The notorious inhabitants of London's criminal underworld are all in a day's work for Mog, the printer's apprentice, who prints their "wanted" posters. A real-life meeting with a convict entangles Mog in a secret scheme in this suspenseful tale.

A young pre-teen gets into trouble and a school yard fight. Thinking his street fighting actions caused a murder, he ran away from everything. During the years on the horse race tracks, he became a street wise, tough kid who, with his white hair and big smile, would be taken for “the child next door”. His travels would take him over the country, into jail, and finally to the friendship of a giant newspaper owner. An entirely new life would begin and his adventures left no stone unturned. Keywords: Race Track, Dropout, Mentor, Fighter Negotiator, Travels, Trainer, Computer Renovation, Trouble, Newspaper

Trained as a printer when still a boy, and thrilled throughout his life by the automation of printing and the headlong expansion of American publishing, Mark Twain wrote about the consequences of this revolution for culture and for personal identity. Printer’s Devil is the first book to explore these themes in some of Mark Twain's best-known literary works, and in his most daring speculations—on American society, the modern condition, and the nature of the self. Playfully and anxiously, Mark Twain often thought about typeset words and published images as powerful forces—for political and moral change, personal riches and ruin, and epistemological turmoil. In his later years, Mark Twain wrote about the printing press as a center of metaphysical power, a force that could alter the fabric of reality. Studying these themes in Mark Twain’s writings, Bruce Michelson also provides a fascinating overview of technological changes that transformed the American printing and publishing industries during Twain's lifetime, changes that opened new possibilities for content, for speed of production, for the size and diversity of a potential audience, and for international fame. The story of Mark Twain’s life and art, amid this media revolution, is a story with powerful implications for our own time, as we ride another wave of radical change: for printed texts, authors, truth, and consciousness.

Set in New York's notoriously corrupt Tammany Hall era following the Civil War, The Printer's Devil follows Ambrose Kelly, a type-setter for The Tribune. Ambrose has come far in life since his impoverished youth, when he supported his mother and siblings as a bare knuckles fighter. In 1870, Ambrose's dreams are shattered when his wife Maeve and son Edward are run down by a beer wagon. Suspecting murder, Ambrose is intent on tracking down the killers. He arranges for his disabled niece Addie to move in and care for his three year old daughter Nola. Ambrose believes his wife and son were killed because of his side trade in acquiring old books for wealthy patrons. But there may be a different cause - strong-arm work he did for Tammany Hall as a young man. Boss Tweed faces investigation and Ambrose knows that Tammany wouldn't hesitate to silence potential witnesses. Ambrose receives unexpected help from Maisie Rourke, his little sisters' childhood friend. The 19th century equivalent of a call girl, Maisie knows everyone from Samuel Clemens to Jay Gould to George Vandermeer, the shipping magnate who originally commissioned the search for St. Mathew's gospel. After three attempts on Ambrose's life, his former boss Horace Greeley sends him to the Ottoman Empire as a correspondent, enabling Ambrose to track Vandermeer. After discovering Maisie's skill at art, Greeley hires her as Ambrose's illustrator. Together, they follow Vandermeer from Constantinople to a Georgian monastery to the Caspian to Cairo and Luxor and Abyssinia in a deadly race to find the gospel first. Meanwhile, Nola is kidnapped and Addie, though deaf and mute, must search New York alone. While Ambrose wards off his enemies and protects his family, he also must settle his confused feelings between grief for Maeve and Edward, a budding romance with Maisie, and attraction to his niece (by marriage) Addie, who reminds him so much of Maeve.

Two warring printers' guilds struggle to survive in a world where natural disaster has become commonplace. Caught up in a risky raid on rival printer Sevenheads' bank, the Printer's Devil and the Patchwork Girl struggle to escape the city as the black wind starts to blow.