele and Gael, Ariel believes they’re destined to break into the music industry and out of Chicago’s Southside by singing lead in their garage punk band, Baby Hares. But before Baby Hares can officially get into the groove, the realities of post grad life start to weigh on this crew of misfits. Ari begins to worry that it’s time to pull the plug on their dreams of making it big. Just when all hope feels lost, a fellow punk and local icon takes an interest in their talent. It seems like he might be the only one Ariel can rely on as frustrations between bandmates reach at an all-time high. Punk Rock Karaoke is a coming-of-age tale that draws upon the explosive joy of the underground scene, while raising questions about authenticity, the importance of community and what it means to succeed on your own terms.

Christian punk is a surprisingly successful musical subculture and a fascinating expression of American evangelicalism. Situating Christian punk within the modern history of Christianity and the rapidly changing culture of spirituality and secularity, this book illustrates how Christian punk continues punk's autonomous and oppositional creative practices, but from within a typically traditional evangelical morality. Analyzing straight edge Christian abstinence and punk-friendly churches, this book also focuses on gender performance within a subculture dominated by young men in a time of contested gender roles and ideologies. Critically-minded and rich in ethnographic data and insider perspectives, Christian Punk will engage scholars of contemporary evangelicalism, religion and popular music, and punk and all its related subcultures.

Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.

Design and Culture: A Transdisciplinary History offers an inclusive overview that crosses disciplinary boundaries and helps define the next phase of global design practice. This book examines the interaction of design with advances in technology, developments in science, and changing cultural attitudes. It looks to the past to prepare for the future and is the first book to offer an innovative transdisciplinary design history that integrates multidisciplinary sources of knowledge into a mindful whole. It shows design as a process that expresses goals through values and beliefs, functioning as a major factor in contemporary cultural life. Starting with the development of the Industrial Revolution, the book focuses on the evolution of design and culture in the twentieth century to predict where design will go in the future. Given the major social and political shifts currently unfolding across the globe, and the resulting changing demographics and environmental degradation, Design and Culture encourages collaboration and communication between disciplines to prepare for the future of design in a rapidly changing world.

From the moment he exploded onto our screens in 1985 as 'Nasty' Nick Cotton, uttering the infamous phrase 'Alright, Ma?' John Altman changed the face of TV villains for good. As one of the show's original cast members, he is much admired for his role as the leather-jacketed, chain-smoking son of Dot Cotton in the long-running BBC soap, EastEnders, a role that spanned thirty years. Since appearing in the very first episode, he has been at the heart of the show, his character central to many famous storylines, to the extent that he was also given his own spin-off episode, The Return of Nick Cotton, in 2000. But there is far more to John's story than Nick Cotton. This searingly honest autobiography traces the colourful childhood of a desperately shy and art-loving boy growing up in a loving household where he was encouraged to follow his dreams. But there was always something pulling him to test the boundaries – as a teenager he managed to get himself arrested on suspicion of drug possession on the way back from a gap year in India, and the experimentation didn't stop there. Yet for all the tales of acting in film, theatre and television, and the people he has known and worked with, there was once a darker side to John's story. For it was the descent into alcoholism that was to test him the most. It cost him his marriage and almost his sanity, even while his own battle with his demons allowed him to shape Nick Cotton into one of the most memorable soap characters of our times. Now, for the first time, John tells it as it is, in his own inspiring words: the highs and the desperate lows and how, finally, he conquered his addiction for good.

When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll’s popularity grew, white preachers tried to distance their flock from this “blasphemous jungle music,” with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock ’n’ roll, faith served as a vehicle for whites’ racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus’s message within their own religious community and project it into a secular world. In Stephens’s compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.