A punk rock mouse and country Western mouse covet each other's lives, but when they magically switch places they learn things may seem more appealing than they actually are. Includes a classic retelling of the fable, visual questions, and a glossary.

Chicano. Cubano. Pachuco. Nuyorican. Puerto Rican. Boricua. Quisqueya. Tejano. To be Latino in the United States in the twentieth and twenty-first centuries has meant to fierce identification with roots, with forbears, with the language, art and food your people came here with. America is a patchwork of Hispanic sensibilities-from Puerto Rican nationalists in New York to more newly arrived Mexicans in the Rio Grande valley-that has so far resisted homogenization while managing to absorb much of the mainstream culture. Living in Spanglish delves deep into the individual's response to Latino stereotypes and suggests that their ability to hold on to their heritage, while at the same time working to create a culture that is entirely new, is a key component of America's future. In this book, Morales pins down a hugely diverse community-of Dominicans, Mexicans, Colombians, Cubans, Salvadorans and Puerto Ricans--that he insists has more common interests to bring it together than traditions to divide it. He calls this sensibility Spanglish, one that is inherently multicultural, and proposes that Spanglish "describes a feeling, an attitude that is quintessentially American. It is a culture with one foot in the medieval and the other in the next century." In Living in Spanglish , Ed Morales paints a portrait of America as it is now, both embracing and unsure how to face an onslaught of Latino influence. His book is the story of groups of Hispanic immigrants struggling to move beyond identity politics into a postmodern melting pot.

Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions.

In this graphic novel version of Aesop's "The Wolf in Sheep's Clothing", a young wolf desparate to befriend a herd of unicorns decides to knit herself a disguise in hopes that the unicorns will accept her. Includes a classic retelling of the fable, visual questions, and a glossary.

From the Big Apple to the City that Never Sleeps, New York has many identities. It is a melting pot of peoples and cultures, a capital of finance and commerce, and a mecca of fashion, art, and entertainment. It is home to the United Nations Headquarters and Wall Street, and it is the destination for millions of tourists each year. But outside of the Empire State Building and the Statue of Liberty, where does one even start? In this concise and witty guide from a native New Yorker, Elizabeth L. Bradley mixes history with high and low culture to make sense of this city for visitors and armchair travelers alike. Tracing the development of New York City from a Dutch trading post to the cultural capital of the world, Bradley provides brief histories of each of the five boroughs and introduces the city’s most important—and colorful—personalities. In addition to a rich account of the city’s past, she offers a series of ruminations on themes germane to New York today, describing its natural landmarks, unnatural gin joints, immigrant enclaves, and even its many noises. All along she includes thoughtful, eclectic lists of where to eat, drink, and shop, as well as what to see and do. Exploring the features that make New York both inimitable and extraordinary, this generously illustrated guide is a lively and engaging look at this ever-shifting archipelago.

Ben Paulson rides the bench while Wes Blake gets the glory - until Wes gets benched for pulling poor grades, and Ben is thrust into the spotlight.

A beautifully rendered graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Nazi Invasion, 1944, with text adapted by Georgia Ball and art by Álvaro Sarraseca. It's been years since the Nazis invaded Max Rosen's home country of Poland. All the Jewish people, including Max's fam-ily, have been forced to live in a ghetto. At least Max and his sister, Zena, had Papa with them . . . until two months ago, when the Nazis took him away. Now Max and Zena are on their own. One day, with barely enough food to survive, the siblings make a dar-ing escape from Nazi soldiers into the nearby forest. They are found by Jewish resistance fighters, who take them to a safe camp. But soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion? With art by Álvaro Sarraseca and text adapted by Georgia Ball, Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in this explosive graphic novel edition. Includes nonfiction back matter with historical photos and facts about World War II and the Holocaust. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, I Survived graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages.