What the critics are saying: "Beyond the bounds of depravity!"–London Evening Standard "Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times "People are right to be shocked." –The New Yorker From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject. All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to "lower her gaze" in order to deflect attention from boys. After she is "slut-shamed" at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up and identify the killer, Una grapples with the patterns of behavior that led her to believe she was to blame. Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of color to convey Una's sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies. Una (a pseudonym) is an artist, academic, and comics creator. Becoming Unbecoming, which took seven years to create, is her first book. She lives in the United Kingdom.

From the opening essay, "The Bloomsbury Group Live at the Apollo (Liner Notes from the New Best-Selling Album)" to the title piece that discusses ways in which you might begin a romance with your mother ("In today's fast-moving, transient, rootless society, where people meet and make love and part without ever really touching, the relationship every guy already has with his own mother is too valuable to ignore...") to a parody that features Samuel Beckett as a pilot giving an existential in-flight speech to the passengers, the twenty-five comic essays in this delightful collection are nothing short of brilliant. Ian Frazier, long considered one of our most treasured humorists, proves that comedy can be just as smart as it is entertaining.

"The deceptively simple prose keeps the book brisk and even gripping as its puzzles grow more craggy and complex. This is Evenson's singular, Poe-like gift: He writes with intelligence and a steady hand, even when his characters decide to lop their own limbs off."—Time Out New York When Kline is kidnapped by a dark sect that believes amputation brings you closer to God, he's tasked with uncovering who murdered their leader. Will he uncover the truth in time to save himself, take on the mantle of prophet, or destroy all he sees with a rain of biblical violence?

How porno chic became porno hell. In the early 1970s, outrageous claims were made of a new blood-spattered cinematic extreme. This was the legend of the ‘snuff movie’, which promoted the inhuman notion that a woman had been murdered to satisfy the sexual appetite of a jaded public. The story was produced by a kind of madness incarnate, but it reflected the desperation of America in cultural turmoil. ‘Snuff’ was a backlash against the naïve liberalism of the counterculture, embraced by people who preferred to believe the worst about their society. Once unleashed the concept was embraced and manipulated by the tabloid media and a variety of political and social crusaders, each using it to further their own cause. Brutal, evil, ghastly beyond belief, snuff became an iconic urban legend. This book is the true, startling and hideously exploitative history of that legend and how it was created. SNUFF—THE BLOODIEST THING THAT EVER HAPPENED IN FRONT OF A CAMERA!

Geopiracy is a study of the 'Bowman expeditions'—a project through which geographers, with funding from the US Army, are mapping the 'human terrain' of foreign lands. Wainwright offers a critique of human geography today that draws on contemporary social theory to raise unsettling questions about the nature of geography's disciplinary formation.

Accounts of women's transgressive behavior in eighteenth-century literature and social documents have much to teach us about constructions of femininity during the period often identified as having formed our society's gender norms. Lewd and Notorious explores the eighteenth century's shadows, inhabited by marginal women of many kinds and degrees of contrariness. The reader meets Laetitia Pilkington, whose sexual indiscretions caused her to fall from social and literary grace to become an articulate memoirist of personal scandal, and Elizabeth Brownrigg, who tortured and starved her young servants, propelling herself to an infamy comparable to Susan Smith's or Myra Hindley's. More awful women wait between these covers to teach us about society's reception (and construction) of their debauchery and dangerousness. The authors draw upon a rich range of contemporary texts to illuminate the lives of these women. Astute analysis of literary, legal, evangelical, epistolary, and political documents provides an understanding of 1700s womanhood. From lusty old maids to murderous mistresses, the characters who exemplify this period's vision of women on the edge are essential acquaintances for anyone wishing to understand the development and ramifications of conceptions of femininity.

This is the first handbook to examine the theory, research, and practice of clinical supervision from an international, multi-disciplinary perspective. Focuses on conceptual and research foundations, practice foundations, core skills, measuring competence, and supervision perspectives Includes original articles by contributors from around the world, including Australia, Finland, Hong Kong, Slovenia, South Africa, Sweden, the United Kingdom, and the United States Addresses key aspects of supervision, including competency frameworks, evidence-based practice, supervisory alliances, qualitative and quantitative assessment, diversity-sensitive supervision, and more Features timely and authoritative coverage of the latest research in the field and novel ideas for clinical practice

Sacred Art - A Hollow Bone for Spirit: Where Art Meets Shamanism tells the story of sacred art across cultures, continents and historical periods and makes a plea for sacred art to once again take its rightful place in our perception. Making sacred art means stepping outside the realm of ego-led consciousness to become a hollow bone for spirit so art becomes a mystery school process. When we connect to Divine forces greater than ourselves, creative blocks do not exist and healing occurs naturally. The greatest piece of art we will ever make is our own life!

This foundation volume presents a unique integration of the wide spectrum of approaches to Cranio-Sacral Therapy, providing practitioners and students with a broad and authoritative understanding of the discipline. The author covers the fundamentals of theory as well as the practical skills and techniques needed to carry out Cranio-Sacral work, and the book also includes detailed instructions for treatments, all of which are clearly explained in extensive case histories, photographs and illustrations. Based upon the syllabus of the College of Cranio-Sacral Therapy in London, UK, this is an unparalleled resource for practitioners of Cranio-Sacral Therapy and Cranial Osteopathy, and an essential reference for students.