"Psychedelic Revolutionaries recounts the history of hallucinogenic-drug research in Saskatchewan, and the pioneering work of Humphry Osmond, Abram Hoffer, and Duncan Blewett. They broke new ground in the 1950s and '60s in the use of hallucinogens, like mescaline and LSD, and the development of treatments for alcoholism and schizophrenia--until Timothy Leary hit the scene and undermined everything with his public pronouncements. Delving into the experiments, the researchers, as well as connections to notables like Aldous Huxley, Linus Pauling, and Alcoholics Anonymous Co-Founder Bill W, Psychedelic Revolutionaries examines popularly held myths surrounding the drugs. It shows how the Saskatchewan research made extensive contributions to this scientific field and led to radical innovations in mental health, many of which have applications and relevance today."--

The post-World War II era was a tumultuous period in the world of psychiatry. Medical history has cast it as a clash between biology and psychoanalysis or as a time that lacked objectivism, that is until the introduction of psychotropic drugs such as chlorpromazine which triggered a change in our treatment of mental health as profound and far-reaching in its consequences as the war itself. In the early years of this psychopharmacological revolution, hallucinogens such as mescaline and LSD played as much of a role as other psychotropics. In fact, psychedelics constituted a scientific revolution in their own right, one that does not however fit the narrative of twentieth century scientific history. Looking beyond the countercultural manifestations and references that have for decades obfuscated the psychedelic story, historian P.W. Barber delves into a serious examination of both the science and the people behind the research. Showing why and how this experimentation unfolded, what its findings were and how these findings were received both within and outside the scientific community, Psychedelic Revolutionaries completely resets a long-misunderstood history by following the work of three pioneering psychiatrists - Humphry Osmond, who coined the term 'psychedelic' and administered Aldous Huxley his first dose of mescaline, Abram Hoffer and Duncan Blewett, also known as the 'Leary of the North'. While considering how it is that scientific discoveries become accepted as established truths, Barber invites us to ask: what is it that makes a scientific discovery revolutionary?

Recounting research on hallucinogenic drug treatments during the 1950s and 60s, Psychedelic Revolutionaries shows how public fears, stoked by partisan politics, can hold back scientific advancements.

A bold exploration of modern psychedelic culture, its history, and future • Examines 3 modern psy-culture architects: chemist Alexander “Sasha” Shulgin, mycologist-philosopher Terence McKenna, and visionary artist Alex Grey • Investigates the use of microdosing in extreme sports, the psy-trance festival experience, and the relationship between the ego, entheogens, and toxicity • Presents a “History of Visionary Art,” from its roots in prehistory, to Ernst Fuchs and the Vienna School of the Fantastic, to contemporary psychedelic art After the dismantling of a major acid laboratory in 2001 dramatically reduced the world supply of LSD, the psychedelic revolution of the 1960s appeared to have finally run its course. But the opposite has actually proven to be true, and a psychedelic renaissance is rapidly emerging with the rise in popularity of transformational festivals like Burning Man and BOOM!, the return to positive media coverage of the potential benefits of entheogens, and the growing number of celebrities willing to admit the benefits of their own personal use. Along with the return of university research, the revival of psychedelic philosophy, and the increasing popularity of visionary art, these new developments signify the beginning of a worldwide psychedelic cultural revolution more integrated into the mainstream than the counterculture uprising of the 1960s. In his latest book, James Oroc defines the borders of 21st-century psychedelic culture through the influence of its three main architects-- chemist Alexander Shulgin, mycologist Terence McKenna, and visionary artist Alex Grey--before illustrating a number of facets of this “Second Psychedelic Revolution,” including the use of microdosing in extreme sports, the tech-savvy psychedelic community that has arisen around transformational festivals, and the relationship between the ego, entheogens, and toxicity. This volume also presents for the first time a “History of Visionary Art” that explains its importance to the emergence of visionary culture. Exploring the practical role of entheogens in our selfish and fast-paced modern world, the author explains how psychedelics are powerful tools to examine the ego and the shadow via the transpersonal experience. Asserting that a cultural adoption of the entheogenic perspective is the best chance that our society has to survive, he then proposes that our ongoing psychedelic revolution--now a century old since the first synthesis of a psychedelic in 1918--offers the potential for the birth of a new Visionary Age.

Originally published: New Hyde Park, N.Y.: University Books, 1965. New introduction by Erik Davis, 2007.

