Living in 2300 BCE, Sumerian high priestess Enheduanna became the first author of historical record by signing her name to a collection of hymns written for forty-two temples throughout the southern half of ancient Mesopotamia, the civilization now known as Sumer. Each of her hymns confirmed to the worshipers in each city the patron deity's unique character and significance. The collected hymns became part of the literary canon of the remarkable Sumerian culture and were copied by scribes in the temples for hundreds of years after Enheduanna's death. Betty De Shong Meador offers here the first collection of original translations of all forty-two hymns along with a lengthy examination of the relevant deity and city, as well as an analysis of the verses themselves. She introduces the volume with discussions of Sumerian history and mythology, as well as with what is known about Enheduanna, thought to be the first high priestess to the moon god Nanna, and daughter of Sargon, founder of one of the first empires in human history.

Around 2,300 BC Enheduanna was high priestess to the moon god Nanna at his temple in Ur, a position she held for almost forty years. This volume translates Enheduanna's three devotional poems to the goddess Inanna accompanied by an extensive commentary and discussion which places these highly personal and unique expressions within the context of Sumerian culture and religion. The author highlights the importance of the poems and the princess for our understanding of the place of women in Near Eastern society and religion.

"Inspired by Nin-me-'sar-ra, Enheduanna's song to Inanna."

This anthology translates and discusses texts authored by women of ancient Mesopotamia.

When stars were many and people few, a great story was told everywhere. The first storytellers were women. Their story was so large it filled the universe it told of a Great Mother encompassing life, death and return of everything. When Neolithic farming people settled, and depended on plentiful crops and herds, a goddess of fertility stepped into stardom. Inanna is the Sumerian goddess of love, crescent moon, evening star, fertility and renewal. She is the longest lasting supreme goddess of the Ancient Near East. Inannas biography includes her rise to supreme holder of almost all the powers of culture and civilization. 5000 year old poems bring Inanna to life. She sings to her miraculous vulva and to her consort-lover; she struggles to keep her powers and complains of her losses and demotions. Inanna represents lifes powerful contradictions. She changes peace to war and back again; she causes strife and brings love; she turns women into men and men into women. Inanna loves all her people, every one. A biography must have adversity and Inanna has plenty; she must always conquer of the ever-rising tide of patriarchal domination in all its forms. Buried and forgotten for two millennia, she now steps from the dust, ties up her sandals, applies her kohl, adjusts her tiara, summons her lions, and returns. Her story is also womans story. Let me introduce you to Inanna, Queen of Heaven, Earth, and almost everything

A fresh retelling of the ancient texts about Ishtar, the world's first goddess. Illustrated with visual artifacts of the period. "A great masterpiece of universal literature."--Mircea Eliade

Senshi was born in 964 and died in 1035, in the Heian period of Japanese history (794–1185). Most of the poems discussed here are what may loosely be called Buddhist poems, since they deal with Buddhist scriptures, practices, and ideas. For this reason, most of them have been treated as examples of a category or subgenre of waka called Shakkyoka, “Buddhist poems.” Yet many Shakkyoka are more like other poems in the waka canon than they are unlike them. In the case of Senshi’s “Buddhist poems,” their language links them to the traditions of secular verse. Moreover, the poems use the essentially secular public literary language of waka to address and express serious and relatively private religious concerns and aspirations. In reading Senshi’s poems, it is as important to think about their relationship to the traditions and conventions of waka and to other waka texts as it is to think about their relationship to Buddhist thoughts, practices, and texts. The Buddhist Poetry of the Great Kamo Priestess creates a context for the reading of Senshi’s poems by presenting what is known and what has been thought about her and them. As such, it is a vital source for any reader of Senshi and other literature of the Heian period.

A powerful indictment of America's abandonment of human beings, and children in particular, in favor of corporations, this account exposes the child labor, indentured servitude, and child slavery that are undeniable parts of American history. Arguing that following the election of Ronald Reagan legislations began support corporations at the expense of the American people, this book demonstrates how this nation's intellectual capital was squandered. Deregulation and lax enforcement caused unnecessary deaths to workers in many fields, but far greater are the numbers of deaths and disabilities to.

Simple text and captivating illustrations are paired with beautiful music and fun sound-effects to help tell the classic tale of "The Princess and the Pea." Prince Fastidious travels the world to find his perfect princess. But something is not quite right about any of them. They either talk too much, or not at all. Some are too old for him, or too young. Others are spoiled or have too many noisy, little dogs. Find out what happens when Princess Rose accidentally comes to the castle at night because of a fierce storm. How does she prove to the Queen that she’s a real princess? A happy ending adds interest to this fairy tale and encourages a lifelong love for reading.