The urgent phone call comes from behind the barbed wire. 'This is Ayalon prison,' says one of the guards urgently. 'Listen, he hanged himself, we need an ambulance.' Prisoner X, just 34 years old, was slumped in a small bathroom, separated from his cell by a transparent door. Kept in one of the most technologically sophisticated solitary jail cells, at the behest of one of the world's most feared intelligence agencies, it is not easy to kill yourself. But Ben Zygier managed to do just that. Did he work for Mossad? Was he also working for ASIO? Was he involved in the supply of false passports? Was he a whistle blower or double agent, or simply a young man way out of his depth? In Prisoner X Rafael Epstein uncovers the intriguing story of a young Australian swept up in international intelligence.

Collects Age Of X-Man: Prisoner X #1-5. The Danger Room holds the worst of the worst in the Age of X-Man! When you break the law in paradise, you aren’t sent to just any prison. You’re sent to the Danger Room — a penitentiary filled with the roughest and meanest mutants who don’t fit into X-Man’s utopia. They each have a reason for being there, and they’re all primed and ready to kill each other. But that’s about to change, because the Danger Room’s newest prisoner has just arrived: Lucas Bishop! As Bishop navigates the various mutant gangs to find the truth beyond the walls of the prison, can he trust the other inmates — including Magneto’s daughter, Polaris? Or will Bishop have to break out on his own? One way or another, these walls are coming down!

The true-life and deeply satiric odyssey of a punk-rock dropout turned porn empire overlord....

The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.

Seminar paper from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Rostock (Institut für Anglistik/ Amerikanistik), course: Prisoners and Prisons in the U.S., language: English, abstract: The theme of racism outside and inside a prison and how to personally overcome this racism as a victim as well as a perpetrator are major themes of the anti-racist movie "American History X". The life of incarcerated people and how it influenced them is often portrayed in TV series or films which are mostly made to entertain the populace rather than to educate or raise awareness about the problems that arise within the displayed topics, and for that stereotypes and juxtapositions are used as well as certain methods and means of film making. This paper looks at exemplary scenes of "American History X" with emphasis on how some means of film making are used to display the life-changing experiences that main protagonist Derek Vinyard encounters while being incarcerated. Today more than two million people of the United States of America are incarcerated in prisons; serving a sentence for a crime they have committed. The experience each inmate makes individually can have an immense impact on their behaviour and mind-set in and outside prison walls. Prisons in general function as public institutions which should, at the very best, try to help the inmates to “find a lawful, economically stable place” in a community and in society after their time spent in prison (Fleisher and Decker 1-2). Incarcerated people not only have to deal with the limitations of their freedom and privacy, often they also encounter racism and racial segregation by officers and other inmates. According to Philip Goodman, "it is the interaction between the inmate and officer in which categorization is born, and that makes racial categorization and segregation possible" (762).

Captive Nation: Black Prison Organizing in the Civil Rights Era

'Shocking, scathing, entertaining.' Guardian 'Incredibly compelling.' The Times 'Heart-breaking.' Sunday Times Where can a tin of tuna buy you clean clothes? Where is it easier to get 'spice' than paracetamol? Where does self-harm barely raise an eyebrow? Welcome to Her Majesty's Prison Service. Like most people, documentary-maker Chris Atkins didn't spend much time thinking about prisons. But after becoming embroiled in a dodgy scheme to fund his latest film, he was sent down for five years. His new home would be HMP Wandsworth, one of the largest and most dysfunctional prisons in Europe. With a cast of characters ranging from wily drug dealers to senior officials bent on endless reform, this powerful memoir uncovers the horrifying reality behind the locked gates. Filled with dark humour and shocking stories, A Bit of a Stretch reveals why our creaking prison system is sorely costing us all - and why you should care.

This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Conference on Quantum Interaction, QI 2018, held in Nice, France, in September 2018. The 12 papers presented in this book were carefully reviewed and selected from 15 submissions. The papers address topics such as: psychology, economics, semantic and memory, natural language processing, cognition, information retrieval, biology, and political science.

A “profound, sometimes hilarious, often heartbreaking” (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle “A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America.”—Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California’s San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia’s contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for “eavesdropping.” It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States—a number that grows by 600,000 annually—Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel’s and Earlonne’s distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.

Deliberate self-harm (DSH) refers to intentionally self-inflicted injuries, and is mainly explained by abuse or neglect, severe psychopathy or at least a trait of a mental disorder. Most functions of DSH serve intrapersonal motives but interpersonal reasons are also found. These range from seeking for attention, pity and sympathy, to benefits like care, help or avoidance of unpleasant tasks or persons. To the latter belongs the deterrence of assaulters, a benefit, especially desirable for prisoners due to the hostile and brutal environment of prisons. This book scrutinizes two hypotheses of avoidance of attacks in prisons by the use of episodes of DSH as costly signals building upon the signaling theory developed in economics and biology. The first hypothesis is that DSH is an honest signal of fearlessness intended to repel other inmates from attacking. The second deals with the avoidance of assaulters by signaling madness via DSH to achieve relocation into an asylum. The underlying motive in this case is the need of protection, and thus, DSH serves as a cry for help to prison authorities. All necessary requirements of both hypotheses are examined, provided with evidence from existing research and analyzed with the help of mathematical models.