A memoir by one of the original female psychedelic pioneers of the 1960s • Shares Rosemary’s early experimentation with psychedelics in the 1950s, her development through the psychedelic revolution of the 1960s, and her involvement, at first exciting but then heartbreaking, with Dr. Timothy Leary • Describes her LSD trips with Leary, their time at the famous Millbrook estate, their experiences as fugitives abroad, including their captivity by the Black Panthers in Algeria, and Rosemary’s years on the run after she and Timothy separated One of the original female psychedelic pioneers, Rosemary Woodruff Leary (1935-2002) began her psychedelic journey long before her relationship with Dr. Timothy Leary. In the 1950s, she moved to New York City where she became part of the city’s most advanced music, art, and literary circles and expanded her consciousness with psilocybin mushrooms and peyote. In 1964 she met two former Harvard professors who were experimenting with LSD, Timothy Leary and Ralph Metzner, who invited her to join them at the Millbrook estate in upstate New York. Once at Millbrook, Rosemary went on to become the wife--and accomplice--of the man Richard Nixon called “the most dangerous man in America.” In this intimate memoir, Rosemary describes her LSD experiences and insights, her decades as a fugitive hiding both abroad and underground in America, and her encounters with many leaders of the cultural and psychedelic milieu of the 1960s. Compiled from Rosemary’s own letters and autobiographical writings archived among her papers at the New York Public Library, the memoir details Rosemary’s imprisonment for contempt of court, the Millbrook raid by G. Gordon Liddy, the tours with Timothy before his own arrest and imprisonment, and their time in exile following his sensational escape from a California prison. She describes their surreal and frightening captivity by the Black Panther Party in Algeria and their experiences as fugitives in Switzerland. She recounts her adventures and fears as a fugitive on five continents after her separation from Timothy in 1971. While most accounts of the psychedelic revolution of the 1960s have been told by men, with this memoir we can now experience these events from the perspective of a woman who was at the center of the seismic cultural changes of that time.

How psychedelics can heal historical, intergenerational, and racialized trauma—an Afrofuturistic take on Black psychedelia toward joy and liberation The mainstream has long seen psychedelic medicine as the purview of people with privilege: money to burn, time to trip, and the social safety to experiment with drugs without risking arrest or worse. Despite psychedelics’ deep roots in Black and Indigenous cultural practices, most psychedelic spaces have excluded Black people and other People of Color. But psychedelics like psilocybin, MDMA, and ketamine are not just for a rarefied liberal elite—and they’re definitely not just for white people. Combined with quality therapy, safe and equitable access, and full-scale societal healing, psychedelics are a shortcut to liberation, dignity, and power—the “Promised Land” as envisioned by Martin Luther King, Jr. Risqué? Sure. But that doesn’t make it any less true. In Black Psychedelic Revolution, Dr. Nick Powers charts how psychedelics can heal historical, intergenerational, and racialized trauma. He shows how these medicines unlock a return to one’s self, facilitating an embodied experience of safety, peace, and beingness otherwise disrupted by whiteness—and explores psychedelics’ ability to transform individual wellness even as they transcend it. Drugs taken with therapy can heal. But drugs taken with a social movement can heal a nation. Powers unpacks how the Drug War, racist policing, mass incarceration, and community gatekeeping intersect to sideline POC—and specifically Black people—from the psychedelic movement. He moves past “making space” for Black psychedelia to assert instead the need for a full-stop reclamation and revolution: one that eschews psychedelic exceptionalism, breaks down raced and classed constructs of “good” vs. “bad” drugs, realizes true, full-scale healing, and lives into a free, strong, and independent Blackness. With an Afrofuturist lens, Black Psychedelic Revolution takes utopian politics seriously, re-centering social justice around ownership of historical trauma and giving People of Color the authority to define a new humanism.

A clinical psychiatrist explores the effects of DMT, one of the most powerful psychedelics known. • A behind-the-scenes look at the cutting edge of psychedelic research. • Provides a unique scientific explanation for the phenomenon of alien abduction experiences. From 1990 to 1995 Dr. Rick Strassman conducted U.S. Government-approved and funded clinical research at the University of New Mexico in which he injected sixty volunteers with DMT, one of the most powerful psychedelics known. His detailed account of those sessions is an extraordinarily riveting inquiry into the nature of the human mind and the therapeutic potential of psychedelics. DMT, a plant-derived chemical found in the psychedelic Amazon brew, ayahuasca, is also manufactured by the human brain. In Strassman's volunteers, it consistently produced near-death and mystical experiences. Many reported convincing encounters with intelligent nonhuman presences, aliens, angels, and spirits. Nearly all felt that the sessions were among the most profound experiences of their lives. Strassman's research connects DMT with the pineal gland, considered by Hindus to be the site of the seventh chakra and by Rene Descartes to be the seat of the soul. DMT: The Spirit Molecule makes the bold case that DMT, naturally released by the pineal gland, facilitates the soul's movement in and out of the body and is an integral part of the birth and death experiences, as well as the highest states of meditation and even sexual transcendence. Strassman also believes that "alien abduction experiences" are brought on by accidental releases of DMT. If used wisely, DMT could trigger a period of remarkable progress in the scientific exploration of the most mystical regions of the human mind and soul.

A barefoot hippie on probation encounters a debutante on a streetcar in New Orleans and falls in love. Thus begins an amazing adventure. There are miraculous escapes, incredible coincidences, and the story of one young man's journey for Goldwater conservative to radical LSD revolutionary - from rational materialism to mysticism - from fast food to natural food. If you have ever been curious about what it was really like to be a hippie, and what motivated the movement," The Romantic Psychedelic Revolutionary" is for you. And it is all completely true.