Until his death aged thirty-three in 1982, Lester Bangs wrote wired, rock 'n' roll pieces on Iggy Pop, The Clash, John Lennon, Kraftwerk, Lou Reed. As a rock critic, he had an eagle-eye for distinguishing the pre-packaged imitation from the real thing; written in a conversational, wisecracking, erotically charged style, his hallucinatory hagiographies and excoriating take-downs reveal an iconoclast unafraid to tell it like it is. To his journalism he brought the talent of a great a renegade Beat poet, and his essays, reviews and scattered notes convey the electric thrill of a music junky indulging the habit of a lifetime. As Greil Marcus writes in his introduction, 'What this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews.'

Before his untimely death in 1982, Lester Bangs was inarguably the most influential critic of rock and roll. Writing in hyper-intelligent Benzedrine prose that calls to mind Jack Kerouac and Hunter S. Thompson, he eschewed all conventional thinking as he discussed everything from Black Sabbath being the first truly Catholic band to Anne Murray’s smoldering sexuality. In Mainlines, Blood Feasts, Bad Taste fellow rock critic John Morthland has compiled a companion volume to Psychotic Reactions and Carburetor Dung, the first, now classic collection of Bangs’s work. Here are excerpts from an autobiographical piece Bangs wrote as a teenager, travel essays, and, of course, the music pieces, essays, and criticism covering everything from titans like Miles Davis, Lou Reed, and the Rolling Stones to esoteric musicians like Brian Eno and Captain Beefheart. Singularly entertaining, this book is an absolute must for anyone interested in the history of rock.

Let It Blurt is the raucous and righteous biography of Lester Bangs (1949-82)--the gonzo journalist, gutter poet, and romantic visionary of rock criticism. No writer on rock 'n' roll ever lived harder or wrote better--more passionately, more compellingly, more penetratingly. He lived the rock 'n' roll lifestyle, guzzling booze and Romilar like water, matching its energy in prose that erupted from the pages of Rolling Stone, Creem, and The Village Voice. Bangs agitated in the seventies for sounds that were harsher, louder, more electric, and more alive, in the course of which he charted and defined the aesthetics of heavy metal and punk. He was treated as a peer by such brash visionaries as Lou Reed, Patti Smith, Richard Hell, Captain Beefheart, The Clash, Debbie Harry, and other luminaries. Let It Blurt is a scrupulously researched account of Lester Bangs's fascinating (if often tawdry and unappetizing) life story, as well as a window on rock criticism and rock culture in their most turbulent and creative years. It includes a never-before-published piece by Bangs, the hilarious "How to Be a Rock Critic," in which he reveals the secrets of his dubious, freeloading trade.

Factoid Attack: Inherent sadistic streak in dentists confirmed! The electric chair was invented by a dentist, Dr. Alfred Southwick. Not surprising, dentists have been perfecting torture devices for centuries. Factoid Attack: Galaxy at risk! Intelligent life in short supply! In 1961, Astronomer Frank Drake estimated the number of probable intelligent civilizations inhabiting our galaxy. Using conservative numbers, that estimate came to 10,000. Unfortunately, we are not included in that total. Factoid Attack: Colorblind bulls hate all matadors equally! The color of a matador's cape, or muleta, is traditionally red, which is widely believed to irritate the bull. In reality, bulls are colorblind, so it is irrelevant what color cape a matador uses to antagonize them. Shot in the dark, but maybe it's the being stabbed with swords bit that pisses them off. Forget Fringe, Warehouse 13, and The X-Files. In this book, you'll find more weird and wacko truths than in all those combined. From golden poison dart frogs with enough venom to kill ten grown humans to cockroaches that can survive radiation 15 times stronger than what kills people, scary and strange just got scarier—and stranger!

Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

Through a long and chequered career, Mick Farren has functioned as a writer, poet, rock star, recording artist, rabble-rouser, critic and commentator, and even won a protracted obscenity trial at the Old Bailey. After resisting the idea for a long time, he has finally written his own highly personal and insightful account of the British counterculture in the 1960s and '70s, from the perspective of one who was right there in the thick of it. With a continuing and unashamed commitment to the tradition of sex, drugs and rock 'n' roll, he recounts a rollercoaster odyssey - sometimes violent and often hilarious - from early beatnik adventures in Ladbroke Grove, through the flowering hippies to the snarl of punk. He gives a firsthand, insider's account of the chaos, disorder and raging excess of those two highly excessive decades. At the centre of the book is Farren's career in the underground, as the man on the door at the UFO club, driving spirit at IT and, of course, lead singer with the Social Deviants. He describes his encounters with the celebrated and the notorious, who range from Jimi Hendrix and Germaine Greer to Julie Burchill and Sid Vicious, and concludes that the pop history of bohemian culture does not neatly divide itself into easy decades, but continues to this day, perhaps in different guises, but frequently with the same goals and motivations.

Rock journalism on: Brian Wilson, Guns' N' Roses, Roky Erickson, The New York Dolls, Sid Vicious, Roy Orbison, Elvis Costello, The Smiths, Neil Young, Jerry Lee Lewis, Miles Davis, The Pogues, Lou Reed, Syd Barrett, The Rolling Stones, Iggy Pop, Kurt Cobain

Collects Ellen Willis' writings on popular music from her career at the New Yorker and other publications.

One of the Voice Literary Supplement's "25 Favorites," the acclaimed critic's essays on contemporary literature and pop culture, now in paperback. Leading literary critic John Leonard is "the fastest wit in the East" (The New York Times Book Review) and a master at decoding the fears and longings that animate our popular culture. He is at his strongest in these "highly informed and cogently argued" (Publishers Weekly) essays on the best new literature of today and what it tells us about America now. When the Kissing Had to Stop shows how our great novelists and essayists, from Don DeLillo to Toni Morrison, can help us find some sense and sanity amid the dull roar of tabloids, talk shows, and the Disneyfication of everything. Chosen as one of the Voice Literary Supplement's "25 Favorites of 1999," When the Kissing Had to Stop is an exhilarating ride into the ferocious intellect of a literary gourmand.

Learn to construct & fly bold, electrifying, & super stunt & one-line kites, full construction details.