Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.

The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.

Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.

Whereas Freud himself viewed conscience as one of the functions of the superego, in The Still Small Voice: Psychoanalytic Reflections on Guilt and Conscience, the author argues that superego and conscience are distinct mental functions and that, therefore, a fourth mental structure, the conscience, needs to be added to the psychoanalytic structural theory of the mind. He claims that while both conscience and superego originate in the so-called pre-oedipal phase of infant and child development they are comprised of contrasting and often conflicting identifications. The primary object, still most often the mother, is inevitably experienced as, on the one hand, nurturing and soothing and, on the other, as frustrating and persecuting. Conscience is formed in identification with the nurturer; the superego in identification with the aggressor. There is a principle of reciprocity at work in the human psyche: for love received one seeks to return love; for hate, hate (the talion law).

This book explores and revisits the concept of sublimation, in its various aspects and implications that it has in theory and clinical psychoanalysis, and also in its broader socio-cultural aspects. The basic assumption that aroused the author's interest in the topic is a certain surprise in observing how sublimation in psychoanalysis is in general spoken about less in contemporary discourse: so is it an outdated concept, an endangered species? Does it belong to the archaeology of psychotherapy? Or, on the contrary, is it so much a part of analytical practice and so well established and implicit in theory that it is not necessary to discuss it any more? It is the prevailing opinion of the author that sublimation is nowadays expressed differently and has undergone a sort of anthropological mutation, as has happened to several Freudian concepts with the changing historical and cultural contexts.

The immensely influential work of Jacques Lacan challenges readers both for the difficulty of its style and for the wide range of intellectual references that frame its innovations. Lacan’s work is challenging too, for the way it recentres psychoanalysis on one of the most controversial points of Freud’s theory – the concept of a self-destructive drive or ‘death instinct’. Originally published in 1991, Death and Desire presents in Lacanian terms a new integration of psychoanalytic theory in which the battery of key Freudian concepts – from the dynamics of the Oedipus complex to the topography of ego, id, and superego – are seen to intersect in Freud’s most far-reaching and speculative formulation of a drive toward death. Boothby argues that Lacan repositioned the theme of death in psychoanalysis in relation to Freud’s main concern – the nature and fate of desire. In doing so, Lacan rediscovered Freud’s essential insights in a manner so nuanced and penetrating that prevailing assessments of the death instinct may well have to be re-examined. Although the death instinct is usually regarded as the most obscure concept in Freud’s metapsychology, and Lacan to be the most perplexing psychoanalytic theorist, Richard Boothby’s straightforward style makes both accessible. He illustrates the coherence of Lacanian thought and shows how Lacan’s work comprises a ‘return to Freud’ along new and different angles of approach. Written with an eye to the conceptual structure of psychoanalytic theory, Death and Desire will appeal to psychoanalysts and philosophers alike.

This comprehensive yet accessible book analyses the clinical and historical experiences that led to the radical, complex and fundamental psychoanalytic concept of the death drive. In The Death Drive: A Contemporary Introduction, Rossella Valdrè traces the path that led Sigmund Freud to theorise this key concept in his essay, Beyond the Pleasure Principle. She considers its roots in Freud’s experiences of war trauma and his assessment of the human compulsion to repeat, as well as its consequences on his later theoretical and clinical work. Short vignettes from the clinician’s room and examples from books and films introduce the reader to the birth and development of the concept, its biological and philosophical roots and its many clinical implications. Valdrè also reviews its varied reception among post-Freudians, and examines the controversies and questions that the death drive commonly engenders within the psychoanalytic community. She concludes by considering the death drive through the medium of art, its relationship with sublimation and the confirmation neuroscience is beginning to provide. Written in a style that is at once accessible and precise, this book is an invaluable tool to students and psychoanalysts in training approaching the theory for the first time, as well as practising analysts, postgraduate students and scholars familiar with the concept and looking to explore it further.

(Dover thrift editions).

Freud, the Contemporary Super-ego, and Western Morality traces the origins of the relationship between the morality of the super-ego and the destructive impulse of the death drive in the liberal democracies of the 21st century. Giosuè Ghisalberti begins by refuting the analysis by contemporary social theorists of the phenomenon described as "the return of the religious," presenting instead a comprehensive set of ideas as outlined by Freud in the writings of the 1920s and the analysis of a contemporary theological-political unconscious. Ghisalberti argues that the psyche of the liberal West has regressed to an infantile and primitive present, driven by an unconscious hostility towards the Oedipus complex and, more comprehensively, to Western civilization as a whole. The book re-examines Freud’s psychoanalytic ideas on the nature of obsessions, interpreted first from the murder of the primal father in Totem and Taboo, and turns to his grounding ideals of intelligence, creativity, and freedom as the affirmation of the coming-to-be-human in modernity. Freud, the Contemporary Super-ego, and Western Morality will be of great interest to psychoanalysts in practice and in training. It will also be key reading for academics and scholars of psychoanalytic studies, philosophy, political theory and the humanities.

A collection of essays by internationally recognised and respected Lacanian analysts and theoreticians, Stupidity and Psychoanalysis thinks about how we can understand stupidity as a specific and necessary psychoanalytic encounter.