In Psalm 91 and Demonic Menace Gerrit Vreugdenhil offers a thorough analysis of the text, structure and genre of Psalm 91. Already in its earliest interpretations, Psalm 91 has been associated with the demonic realm. The use of this psalm on ancient amulets and in magic texts calls for an explanation. Examining the psalms images of threat from a cognitive science perspective, Vreugdenhil shows that many of these terms carry associations with sorcery and magic, incantations and curses, diseases and demonic threat. The psalm takes demonic threat seriously, but also draws attention to the protection offered by JHWH. Finally, the author proposes an outline of the situational context in which Psalm 91 might have functioned.

"Jews and Christians alike have made Psalm 91 one of the most commonly used and cited parts of the Bible. The psalm has shaped theories of politics and government, not to mention influencing medicine and mysticism. In different ages, the psalm has borne many different names: the Song of Evil Spirits, the Soldier's Psalm, and most concisely, the Protection Psalm. As the Song of Plagues, it has gained a whole new relevance in an age of global pandemic. In the New Testament, Satan himself quotes the psalm, and ever since, that text has both reflected and shaped changing concepts of evil and the demonic. It was and still is used for magical and superstitious purposes, including for exorcism and demon-fighting. As perils and threats have changed and evolved in various societies, so interpretations of Psalm 91 have developed to accommodate each new reality. A biography of Psalm 91 is also a history of critical themes in Western religion"--

This volume sheds light on how Jews and Christians in Antiquity understood the nature and characteristics of demons. The contributions cover a wide range of corpora and explore aspects of continuity and change as ideas flowed between groups and cultures.

Spirit possession is more commonly associated with late Second Temple Jewish literature and the New Testament than it is with the Hebrew Bible. In Unfamiliar Selves in the Hebrew Bible, however, Reed Carlson argues that possession is also depicted in this earlier literature, though rarely according to the typical western paradigm. This new approach utilizes theoretical models developed by cultural anthropologists and ethnographers of contemporary possession-practicing communities in the global south and its diasporas. Carlson demonstrates how possession in the Bible is a corporate and cultivated practice that can function as social commentary and as a means to model the moral self. The author treats a variety of spirit phenomena in the Hebrew Bible, including spirit language in the Psalms and Job, spirit empowerment in Judges and Samuel, and communal possession in the prophets. Carlson also surveys apotropaic texts and spirit myths in early Jewish literature—including the Dead Sea Scrolls. In this volume, two recent scholarly trends in biblical studies converge: investigations into notions of evil and of the self. The result is a synthesizing project, useful to biblical scholars and those of early Judaism and Christianity alike.

This volume addresses one of the key issues in the study of the Book of Revelation and the apocalyptic genre more broadly – the re-use within these texts of the Jewish Scriptures. A range of expert contributors analyse specific themes and passages, and also explore wider methodological questions, aiming particularly to engage with the ground-breaking work in this field of Steve Moyise. Divided into three sections, the book first focuses on hermeneutical questions, such as the role of 'typology' in interpretation, and the relationship between the 'original meaning' of a scriptural text and the sense it acquires in a new literary context. In the following section, a series of chapters offers detailed exegetical engagement with the Book of Revelation. These probe the scriptural background of some of its major theological themes (e.g. time, sounds and silence) and significant passages (e.g. the Song of the Lamb and other hymns), and highlight fresh aspects of its reception by both ancient and modern audiences. The final section considers the place of scripture and its interpretation in a selection of other early Jewish and early Christian apocalyptic writings (including 1 Enoch, Paul's Letters and the First Apocryphal Apocalypse of John).

This collection of essays gives an insight into the problems that we encounter when we try to (re)construct events from Israel's past. On the one hand, the Hebrew Bible is a biased source, on the other hand, the data provided by archaeology and extra-biblical texts are constrained and sometimes contradictory. Discussing a set of examples, the author applies fundamental insight from the philosophy of history to clarify Israel's past.

This three-volume commentary on the Psalms engages hermeneutics for preaching, employing theological exegesis that enables the preacher to utilize all the psalms in the Psalter to craft effective sermons. It unpacks the crucial link between Scripture and application: the theology of each preaching text/psalm—what the author is doing with what he is saying in each psalm—is explored and explicated. While the primary goal of the commentary is to take the preacher from text to theology, it also provides a sermon outline for each of the preaching units in the Psalms. The unique approach of this work results in a theology-for-preaching commentary that promises to be useful for anyone teaching from the Psalter with an emphasis on application.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In Ritual Boundaries, Joseph E. Sanzo transforms our understanding of how early Christians experienced religion in lived practice through the study of magical objects, such as amulets and grimoires. Against the prevailing view of late antiquity as a time when only so-called elites were interested in religious and ritual differentiation, the evidence presented here reveals that the desire to distinguish between religious and ritual insiders and outsiders cut across diverse social strata. The magical evidence also offers unique insight into early biblical reception, exposing a textual world in which scriptural reading was multisensory and multitraditional. As they addressed sickness, demonic struggle, and interpersonal conflicts, Mediterranean people thus acted in ways that challenge our conceptual boundaries between Christians and non-Christians; elites and non-elites; and words, materials, and images. Sanzo helps us rethink how early Christians imagined similarity and difference among texts, traditions, groups, and rituals as they went about their daily lives.

Cyprus was a thriving and densely populated late antique province. Contrary to what used to be thought, the Arab raids of the mid-seventh century did not abruptly bring the island’s prosperity to an end. Recent research instead highlights long-lasting continuity in both urban and rural contexts. This volume brings together historians and archaeologists working on diverse aspects of Cyprus between the sixth and eighth centuries. They discuss topics as varied as rural prosperity, urban endurance, artisanal production, civic and private religion and maritime connectivity. The role of the imperial administration and of the Church is touched upon in several contributions. Other articles place Cyprus back into its wider Mediterranean context. Together, they produce a comprehensive impression of the quality of life on the island in the long late antiquity.

In this follow-up to Toward a Theology of the Septuagint: Stellenbosch Congress on the Septuagint, 2018 (2020), contributors demonstrate what a theology of the Septuagint should look like. Essays address questions of methodology, and case studies from different books show the relevance and benefits of a theological approach. Examples are drawn from Exodus, Deuteronomy, Proverbs, Job, Tobit, 1 and 2 Maccabees, Hosea, Ezekiel, Daniel, and Ben Sira. Contributors include Nicholas Peter Legh Allen, Bryan Beeckman, Alma Brodersen, Johann Cook, Beate Ego, Karin Finsterbusch, Pierre Jordaan, Wolfgang Kraus, Jean Maurais, Cynthia L. Miller-Naudé, Mogens Müller, Jacobus A. Naudé, Peter Nagel, Larry Perkins, Martin Rösel, Barbara Schmitz, Frank Ueberschaer, Jan Willem van Henten, and Michael van der Meer.