When Marcel Proust started to work on In Search of Lost Time in 1908, he wrote this question in his notebook: ‘Should I make it a novel, a philosophical study, am I a novelist?’ Throughout his famous multi-volume work, Proust directly engages several philosophers, and few novels are as thoroughly saturated with philosophical themes and concepts as In Search of Lost Time. The Proustian Mind is an outstanding reference source to the rich philosophical range of Proust’s work and the first major volume of its kind. Including 31 chapters by an international team of contributors, the volume is divided into seven clear parts: Proust’s life and works metaphysics and epistemology mind and language aesthetics ethics gender and sexuality predecessors, contemporaries and successors. Within these sections, key Proustian themes are explored from a philosophical standpoint, including time, the self, memory, imagination, jealousy, beauty, love, subjectivity and desire. The final section considers Proust in relation to important philosophers such as Schopenhauer, Nietzsche, Bergson, Merleau-Ponty, Sartre, de Beauvoir and Deleuze. The Proustian Mind is essential reading for those studying aesthetics, philosophy of literature, phenomenology and ethics, and will also be of interest to those in literature studying modernism, French literature and the relationship between literature and philosophy.

Marcel Proust's In Search of Lost Time has long fascinated philosophers for its complex accounts of time, personal identity and narrative, amongst many other themes. Proust as Philosopher is the first book to properly explore Proust from a philosophical angle and argues that the key to understanding Proust is the concept of experience.

Critical study of Cuban novelist and Proust's influence on selected works.

The association of ideas became the foundation of Freudian psychoanalysis, informed the nascent semiology of Saussure, and characterized the literary works of Sterne, Joyce, Woolf, and especially Marcel Proust. The author of Remembrance of Things Past, acutely aware of how philosophical, historical, and narrative writing intersected, gave years of thinking and planning to his multivolume masterpiece. Its shape was protean. Each successive volume reconfigured the previous ones and in 1987 Proust readers welcomed the publication of several new editions, among them the Biblioth_que de la Pläiade, which presented as many pages of variants as of text. The Proustian Fabric engages the complex layers of association to be found in Proust's work. According to Christie McDonald, "Remembrance of Things Past straddles the dominant thinking patterns of two centuries: the nineteenth, inøwhich the association of fragmentary thought was to be subsumed into theønotion of a totality, and the twentieth, in which the notion of associative thinking was to move toward an infinite process of referral and interpretation." Imbued with McDonald's discerning knowledge of Proust's intellectual and historical milieu, his compendious writing and his critics, The Proustian Fabric is one of the first books to take into account the rich variations of the new editions and to reexamine certain suppositions about Proust's methods, as well as his concern with philosophy, literature, art, and politics.

"An ambitious study, the fruit of sustained work over many years. Professor Carter's book deploys a stunning knowledge of Proust and places Carter among the first line of Proust scholars in the country." —Roger Shattuck,Boston University The Proustian Quest is the first full-length study that explores the influence of social change on Proust's vision. In Remembrance of Things Past, Proust describes how the machines of transportation and communication transformed fashion, social mores, time-space perception, and the understanding of the laws of nature. Concentrating on the motif of speed, Carter establishes the centrality of the modern world to the novel's main themes and produces a far- reaching synthesis that demonstrates the work's profound structural unity.

Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.

Charting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century.

A detailed analysis of Proust's masterpiece, aimed at students coming to the work for the first time.

"Proust/Warhol : Analytical Philosophy of Art employs three key intellectual tools : the aesthetic theory of Arthur Danto, the account of Proust by Joshua Landy, and the analysis of the art of living by Alexander Nehamas. Proust/Warhol concludes with a discussion of an issue of particular importance for Warhol, the relationship between art and fashion."--Jacket