A forgotten classic brought back into print for the first time in decades - the missing literary sister to Anne of Green Gables and Tracy Beaker, a tough and spirited girl's adventures growing up in a northern post-war mining town. ‘I told our Lucy I’m going to be a writer when I grow up and she said, ‘You should be a good one then. You tell enough lies.’ Psst! We know you shouldn’t really read something labelled ‘private’ but this book is special. It’s written by young girl growing up in a mining town in 1948 who is practising to become a writer when she grows up...possibly. It’s hard work being a writer. There’s no privacy in a house with six kids and there’s no time, especially if you have to go to school and to dancing class (and wear frilly knickers) and Sunday school (and sing about being a sunbeam). You’re supposed to write about what you know, which means this book is about annoying sisters with no sense of humour and brothers who think they know everything, and bullies and chicken spots and being run over. Sometimes you can write about good things that happen, like going to the seaside or Christmas Eve, but mostly the stories end with being sent to bed early in disgrace. But when the writer is a tough, spiky and funny as this one, her adventures will always be worth reading.

When Luke and Mandy start experiencing strange hallucinations and blackouts, they know something is seriously, out-of-this-world wrong Luke Ingram is on his way home one evening when the sky goes black and seems to swallow him whole—but four hours later he wakes up in his own room with no idea how he got there. And Luke isn’t the only one experiencing these strange occurrences. The last thing Mandy Durgin remembers before waking up on her front porch is falling asleep in her bed hours before. When their creepy classmate Quentin starts following them around and harassing them, Luke and Mandy realize Quentin may know more about their lost time than he’s letting on. They know something isn’t right, but what could possibly have caused them to black out at the same time? And why are they having the same terrifying hallucinations about cold operating tables and large, bug-like eyes? Mandy knows there has to be a rational explanation, but Luke isn’t so sure. Those faces in his visions were so . . . alien. Still, the thought of alien abductions is absurd. But when Luke and Mandy black out again the next night, Luke is ready to consider the possibility that their troubles might have an extraterrestrial cause.

Some say that private law ought to correct wrongs or to protect rights. Others say that private law ought to maximise social welfare or to minimise social cost. In this book, Emmanuel Voyiakis claims that private law ought to make our responsibilities to others depend on the opportunities we have to affect how things will go for us. Drawing on the work of HLA Hart and TM Scanlon, he argues that private law principles that require us to bear certain practical burdens in our relations with others are justified as long as those principles provide us with certain opportunities to choose what will happen to us, and having those opportunities is something we have reason to value. The book contrasts this 'value-of-choice' account with its wrong- and social cost-based rivals, and applies it to familiar problems of contract and tort law, including whether liability should be negligence-based or stricter; whether insurance should matter in the allocation of the burden of repair; how far private law should make allowance for persons of limited capacities; when a contract term counts as 'unconscionable' or 'unfair'; and when tort law should hold a person vicariously liable for another's mistakes.