Eight leading scholars have joined forces to give us the most comprehensive book to date on the history of African-American religion from the slavery period to the present. Beginning with Albert Raboteau's essay on the importance of the story of Exodus among African-American Christians and concluding with Clayborne Carson's work on Martin Luther King, Jr.'s religious development, this volume illuminates the fusion of African and Christian traditions that has so uniquely contributed to American religious development. Several common themes emerge: the critical importance of African roots, the traumatic discontinuities of slavery, the struggle for freedom within slavery and the subsequent experience of discrimination, and the remarkable creativity of African-American religious faith and practice. Together, these essays enrich our understanding of both African-American life and its part in the history of religion in America.

Talking to the Dead is an ethnography of seven Gullah/Geechee women from the South Carolina lowcountry. These women communicate with their ancestors through dreams, prayer, and visions and traditional crafts and customs, such as storytelling, basket making, and ecstatic singing in their churches. Like other Gullah/Geechee women of the South Carolina and Georgia coasts, these women, through their active communication with the deceased, make choices and receive guidance about how to live out their faith and engage with the living. LeRhonda S. Manigault-Bryant emphasizes that this communication affirms the women's spiritual faith—which seamlessly integrates Christian and folk traditions—and reinforces their position as powerful culture keepers within Gullah/Geechee society. By looking in depth at this long-standing spiritual practice, Manigault-Bryant highlights the subversive ingenuity that lowcountry inhabitants use to thrive spiritually and to maintain a sense of continuity with the past.

"First published in 1979, Wrestlin' Jacob offers insights into the intersection of black and white religious history in the South. Erskine Clarke provides two arenas - one urban and one rural - that show what happened when white ministers tried to bring black slaves into the fold of Christianity. Clarke illustrates how the good intentions - and vain illusions - of the white preachers, coupled with the degradation and cultural strength of the slaves, played a significant role in the development of black churches in the South. The author's new introduction discusses the growth of interest in Southern religious history and reviews the scholarly developments in the field since the book's original publication."--Jacket.

"Seizing the New Day is a good book, carefully researched, logically organized, and clearly written. . . . an excellent model for others who would study change at the local level in this fascinating period of American history. And the volume is handsomely illustrated with well-chosen photographs, drawings, and maps."—H-Net Reviews in the Humanities and Social Sciences For former slaves in Charleston, South Carolina, life was a constant struggle adjusting to freedom while battling whites' attempts to regain control. Using autobiographies, slave narratives, Freedmen's Bureau letters and papers, and other primary documents, Wilbert L. Jenkins attempts to understand how the freedmen saw themselves in the new order and to shed light on their hopes and aspirations. He emphasizes, not the defeat of these aspirations, but rather the victories the freedmen won against white resistance.

Perhaps no other group of people has been as much formed by biblical texts and tropes as African Americans. From literature and the arts to popular culture and everyday life, the Bible courses through black society and culture like blood through veins. Despite the enormous recent interest in African American religion, relatively little attention has been paid to the diversity of ways in which African Americans have utilized the Bible. African Americans and the Bible is the fruit of a four-year collaborative research project directed by Vincent L. Wimbush and funded by the Lilly Endowment. It brings together scholars and experts (sixty-eight in all) from a wide range of academic and artistic fields and disciplines--including ethnography, cultural history, and biblical studies as well as art, music, film, dance, drama, and literature. The focus is on the interaction between the people known as African Americans and that complex of visions, rhetorics, and ideologies known as the Bible. As such, the book is less about the meaning(s) of the Bible than about the Bible and meaning(s), less about the world(s) of the Bible than about how worlds and the Bible interact--in short, about how a text constructs a people and a people constructs a text. It is about a particular sociocultural formation but also about the dynamics that obtain in the interrelation between any group of people and sacred texts in general. Thus African Americans and the Bible provides an exemplum of sociocultural formation and a critical lens through which the process of sociocultural formation can be viewed.