Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.

Italian fashion photographer Leonardo Glauso has captured these natural beauties. A cross between a n: u: d: e fashion shoot and private snapshots. Beautiful, s: e: x: y -- simply e: r: o: t: i: c. Glauso's photography sways far from moral norms, his models stand for freedom of s: e: x: u: a: l expression. In short: stylishly independent, e: r: o: t: i: c, unbelievably beautiful, loaded

The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.

This volume presents the evolution of the genre of the nude through 200 important works by major artists from the 19th century to the present.

MENAFTER10 is a geosocial online dating application for gay "urban men looking for urban men." Among its users is Chauncey Lee, who is always online, always looking. What exactly he's looking for is a mystery even to him, but he does his best trying to find it by dating in bedrooms across an unnamed city. Brontae Williams is just the opposite. He's lonely and desperately wants to settle down into a long-term relationship. His biggest problem is that the only thing anyone wants these days is quick and casual sex. LeMilion Meeks, however, is used to the fast life. With his big personality, he might come off as content with snorting coke in club bathrooms, but he's learning that knowing his HIV status is entirely different than knowing what to do with it. Despite the differences between them, their reasons for using the app are the same. The stories of these men and the men they meet online intersect and converge in this brilliant and sexy debut novel.

Museums have lengthy history, going back to the Renaissance Cabinets of Curiosity, and they are indices of changing fashions of perception insofar as the categories museum curators use to classify objects change over time. The major focus of Tyburczy s study is sexuality on display, which sets up, in turn, her investigation of the effects of museum display on the history of sexuality. Historical context for the museum is one of her themes (and how categories of normacly and perversity change over time), with another themes being the work of sex museums n redefining what sex means in the modern public sphere; she also folds in consideration of the pleasures and dangers of exhibiting marginalized sexual subjects (women, nonwhite races, LGBT individuals, and the like); last, she explores the paradox of asserting (as she does) that all museums are sex museums bodies move around and toward objects on display, they reshape the typical dances of museum-goers along with their preconscious motivations in visiting a museum. She proposes that explicit display or restagings of sexual artifacts provides new ways for approaching and understanding issues of desire, sexual identity, and sexual practices as they intersect with the history of the modern museum and with sexual history during the past two centuries. Her fieldwork sites are: the Leather Archives & Museum in Chicago, the Museum of Sex in New York, the World Erotic Art Museum in Miami Beach, and El Museo del Sexo in Mexico City. Such institutions allow Tyburczy to show how alternative sexuality (inclusive of kink, fetish, and sadomasochistic cultures) and slavery dangerously crisscross on the surface of objects. There are plenty of cases here, in short, to keep the casual reader titillated and the erudite reader surprised."

A hilarious book of essays from comedian, "This American Life" contributor, and rock god Hill. His collection of mind-blowing essays recollect real life experiences of a grown man with red-hot action, startling emotion, and borderline futuristic insights.

Anyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status? The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptable images of the female body are produced and maintained, renews recent debates on high culture and pornography. The Female Nude represents the first feminist survey of the most significant subject in Western art. It reveals how the female nude is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its repectability and spilling over into the obscene.