A groundbreaking tour of the human mind that illuminates the biological nature of our inner worlds and emotions, through gripping, moving—and, at times, harrowing—clinical stories “[A] scintillating and moving analysis of the human brain and emotions.”—Nature “Beautifully connects the inner feelings within all human beings to deep insights from modern psychiatry and neuroscience.”—Robert Lefkowitz, Nobel Laureate Karl Deisseroth has spent his life pursuing truths about the human mind, both as a renowned clinical psychiatrist and as a researcher creating and developing the revolutionary field of optogenetics, which uses light to help decipher the brain’s workings. In Projections, he combines his knowledge of the brain’s inner circuitry with a deep empathy for his patients to examine what mental illness reveals about the human mind and the origin of human feelings—how the broken can illuminate the unbroken. Through cutting-edge research and gripping case studies from Deisseroth’s own patients, Projections tells a larger story about the material origins of human emotion, bridging the gap between the ancient circuits of our brain and the poignant moments of suffering in our daily lives. The stories of Deisseroth’s patients are rich with humanity and shine an unprecedented light on the self—and the ways in which it can break down. A young woman with an eating disorder reveals how the mind can rebel against the brain’s most primitive drives of hunger and thirst; an older man, smothered into silence by depression and dementia, shows how humans evolved to feel not only joy but also its absence; and a lonely Uighur woman far from her homeland teaches both the importance—and challenges—of deep social bonds. Illuminating, literary, and essential, Projections is a revelatory, immensely powerful work. It transforms our understanding not only of the brain but of ourselves as social beings—giving vivid illustrations through science and resonant human stories of our yearning for connection and meaning.

Cartographers have long grappled with the impossibility of portraying the earth in two dimensions. To solve this problem, mapmakers have created map projections. This work discusses and illustrates the known map projections from before 500BC to the present, with facts on their origins and use.

By Jerome Rothenberg. Contributions by Steven Clay.

The initial plans for this book sprang from a late-afternoon conversation in a hotel bar. All three authors were attending the 1996 meeting of the Population As- ciation of America in New Orleans. While nursing drinks and expounding on a variety of topics, we began talking about our current research projects. It so happened that all three of us had been entertaining the notion of writing a book on state and local population projections. Recognizing the enormity of the project for a single author, we quickly decided to collaborate. Had we not decided to work together, it is unlikely that this book ever would have been written. The last comprehensive treatment of state and local population projections was Don Pittenger’s excellent work Projecting State and Local Populations (1976). Many changes affecting the production of population projections have occurred since that time. Technological changes have led to vast increases in computing power, new data sources, the development of GIS, and the creation of the Internet. The procedures for applying a number of projection methods have changed considerably, and several completely new methods have been developed.

Map Projections for Babies is a board book that explains how we unwrap the round Earth to make flat maps. Vibrant illustrations show unique map projection examples, ranging from common shapes - like circles and squares - to intricate shapes - like hearts and butterflies. This book illustrates the way size, shape, and distance change on maps made using different projections. Encourage early communication and learning with this guide for babies (and their loved ones) that describes a complex concept in a baby-friendly format.

To succeed in foreign policy, U.S. presidents have to sell their versions or framings of political events to the news media and to the public. But since the end of the Cold War, journalists have increasingly resisted presidential views, even offering their own spin on events. What, then, determines whether the media will accept or reject the White House perspective? And what consequences does this new media environment have for policymaking and public opinion? To answer these questions, Robert M. Entman develops a powerful new model of how media framing works—a model that allows him to explain why the media cheered American victories over small-time dictators in Grenada and Panama but barely noticed the success of far more difficult missions in Haiti and Kosovo. Discussing the practical implications of his model, Entman also suggests ways to more effectively encourage the exchange of ideas between the government and the media and between the media and the public. His book will be an essential guide for political scientists, students of the media, and anyone interested in the increasingly influential role of the media in foreign policy.

Film does far more than document performance—it actively recreates the time and space of performance and overhauls its rapport with the viewer’s eye and body. The first book to look in-depth at the intersection of film and performance in relation to issues and theories of space, Performance Projections travels from the origins of film in Europe and the United States to the world of digital media today, exploring the dynamic relationship between these vitally connected ideas. Drawing from a wide range of examples—including filmic depictions of German and Japanese and Chinese performance art and street cultures—Stephen Barber argues that the act of filming has the power to draw distinctively performative dimensions out of unruly human gatherings, such as riots and political protests, while also accentuating the outlandish and aberrant aspects of performance. Spanning the history of film, Barber moves from performance in film’s formative years, such as Edward Muybridge’s work in the 1880s, to contemporary performance artworks—for example, Rabih Mroué’s investigations of the often lethal camera phone filming of snipers in Syrian cities. Proposing that the future conception of filmed performance needs to be radically expanded in response to the transformations of digital film cultures, Performance Projections is a critical addition to the literature on both film and art history.

About the Author: Frederick Pearson has extensive experience in teaching map projection at the Air Force Cartography School and Virginia Polytechnic Institute. He developed star charts, satellite trajectory programs, and a celestial navigation device for the Aeronautical Chart and Information Center. He is an expert in orbital analysis of satellites, and control and guidance systems. At McDonnell-Douglas, he worked on the guidance system for the space shuttle. This text develops the plotting equations for the major map projections. The emphasis is on obtaining usable algorithms for computed aided plotting and CRT display. The problem of map projection is stated, and the basic terminology is introduced. The required fundamental mathematics is reviewed, and transformation theory is developed. Theories from differential geometry are particularized for the transformation from a sphere or spheroid as the model of the earth onto a selected plotting surface. The most current parameters to describe the figure of the earth are given. Formulas are included to calculate meridian length, parallel length, geodetic and geocentric latitude, azimuth, and distances on the sphere or spheroid. Equal area, conformal, and conventional projection transformations are derived. All result in direct transformation from geographic to cartesian coordinates. For selected projections, inverse transformations from cartesian to geographic coordinates are given. Since the avoidance of distortion is important, the theory of distortion is explored. Formulas are developed to give a quantitative estimate of linear, area, and angular distortions. Extended examples are given for several mapping problems of interest. Computer applications, and efficient algorithms are presented. This book is an appropriate text for a course in the mathematical aspects of mapping and cartography. Map projections are of interest to workers in many fields. Some of these are mathematicians, engineers, surveyors, geodicests, geographers, astronomers, and military intelligence analysts and strategists.

, Martin M. Winkler, and Maria Wyke--Peter Bondanella, Indiana University "Classical Outlook"