Protest Knits is the book for you: from pussy hats to protest scarfs and political pin cushions to shy anarchist socks, make your point with a crochet hook or pair of knitting needles. From the easy-peasy to the more complex, here are more than 15 projects for some crafty therapy. Knitting and handicrafts have a long history in protesting – the pussy hat project has been particularly successful but it joins a long tradition of crafty activism. In Canada, there's the Revolutionary Knitting Circle, which first made headlines for their protest at the 2002 G8 summit. Australia has the Knitting Nannas, who protest about environmental issues by holding 'knit-ins'. In the UK, activists from Wool Against Weapons knitted a seven-mile-long pink 'peace scarf' to protest against the country's Trident nuclear weapon programme. Then, a year later, they repurposed it into thousands of blankets for those in need in warzones and developing nations. Down in Chile, it's the hombres tejedores (knitting men) who break down stereotypes and teach other men to embrace the creative hobby. In cities across the world, 'yarn bombing' reclaims urban spaces with a pair of needles, covering everyday items in brightly coloured knits. Like other forms of graffiti, yarn bombing can convey a message of protest - or it can just be street art for the sake of art. Knitting for change is a global activity, so get your needles and hooks out and change the world!

Presenting a contemporary reflection on ethical and sustainable consumption, this insightful Research Handbook offers discussions on the challenges and complexity of living an ethical and sustainable life, and for the researchers who study them. Featuring cutting-edge, multidisciplinary research from authors with unique perspectives and expert insights, this Research Handbook takes a deeper look at the past, present, and future of ethical and sustainable consumption.

Purl and stitch: Empowering, healing, and reconnecting us to each other and ourselves In a fractured world plagued by anxiety and loneliness, knitting is coming to the rescue of people from all walks of life. Economist and lifelong knitter Loretta Napoleoni unveils the hidden power of the purl and stitch mantra: an essential tool for the survival of our species, a means for women to influence history, a soothing activity to calm us, and a powerful metaphor of life. This book is a voyage through our history following the yarn of social, economic and political changes - from ancient Egypt and Peru to modern Mongolia, from the spinning bees of the American Revolution to the knitting spies of World War II, and from the hippies' rejection of consumerism to yarnbombing protests against climate change. For the author it is also a personal journey of discovery and salvation, drawing on the wisdom her grandmother passed along as they knit together. Revealing recent discoveries in neuroscience, The Power of Knitting offers proof of the healing powers of knitting on our bodies and minds. Breaking through societal barriers, even nursing broken hearts, and helping to advance cutting-edge science, knitting is still a valuable instrument for navigating our daily lives. As a bonus, the book includes patterns for ten simple yet iconic projects that reflect the creative, empowering spirit of knitting, with complete instructions.

This book provides a holistic and accessible approach to sustainable fashion management. It offers an interdisciplinary and practical outlook, combining theory with practical application from a management perspective and underpinned by the Sustainable Development Goals throughout. The book helps students to gain a better understanding of what sustainable fashion is and how it is implemented across the fashion industry, through business model innovations, innovative designs, new technology and digital approaches, and material innovations. Global case studies are employed throughout each chapter, including fashion companies and events of all sizes, alongside other pedagogical features to aid learning, including key learning points, chapter objectives, and textboxes explaining key terminology. This is an essential textbook for those investigating sustainable fashion, whether from a design or management perspective, providing the knowledge and tools for a future career. It is designed to serve Fashion Business and Management, Fashion Marketing, Fashion Buying and Merchandising and Fashion Technology courses, at all levels, and will also be valuable reading for those already working within the fashion industry and studying for professional qualifications. Online resources include chapter-by-chapter PowerPoint slides and a test bank.

Protest Knits is the book for you: from pussy hats to protest scarfs and political pin cushions to shy anarchist socks, make your point with a crochet hook or pair of knitting needles. From the easy-peasy to the more complex, here are more than 15 projects for some crafty therapy. Knitting and handicrafts have a long history in protesting – the pussy hat project has been particularly successful but it joins a long tradition of crafty activism. In Canada, there's the Revolutionary Knitting Circle, which first made headlines for their protest at the 2002 G8 summit. Australia has the Knitting Nannas, who protest about environmental issues by holding 'knit-ins'. In the UK, activists from Wool Against Weapons knitted a seven-mile-long pink 'peace scarf' to protest against the country's Trident nuclear weapon programme. Then, a year later, they repurposed it into thousands of blankets for those in need in warzones and developing nations. Down in Chile, it's the hombres tejedores (knitting men) who break down stereotypes and teach other men to embrace the creative hobby. In cities across the world, 'yarn bombing' reclaims urban spaces with a pair of needles, covering everyday items in brightly coloured knits. Like other forms of graffiti, yarn bombing can convey a message of protest - or it can just be street art for the sake of art. Knitting for change is a global activity, so get your needles and hooks out and change the world!

Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.

Contemporary craft, art and design are inseparable from the flows of production and consumption under global capitalism. The New Politics of the Handmade features twenty-three voices who critically rethink the handmade in this dramatically shifting economy. The authors examine craft within the conditions of extreme material and economic disparity; a renewed focus on labour and materiality in contemporary art and museums; the political dimensions of craftivism, neoliberalism, and state power; efforts toward urban renewal and sustainability; the use of digital technologies; and craft's connections to race, cultural identity and sovereignty in texts that criss-cross five continents. They claim contemporary craft as a dynamic critical position for understanding the most immediate political and aesthetic issues of our time.

From the ivory tower to the barricades! Radical intellectuals explore the relationship between research and resistance.

The explosion of print culture that occurred in the United States at the turn of the twentieth century activated the widespread use of print media to promote social and political activism. Exploring this phenomenon, the essays in Modern Print Activism in the United States focus on specific groups, individuals, and causes that relied on print as a vehicle for activism. They also take up the variety of print forms in which calls for activism have appeared, including fiction, editorials, letters to the editor, graphic satire, and non-periodical media such as pamphlets and calendars. As the contributors show, activists have used print media in a range of ways, not only in expected applications such as calls for boycotts and protests, but also for less expected aims such as the creation of networks among readers and to the legitimization of their causes. At a time when the golden age of print appears to be ending, Modern Print Activism in the United States argues that print activism should be studied as a specifically modernist phenomenon and poses questions related to the efficacy of print as a vehicle for social and political change.