This book tells Aurora Mardiganian's life story as she relays it to a movie director and screen writer prior to the making of the movie, "Auction of souls." It is written as a cartoon, with color sequences displaying her life story from the past, interspersed with black and white sequences displaying her dialogue with the movie director and screen writer.

Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.

In Remembering Genocide an international group of scholars draw on current research from a range of disciplines to explore how communities throughout the world remember genocide. Whether coming to terms with atrocities committed in Namibia and Rwanda, Australia, Canada, the Punjab, Armenia, Cambodia and during the Holocaust, those seeking to remember genocide are confronted with numerous challenges. Survivors grapple with the possibility, or even the desirability, of recalling painful memories. Societies where genocide has been perpetrated find it difficult to engage with an uncomfortable historical legacy. Still, to forget genocide, as this volume edited by Nigel Eltringham and Pam Maclean shows, is not an option. To do so reinforces the vulnerability of groups whose very existence remains in jeopardy and denies them the possibility of bringing perpetrators to justice. Contributors discuss how genocide is represented in media including literature, memorial books, film and audiovisual testimony. Debates surrounding the role museums and monuments play in constructing and transmitting memory are highlighted. Finally, authors engage with controversies arising from attempts to mobilise and manipulate memory in the service of reconciliation, compensation and transitional justice.

Gray Nolan's biggest problem in life was the torch he carried for his closeted coach. He was just another happy-go-lucky dude, a college student and hockey player, when his ordinary existence was interrupted, and he became a human trafficking statistic. He and seven other young men were taken aboard a luxurious yacht where they were to be auctioned off to the highest bidder. Gray was beaten, shattered, and almost defeated by the time his buyer stepped out of the shadows in a swirl of his own cigarette smoke. He was Gray's new owner. Darius Quinn had vowed never again to find himself in a situation like this. His days as a private military contractor were over. No more missions, no more risks, no more personal attachments. Yet, here he was, after weeks of searching, face-to-face with his broken prize. It was time to get the knucklehead back to his family. Quick and easy was Darius's plan. Then everything went sideways.

From acclaimed historian Robert H. Patton, author of The Pattons and Patriot Pirates, a rediscovery and celebration of America’s first chroniclers of foreign war. The first war correspondent, William H. Russell of The Times of London, described himself and his profession as “the miserable parent of a luckless tribe.” But it wasn’t long before others saw it differently. Hell Before Breakfast is the spectacular tale of larger-than-life Americans who made it their business to bring back news from the front; from Bull Run to the Paris Commune, from Africa to the Ottoman Empire, through decades of lightning-fast technological progress and high adventure. As America matured into a great power and the monarchies of Europe battled for dominance through a series of brief, bloody imperial wars, with the storm clouds of World War I drawing rapidly closer, these men and their newspapers were at center stage—the vanguard of a golden age of war correspondence.

Book of Souls picks up the action a year after the conclusion of the international sensation Library of the Dead. Will Piper’s life has been forever changed by the astonishing secret he discovered hidden at the government’s clandestine installation deep under the Nevada desert. His uneasy retirement from the FBI is interrupted when a long-missing book surfaces at an auction house in London. A group of ex-Area 51 employees recruits Will to assist them in obtaining the book and in helping them solve a mystery that will affect the fate of all mankind. As government operatives try to stop him, Will discovers the ancient missing volume has had a profound effect on history. Remarkably, a newly found puzzle sonnet by a young William Shakespeare seems to have been inspired by the book. As Will peels back the onion to solve a series of clues hidden in the poem, he finds the book has influenced not only Shakespeare but also the religious philosophy of John Calvin, the father of predestination, and the prophesies of the seer Nostradamus. When the final clue yields the ultimate secret, Will is forced to confront a truth which humanity may not be prepared to accept.