(Play It Like It Is). This fantastic songbook features note-for-note transcriptions with tab for both Les Claypool's amazing bass work and Larry LaLonde's ace axe playing. Includes all the songs from this CD that first introduced Primus to the mainstream: American Life * Eleven * Fish On (Fisherman Chronicles, Chapter II) * Here Come the Bastards * Is It Luck? * Jerry Was a Race Car Driver * Los Bastardos * Sathington Waltz * Seas of Cheese * Sgt. Baker * Those Damned Blue-Collar Tweekers * Tommy the Cat. Also includes photos.

An oral history of the legendary band Primus, with a star-studded cast of interviewees (Tom Waits, Trey Anastasio, etc.)

An oral history of the legendary band Primus, with a star-studded cast of interviewees (Tom Waits, Phish front man Trey Anastasio, etc.) "It's a wild ride that's vividly captured in Greg Prato's excellent oral history . . ." —Bass Player Magazine Usually when the "alternative rock revolution" of the early 1990s is discussed, Nirvana's Nevermind is credited as the recording that led the charge. Yet there were several earlier albums that helped pave the way, including the Pixies's Doolittle, the Red Hot Chili Peppers's Mother's Milk, Jane's Addiction's Nothing's Shocking, and especially Primus's 1991 album Sailing the Seas of Cheese. This fascinating and beautifully curated oral history tells the tale of this truly one-of-a-kind band. Compiled from nearly fifty all-new interviews—including Primus members past and present and many more fellow musicians—conducted by journalist/author Greg Prato. This book is sure to appeal to longtime fans of the band, as well as admirers of the musicians interviewed for the book. Interviewees include: Tim Alexander, Trey Anastasio (Phish), Matthew Bellamy (Muse), Les Claypool, Stewart Copeland (The Police), Chuck D (Public Enemy), Kirk Hammett (Metallica), Larry LaLonde, Geddy Lee (Rush), Mickey Melchiondo (Ween), Tom Morello (Rage Against the Machine), Chad Smith (Red Hot Chili Peppers), Matt Stone (South Park), Tom Waits, and many more.

The Rock Song Index, Second Edition, is a new version of a well-received index to the classic songs of the rock canon, from the late '40s through the end of the 20th century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Tom Waits, even with his barnyard growl and urban hipster yawp, may just be what the Daily Telegraph calls him: &“the greatest entertainer on Planet Earth.&” Over a span of almost four decades, he has transformed his music and persona not to suit the times but his whims. But along with Bob Dylan, he stands as one of the last elder statesmen still capable of putting out music that matters. Journalists intent upon cracking the code are more likely to come out of a Waits interview with anecdotes about the weather, insects, or medieval medicine. He is, in essence, the teacher we wished we had, dispensing insights such as: &“Vocabulary is my main instrument;&” &“We all like music, but what we really want is for music to like us;&” &“Anything you absorb you will ultimately secrete;&” &“Growth is scary, because you're a seed and you're in the dark and you don't know which way is up, and down might take you down further into a darker place . . .;&” and &“There is no such thing as nonfiction. . . . People who really know what happened aren't talking. And the people who don't have a clue, you can't shut them up.&” Tom Waits on Tom Waits is a selection of over fifty interviews from the more than five hundred available. Here Waits delivers prose as crafted, poetic, potent, and haunting as the lyrics of his best songs.

With his trademark growl, carnival-madman persona, haunting music, and unforgettable lyrics, Tom Waits is one of the most revered and critically acclaimed singer-songwriters alive today. After beginning his career on the margins of the 1970s Los Angeles rock scene, Waits has spent the last thirty years carving out a place for himself among such greats as Bob Dylan and Neil Young. Like them, he is a chameleonic survivor who has achieved long-term success while retaining cult credibility and outsider mystique. But although his songs can seem deeply personal and somewhat autobiographical, fans still know very little about the man himself. Notoriously private, Waits has consistently and deliberately blurred the line between fact and fiction, public and private personas, until it has become impossible to delineate between truth and self-fabricated legend. Lowside of the Road is the first serious biography to cut through the myths and make sense of the life and career of this beloved icon. Barney Hoskyns has gained unprecedented access to Waits’s inner circle and also draws on interviews he has done with Waits over the years. Spanning his extraordinary forty-year career from Closing Time to Orphans, from his perilous “jazzbo” years in 1970s LA to such shape-shifting albums as Swordfishtrombones and Rain Dogs to the Grammy Award winners of recent years, this definitive biography charts Waits’s life and art step by step, album by album. Barney Hoskyns has written a rock biography—much like the subject himself—unlike any other. It is a unique take on one of rock’s great enigmas.

501 Essential Albums of ’90s is the ultimate curated list detailing dozens of the decade’s most influential releases across all genres, featuring descriptions of the releases, album art, and artist imagery.

Newly enhanced with embedded audio and video tracks, the incredible versatility of the bass guitar is revealed in this newly revised, all-inclusive style guide. Each chapter covers particular styles or families of styles, gradually introducing players to techniques that will allow them to get the most out of their instruments and easilyincrease their bass repertoire. More than 400 bass grooves are presented in standard percussion notation, along with 192 embedded audio grooves. The book also includes helpful information on the development of all styles covered. All musical samples in this updated edition are in both standard notation and tablature and the style histories, bibliography, and discography are up to date. The book also includes 50 new grooves and 93 embedded videos of the proper way to play the examples.