The bizarre imagination and stylistic sorcery of Matthew Phipps Shiel have created several sleuths unique in the annals of criminal detection. The author's first published book introduced the mysterious Russian, Prince Zaleski, while his legendary Pale Ape collection present ed a second extraordinary figure, Cummings King Monk. The complete exploits of both detectives are collected here for the first time between two covers -- "The Race of Orven, " "The Stone of the Edmundsbury Monks, " "The S.S., " "The Return of Prince Zaleski, " "He Meddles with Women, " "He Defines 'Greatness of Mind, " and "He Wakes an Echo."

In this new collection of essays, well-known critic Brian Stableford presents twelve pieces on science-fiction and fantasy writers M. P. Shiel, Edward Bulwer-Lytton, Humphry Davy, Robert Hunt, Vernon Lee, J. G. Ballard, James Morrow, Dean Koontz, and Terry Pratchett. Complete with detailed index.

Although fantasy and supernatural literature have long and celebrated histories, many critics contend that the fantastic and the supernatural have no place in the logical, rational, world of the detective story. This book is the first extensive study of the fantastic in detective fiction and it explores the highly debated question of whether detective fiction and the fantastic can comfortably coexist. The "locked room" mystery--which often uses the fantastic as a red herring to eventually be debunked by reason and logic--has long been among the most popular subgenres of detective fiction. This book also explores stories featuring almost supernaturally gifted detectives, stories where the supernatural is truly encountered, and stories with ambiguous endings. Close to 500 detective stories from 1841 to 2000, in which the fantastic or supernatural plays a central role, are discussed and analyzed. Although not all the stories are judged to be successful as detective tales, in the great majority, the fantastic enlivens the tale and deepens the mystery without weakening the detective elements.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Explores the interrelations between the development of detective novels and the codification of scientific methods from the mid- 19th to the mid-20th centuries. Shows how fictional detectives increasingly drew on science and helped raise its esteem among the public. Focuses on Edgar Allen Poe, Arthur Conan Doyle, R. Austin Freeman, and Arthur B. Reeve, but also notes other writers. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR

This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.

This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.

Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.