В книгу включены переводы на английский язык произведений Михаила Армалинского. В неё вошли рассказы, киносценарий и эссе “Спасительница”. Большинство оригиналов было опубликовано в книге “Чтоб знали!”, изданной в московским издательством Ладомир в 2002 году.Mikhail Armalinsky is the leader of modern Russian erotica. He resides in the US since 1977. He is the publisher of Pushkin's Secret Journal 1836-1837 translated in 25 countries and the author of over 20 books of prose and poetry.The main theme in Armalinsky's work is the comprehensive study of human sexual relationships. Working outside of any literary school, following no one and producing no followers, Mikhail Armalinsky has tirelessly, over the course of half a century, promoted in the consciousness of his readers his themes, views, and convictions, which for him have the force of commandments.The main idea of the essay is that the legalization of prostitution must be based on a return of its divine, sacred character, so that prostitution will be considered the most honorable profession, the one closest to God, the holiest.Most of works in this book are translated from Armalinsky’s collection of works in Russian Чтоб знали! available at litres.ru

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The rising visibility of interracial couples calls for increased attention to the overlapping of culture and race, in safe spaces centered on small-group dynamics, or in public spaces where peoples of African descent are under the public gaze. This comparative study seeks to de-center the U.S-centered viewpoint common to much of the literature on black/white relations. Based on nine years of fieldwork in the American South and in France, Coquet shows many unexpected parallels between the two societies. Gendered perceptions of cultural authenticity and sexual ethics are a guiding thread, being inseparable from the historical and political contingencies (re-)defining acceptable forms of dating, marrying, and parenting among cis-heterosexual couples in both societies. Her account emphasizes resilience and agency as couples seek to protect themselves and their children, while their extended or symbolic kinship networks help white partners acknowledge the existence of racial privilege.

The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.

This volume comprises selected papers of SEM IV & V (Studientag Englisches Mittelalter), held at Potsdam in 2002 & 2003, and provides a representative cross-section of topics in the field of English medieval studies in Germany and Switzerland. The spectrum ranges from cultural studies centring around the history of ideas, questions of gender and the reception of the Middle Ages, to philological and linguistic approaches focussing on manuscript studies, semantics and (textual) communication.

Sex, Gender, and Sexualities in the Plays of Edward Albee contains a general introduction and eleven essays by American and European Albee scholars on Albee’s depictions of gender relations, sexual relations, monogamy, child-rearing, and homosexuality. The volume includes close readings of individual plays and more general theoretical and historical discussions. Contributors: Henry Albright, Mary Ann Barfield, Araceli Gonzalez Crespan, Andrew Darr, John M. Clum, Paul Grant, Emeline Jouve, T. Ross Leasure, David Marcia, Cormac O’Brien, Donald Pease, Valentine Vasak

This single-volume resource offers comprehensive coverage of women directors and their films as well as producers, writers and production artists. General information on the filmmaker or film is followed, where applicable, by more detailed biography, filmography, comprehensive credits, production information, awards and bibliography. The core of the entry consists of a signed, 800- to 1,000-word critical essay written by a film critic or scholar. Following introductory essays on the evolution and status of women filmmakers, 190 alphabetically arranged entries discuss women directors, producers, animators, art directors, editors, writers, and costume designers. Each entry contains a brief biography, a complete filmography, a selected bibliography of works on and by the entrant, and an expository essay by a specialist in the field. The remaining entries (approximately 60) concern films in which women filmmakers have had a major role. They include production information, lists of cast and crew, a selected bibliography of works about the film, and an essay. Contains many b & w portraits and stills.

A two-volume biographical/critical dictionary of major, filmmakers from all countries, covering the entire history of the medium from 1890 to the present. Each director is treated in a separate essay that includes a detailed, chronological account of the subject's life and work and a summary of critical opinion. Includes filmography and a selective bibliography of books and articles.