In the subsistence agricultural social context of the Hebrew Bible, children were necessary for communal survival. In such an economy, children's labor contributes to the family's livelihood from a young age, rather than simply preparing the child for future adult work. Ethnographic research shows that this interdependent family life contrasts significantly with that of privileged modern Westerners, for whom children are dependents. This text seeks to look beyond the dominant cultural constructions of childhood in the modern West and the moral rhetoric that accompanies them so as to uncover what biblical texts intend to communicate when they utilize children as literary tropes in their own social, cultural, and historical context.

This book examines literary conventions in the psalms of communal lament and their reflection and modification in post-exilic penitential prayers. It analyzes elements of shared form and demonstrates the literary relationship between these psalms and prayers.

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There are five marked quotations from Psalms in the Gospel of Matthew. These are: (1) Ps 91:1–12 in Matt 4:6; (2) Ps 78:2 in Matt 13:35; (3) Ps 8:3 in Matt 21:16; (4) Ps 118:22–23 in Matt 21:42; and (5) Ps 110:1 in Matt 22:44. Piotr Herok argues that the investigated texts are related to each other not only by the presence of the introductory formulas, making clear that a given citation comes from Scripture, but also through mutual thematic convergence, concerning in various degrees king David, the temple, and the theme of Jesus' identity. Thanks to the new literary context, in which the quotations are embedded, Matthew reinterprets them significantly while giving them a new dimension clearly distinguishing them from the rest of the psalm quotations found in his work. This aims at presenting Jesus as not only the Son of David, but first of all the Son of God.

Using Coverdale's translation of the Psalms from the Book of Common Prayer, the very best of Anglican chant is married to texts that have been used to sing the transcendent glory of God for three thousand years. The Psalms are ruthlessly honest in their portrayal of conflicting human emotions, and many psalters have excised the verses that speak of vengeance, hatred and anger. Acknowledging that these emotions are also part of human experience, the Anglican Psalter retains this material, to be included or omitted as local preference or the occasion dictates. Includes work by renowned composers past and present including Elgar, Parry, Stanford, Stainer, Wesley, Malcolm Archer, David Willcocks, John Barnard, and many more.