"Private Spud Tamson" is a book by Captain R. W. Campbell which describes the story of the military regiment, The Glesca Mileeshy. This book, in its way, tries to describe the nature and kind of people who fill the ranks of the Great Britain Militia regiments. A story of war and the people who protect the nation against intrusions.

Scottish creative writing in the twentieth century was notable for its willingness to explore and absorb the literatures of other times and other nations. From the engagement with Russian literature of Hugh MacDiarmid and Edwin Morgan, through to the interplay with continental literary theory, Scottish writers have proved active participants in a diverse international literary practice. Scottish criticism has, arguably, often been slow in appreciating the full extent of this exchange. Preoccupied with marking out its territory, with identifying an independent and distinctive tradition, Scottish criticism has occasionally blinded itself to the diversity and range of its writers. In stressing the importance of cultural independence, it has tended to overlook the many virtues of interdependence. The essays in this book aim to offer a corrective view. They celebrate the achievement of Scottish writing in the twentieth century by offering a wider basis for appreciation than a narrow idea of 'Scottishness'. Each essay explores an aspect of Scottish writing in an individual foreign perspective; together they provide an enriching account of a national literary practice that has deep, and often surprisingly complex, roots in international culture.

Excerpt from Private Spud Tamson Very well, come with me, and I'll get you a field-marshal's baton, said the ser geant with glee, for this recruiter was feeling thirsty and much in need of his half-crown fee. He led Spud into the recruiting Office, and told him to strip. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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As in the rest of Britain, the outbreak of hostilities in 1914 was met in Scotland with excitement and relief. In the field of literature too, the initial response was positive. Kailyard fiction and the Celtic Twilight were left behind as artless verses, patriotic articles and short stories flooded into print. But as the war progressed things changed and a more complex picture emerged - the patriotism and braggadocio was counterpointed by writers who saw the futility and horror of war. In this book, acclaimed military historian Trevor Royle introduces a huge range of literary material - including poetry, prose, fiction, non-fiction, letters and articles - by Scottish writers. The result is a fascinating picture which shows how war affected not only those who fought at the front, but also those at home, and how it led to profound changes - not least in the forging of the Scottish literary Renaissance and the rise of nationalism. Writers include; John Buchan, Lewis Grassic Gibbon, Douglas Haig, Ian Hay, Harry Lauder, Hugh MacDiarmaid, Naomi Mitchison, Neil Munro, John Reith, Saki (H.H. Munro)

This anthology is the first ever acknowledgement of Scotland's unique contribution to the literature of the First World War. Here are gathered together well-known writers like John Buchan, Eric Linklater, Hugh MacDiarmid and Compton Mackenzie, as well as poets like Joseph Lee and Roderick Watson Kerr, who found their true voices fighting in a war to end wars. There is also a substantial contribution from women writers in the work of Violet Jacob, Naomi Mitchison and Mary Symon.