"An angry, humorous and loving search for the truth behind the myth and legend of the 'Indian princess.' With her powerful words, Monique Mojica lays bare the hearts and minds of Pocahontas, Malinche, Sacajawea and the uncounted native women who first met and fought the European invasion of our lands. Moving across and through time, Mojica engages our imagination, our spirit, and invites us to witness this time-travel of exploding illusions and delusions, to the triumph and honesty of survival"-Beth Brant-- Back cover.

In the years since the publication of Adrienne Rich's Of Woman Born, the topic of motherhood has emerged as a central issue in feminist scholarship. Arguably still the best feminist book on mothering and motherhood, Of Woman Born is not only a wide-ranging, far-reaching meditation on the meaning and experience of motherhood that draws from the disciplines of anthropology, feminist theory, psychology, and literature, but it also narrates Rich's personal reflections on her experiences of mothering. Andrea O'Reilly gathers feminist scholars from diverse disciplines such as literature, women's studies, law, sociology, anthropology, creative writing, and critical theory and examines how Of Woman Born has informed and influenced the way feminist scholarship "thinks and talks" about motherhood. The contributors explore the many ways in which Rich provides the analytical tools to study and report upon the meaning and experience of motherhood.

Combines histories of the complex interactions between blacks and Natives in North America with examples and readings of art that has emerged from those exchanges.

The first anthology of First Nations drama to be published in Canada, this volume includes seminal work by various authors, and also features previously unpublished plays.

Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.

In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.

The intimate, untold story of Winston Churchill's enduring yet volatile bond with his only son, Randolph “Ireland draws unforgettable sketches of life in the Churchill circle, much like Erik Larson did in The Splendid and the Vile.”―Kirkus • “Fascinating… well-researched and well-written.”—Andrew Roberts • “Beautifully written… A triumph.”—Damien Lewis • “Fascinating, acute and touching.”—Simon Sebag Montefiore We think we know Winston Churchill: the bulldog grimace, the ever-present cigar, the wit and wisdom that led Great Britain through the Second World War. Yet away from the House of Commons and the Cabinet War Rooms, Churchill was a loving family man who doted on his children, none more so than Randolph, his only boy and Winston's anointed heir to the Churchill legacy. Randolph may have been born in his father's shadow, but his father, who had been neglected by his own parents, was determined to see him go far. For decades, throughout Winston's climb to greatness, father and son were inseparable—dining with Britain's elite, gossiping and swilling Champagne at high society parties, holidaying on the French Riviera, touring Prohibition-era America. Captivated by Winston's power, bravery, and charisma, Randolph worshipped his father, and Winston obsessed over his son's future. But their love was complex and combustible, complicated by money, class, and privilege, shaded with ambition, outsize expectations, resentments, and failures. Deeply researched and magnificently written, Churchill & Son is a revealing and surprising portrait of one of history's most celebrated figures.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The volume reflects the human rights situation in many countries from Mauritius to New Zealand, from the Cameroon to Canada. It includes a focus on the Malawian writer Jack Mapanje. The contributorsʼ concerns embrace topics as varied as denotified tribes in India, female genital mutilation in Africa, native residential schools in Canada, political violence in Northern Ireland, the South African Truth and Reconciliation Commission, and the discourse of the Treaty of Waitangi.