Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.

Originally published in French as Le prisonnier de la planaete Mars (1908) and La guerre des vampires (1909) by Albert Maercant, Paris.

This book begins at the intersection of Dracula and War of the Worlds, both published in 1897 London, and describes the settings of Transylvania, Mars, and London as worlds linked by the body of the vampire. It explores the "vampire from another world" in all its various forms, as a manifestation of not just our anxieties around alien others, but also our alien selves. Unsurprisingly, many of the tropes these novels generated and particularly the themes they have in common have been used and adapted by vampire narratives that followed. From Nosferatu to Alien, Interstellar, Stranger Things, and many others, this book examines how these narratives have evolved since the end of the nineteenth century. Bringing together texts and films from across the 19th, 20th, and 21st centuries, from the far reaches of outer space and the distant future, it concludes that the unexpected and the unknown are not always to be feared, and that humanity does have the power to write its own future.

The Self-Propelled Island is the first unabridged English translation of Jules Verne's original story featuring a famous French string quartet that is abducted by an American businessman and taken to Standard Island to perform for its millionaire inhabitants. The quartet soon discovers that Standard Island is not an island at all, but an immense, futuristic ship possessing all the features of an idyllic haven. Equipped with the most opulent amenities, Standard Island travels the Pacific Ocean, traversing the south archipelagos and stopping at many "sister" islands for the pleasure of its well-heeled inhabitants. These inhabitants soon meet with the danger, in its various forms, that is inherent in ocean travel. Meanwhile, the French quartet is witness to the rivalry that exists between the two most powerful families onboard, a rivalry that keeps the future of the island balancing on the edge of a knife. First published in English in 1896, the novel was originally censored in translation. Dozens of pages were cut from the story because English translators felt they were too critical of Americans as well as the British. Here, for the first time, readers have the pleasure of reading The Self-Propelled Island as Verne intended it.

Throughout history, the mysterious dark skies above us have inspired our imaginations in countless ways, influencing our endeavours in science and philosophy, religion, literature and art. Heavenly Treasures is a truly beautiful book showing the richness of astronomical theories and illustrations in Western civilization through the ages, exploring their evolution, and comparing ancient and modern throughout. From Greek verse, mediaeval manuscripts and Victorian poetry to spacecraft photographs and computer-generated star charts, the unprecedented wealth of these portrayals is quite breathtaking.

Vampires have been a popular subject for writers since their inception in 19th century Gothic literature and, later, became popular with filmmakers. Now the classical vampire is extinct, and in its place are new vampires who embrace the hi-tech worlds of science fiction. This book is the first to examine the history of vampires in science fiction. The first part considers the role of science and pseudo-science, from late Victorian to modern times, in the creation of the vampire, as well as the "sensation fiction" of J. Sheridan Le Fanu, Bram Stoker, Arthur Conan Doyle and H.G. Wells. The second part focuses on the history of the science fiction vampire in the cinema, from the silent era to the present. More than sixty films are discussed, including films from such acclaimed directors as Roger Corman, David Cronenberg, Guillermo del Toro and Steven Spielberg, among others.

Sandwiched between Arnould Galopin's Doctor Omega (1906) and Edgar Rice Burroughs' A Princess of Mars (1912), Gustave Le Rouge's masterpiece, Le Prisonnier de la Planète Mars (1908) and its sequel, La Guerre des Vampires (1909), are a Martian Odyssey in which young engineer Robert Darvel is dispatched to Mars ny the psychic powers of Hindu Brahmins. On the Red Planet, Darvel runs afoul of hostile, bat-winged, blood-sucking natives, a once-powerful civilization now ruled by the Great Brain. The entity eventually sends Darvel back to Earth, unfortunately with some of the vampires. The second volume deals with the war of the vampires back on Earth. Planetary romance blends here with "cosmic horror" as the characters switch from swashbuckling he-men to helpless bundles of gibbering terror.

The Encylopedia of the Gothic features a series of newly-commissioned essays from experts in Gothic studies that cover all aspects of the Gothic as it is currently taught and researched, along with the development of the genre and its impact on contemporary culture. Comprises over 200 newly commissioned entries written by a stellar cast of over 130 experts in the field Arranged in A-Z format across two fully cross-referenced volumes Represents the definitive reference guide to all aspects of the Gothic Provides comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that define, shape, and inform the genre Extends beyond a purely literary analysis to explore Gothic elements of film, music, drama, art, and architecture. Explores the development of the genre and its impact on contemporary culture

Together in one collection . . . BETRAYED, HUNTED, UNFORGIVEN, and COMPELLED: The Cyn & Raphael Novellas These novellas can stand alone or be enjoyed as part of the series. BETRAYED: Vampires in America 5.5 War has come to the North American vampires, and Vampire Lords are reaching across territorial lines to strengthen allies and weaken enemies. The most powerful Lord of them all, Raphael, could change the course of the war and determine who raises the final banner of victory. But at what price? And will his mate, Cyn, be the one to pay it? HUNTED: Vampires in America 6.5 The Lord of the Midwest is dead, and the powerful vampires of North America are gathering to choose his successor. The Vampire Council will be there to oversee the competition--each of them focused on keeping the violence to a bloody minimum, including Raphael, who will do whatever it takes to ensure the victor is a vampire he can trust. But someone is hunting, determined to stop Raphael and his mate, Cyn, from ever reaching Chicago. Soon, the hunter may become . . . the hunted. UNFORGIVEN: Vampires in America 7.5 War is imminent, and a spy has infiltrated Raphael's estate. But his target is not Raphael; it's his sister, Alexandra, whose earlier duplicity nearly cost Cyn her life. Raphael and Cyn are determined to play the spy's game, traveling to Mexico to discover who their enemy is and just how far he'll go to win. But once Raphael finds his sister, can he take the chance that she won't betray him again? COMPELLED: Vampires in America 10.5 It was only a few months ago that Raphael lay helpless and dying, taken by treachery, while Cyn fought to save him. Unexpectedly, it was Nick who provided the key to his freedom. In exchange, he secured a promise that they would help him find and recover the same magical artifact that had been used to imprison Raphael. But when he calls on them to keep that promise, it will be Cyn who pays the price. Torn between the two powerful men, struggling to keep them from killing each other, she undertakes a desperate search that will find her fighting for her life against a madman who wants her for himself. D. B. Reynolds is the RT award-winning author of the popular Vampires in America series of Paranormal Romance/Urban Fantasy, and an Emmy-nominated television sound editor. She lives in a flammable canyon near Los Angeles, and when she's not writing her own books, she can usually be found reading someone else's.

From automatons to zombies, many elements of fantasy and science fiction have been cross-pollinated with the Western movie genre. In its second edition, this encyclopedia of the Weird Western includes many new entries covering film, television, animation, novels, pulp fiction, short stories, comic books, graphic novels and video and role-playing games. Categories include Weird, Weird Menace, Science Fiction, Space, Steampunk and Romance Westerns.