“An enthralling tale of disappearances, deaths, dark secrets, and corporate evil.” —Douglas Preston, #1 bestselling co-author of the Agent Pendergast series Nothing stays hidden forever... Two men, unified by a string of disappearances and deaths, search for answers—and salvation—in the jungles of Kaua‘i. Together, they must navigate the overlapping and complicated lines between a close-knit community and the hated, but economically-necessary corporate farms—and the decades old secrets that bind them. Project Namahana takes you from Midwestern, glass-walled, corporate offices over the Pacific and across the island of Kaua‘i; from seemingly idyllic beaches and mountainous inland jungles to the face of Mount Namahana; all the while, exploring the question of how corporate executives could be responsible for evil things without, presumably, being evil themselves. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this high-stakes, character-driven thriller, a Hawaiian family must decide the future of their ancestral land when a tech billionaire decides he wants it for himself, and won't take no for an answer. What would you do if you. . . . . .were offered an obscene amount of money for your family's ancestral land? For Nalani and her mother, the money that could change their lives—at the sacrifice of everything they believe—is a double edged blade, and they're not sure they can trust the secretive tech billionaire holding it out to them as if it were an olive branch. But what happens when a man with unlimited wealth is given an answer he doesn't want to hear? . . .woke up on a plane en route to a tiny Hawaiian island, with no memory of who you are or why you're there? Janice, whose only clues are the passport in her pocket, and a locked phone with increasingly alarming text alerts about a situation she may or may not be part of, barely knows where to start. Navigating an unfamiliar place, and her own unfamiliar mind, Janice seeks to discover who she is, and answer the question of why she is here, and exactly whose side is she on? As plans are set in motion that carry them down dangerous and unexpected paths, all involved must decide just how far they are willing to go to reach their goals, before turning back is no longer an option. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Today is Christmas Eve. Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved. Marnie and her little sister, Nelly, are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren't telling. While life in Glasgow's Maryhill housing estate isn't grand, the girls do have each other. Besides, it's only a year until Marnie will be considered an adult and can legally take care of them both. As the New Year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? Lennie takes them in—feeds them, clothes them, protects them—and something like a family forms. But soon enough, the sisters' friends, their teachers, and the authorities start asking tougher questions. As one lie leads to another, dark secrets about the girls' family surface, creating complications that threaten to tear them apart. Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for one another.

NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.

In late nineteenth-century Boston, home to Herman Melville and Oliver Wendell Holmes, a serial killer preying on children is running loose in the city—a wilderness of ruin caused by the Great Fire of 1872—in this literary historical crime thriller reminiscent of The Devil in the White City. In the early 1870s, local children begin disappearing from the working-class neighborhoods of Boston. Several return home bloody and bruised after being tortured, while others never come back. With the city on edge, authorities believe the abductions are the handiwork of a psychopath, until they discover that their killer—fourteen-year-old Jesse Pomeroy—is barely older than his victims. The criminal investigation that follows sparks a debate among the world’s most revered medical minds, and will have a decades-long impact on the judicial system and medical consciousness. The Wilderness of Ruin is a riveting tale of gruesome murder and depravity. At its heart is a great American city divided by class—a chasm that widens in the aftermath of the Great Fire of 1872. Roseanne Montillo brings Gilded Age Boston to glorious life—from the genteel cobblestone streets of Beacon Hill to the squalid, overcrowded tenements of Southie. Here, too, is the writer Herman Melville. Enthralled by the child killer’s case, he enlists physician Oliver Wendell Holmes to help him understand how it might relate to his own mental instability. With verve and historical detail, Roseanne Montillo explores this case that reverberated through all of Boston society in order to help us understand our modern hunger for the prurient and sensational. The Wilderness of Ruin features more than a dozen black-and-white photographs.

The New York Times bestselling author of Before I Fall and the Delirium trilogy makes her brilliant adult debut with this mesmerizing story in the tradition of The Lovely Bones, Her Fearful Symmetry, and The Ocean at the End of the Lane—a tale of family, ghosts, secrets, and mystery, in which the lives of the living and the dead intersect in shocking, surprising, and moving ways. Wealthy Richard Walker has just died, leaving behind his country house full of rooms packed with the detritus of a lifetime. His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results. Elegantly constructed and brilliantly paced, Rooms is an enticing and imaginative ghost story and a searing family drama that is as haunting as it is resonant.