“A totally engaging read [and] a fascinating look at the diversity and range of female comics . . . by an author who herself obviously has a sense of humor.” —Joanna E. Rapf, coeditor of The Blackwell Companion to Film Comedy Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars—and often they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

Fourteen-year-old Haylah dreams of being a stand-up star, but when her friends thrust her into the spotlight, she's not confident a plus-sized girl like her belongs onstage. Haylah Swinton is pretty confident she's mastered making light of every situation―from her mom's ugh boyfriend to classmates making unsolicited remarks on her figure. She logs all her best jokes in the hopes of one day busting out a fabulous set that will keep everybody laughing with her and not at her. After botching an open mic night, Haylah learns that her longtime crush, the impossibly cool Leo, is also into comedy. And when Leo provides her an opportunity to live vicariously by ghostwriting his sets for an upcoming festival, Haylah jumps at the chance. What a great way to get her material out there without totally bombing herself! But are Leo's intentions in Haylah's best interests? Despite warnings from her friends, Haylah's not ready to listen―and she might just be digging herself deeper toward heartbreak. If Haylah's ever going to take center stage, first she'll need to find the confidence to put herself out there and strut like the comedy queen she truly is. This contemporary YA rom-com stars a strong, memorable heroine and features a story full of heart, humor, and relatable themes of body image, dreams, and self-esteem.

Women in comedy have traditionally been pegged as either "pretty" or "funny." Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars, and, most often, they've been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. In this pretty-versus-funny history, women writer-comedians—no matter what they look like—have ended up on the other side of "pretty," enabling them to make it the topic and butt of the joke, the ideal that is exposed as funny. Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don't all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women's comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

"This book is filled with loveable characters, witty dialogue and proper LOLS which made recording the audiobook hard - because I kept giggling!" Sharon Rooney Does anyone ever really want to 'fall' in love? Knowing me I'll just trip over it and graze my knee on the gravel of humiliation. Haylah Swinton is fairly confident she's brilliant at being a girl. She's an ace best friend, a loving daughter, and an INCREDIBLY patient sister to her four-year-old total nutter of a brother, Noah. But she has a secret. She wants to be a stand-up comedian, but she's pretty sure girls like her - big girls, girls who don't get all the boys, girls who a lot of people don't see - don't belong on stage. That hasn't stopped her dreaming though, and when the seemingly perfect opportunity to write routines for older, cooler, impossibly funny Leo arises . . . well, what's a girl to do? But is Leo quite an interested in helping Haylah as he says he is? Will Haylah ever find the courage to step into the spotlight herself? And when oh when will people stop telling her she's 'funny for a girl'?!

Six-time Emmy Award-winning funny man Tim Conway—best known for his roles on The Carol Burnett Show—offers a straight-shooting and hilarious memoir about his life on stage and off as an actor and comedian. In television history, few entertainers have captured as many hearts and made as many people laugh as Tim Conway. What’s So Funny? follows Tim’s journey from life as an only child raised by loving but outrageous parents, to his tour of duty in the army, to his ascent as a national star. Conway’s often-improvised humor, razor-sharp timing, and hilarious characters have made him one of the funniest and most authentic performers to grace the stage and studio. As Carol Burnett, who also provides an intimate foreword to the book, has said, “there’s no one funnier” than Tim Conway. What’s So Funny? shares hilarious accounts and never-before-shared stories of behind-the-scenes antics on McHale’s Navy and The Carol Burnett Show as well as his famous partnerships with entertainment greats like Harvey Korman, Don Knotts, and Dick Van Dyke; and his friendships with stars like Betty White and Bob Newhart. Filled with warmth, humor, and heart, What’s So Funny will delight and inspire fans everywhere.

Poverty sucks. Dad's timing the family's showers and refusing to turn on the heating. Mum has arranged for Lou to get lifts to school with Drippy Dermot and his eccentric mother in the Van of Doom. And lentils seem to feature in every single meal. Lou is still coming down from her brief moment of TV super-stardom and getting to grips with the fact that - hold the news - she has a boyfriend, but with both parents out of work, life isn't all plain sailing. Throw in Hannah's obsession with the school prom, Dads strange shed activity and Lav s brief flirtation with a modelling career, and suddenly training a dance troupe to swim underwater seems like a walk in the park.

In more than 30 scathingly funny pieces, a diverse array of authors shows just how quickly a pleasant vacation can turn into an embarrassing anecdote.The stories show that when traveling, even the best of plans fall by the wayside.

A NEW YORK TIMES NOTABLE BOOK OF 2017 From the author of the viral New York Times op-ed column "To Siri with Love" comes a collection of touching, hilarious, and illuminating stories about life with a thirteen-year-old boy with autism that hold insights and revelations for us all. When Judith Newman shared the story of how Apple’s electronic personal assistant, Siri, helped Gus, her son who has autism, she received widespread media attention and an outpouring of affection from readers around the world. Basking in the afterglow of media attention, Gus told anyone who would listen, "I’m a movie star." Judith’s story of her son and his bond with Siri was an unusual tribute to technology. While many worry that our electronic gadgets are dumbing us down, she revealed how they can give voice to others, including children with autism like Gus—a boy who has trouble looking people in the eye, hops when he’s happy, and connects with inanimate objects on an empathetic level. To Siri with Love is a collection of funny, poignant, and uplifting stories about living with an extraordinary child who has helped a parent see and experience the world differently. From the charming (Gus weeping with sympathy over the buses that would lie unused while the bus drivers were on strike) to the painful (paying $22,000 for a behaviorist in Manhattan to teach Gus to use a urinal) to the humorous (Gus’s insistence on getting naked during all meals, whether at home or not, because he does not want to get his clothes dirty) to the profound (how an automated "assistant" helped a boy learn how to communicate with the rest of the world), the stories in To Siri with Love open our eyes to the magic and challenges of a life beyond the ordinary.

Funny: The Book is an entertaining look at the art of comedy, from its historical roots to the latest scientific findings, with diversions into the worlds of movies (Buster Keaton and the Marx Brothers), television (The Office), prose (Woody Allen, Robert Benchley), theater (The Front Page), jokes and stand-up comedy (Richard Pryor, Steve Martin), as well as personal reminiscences from the author's experiences on such TV programs as Mork and Mindy. With allusions to the not-always-funny Carl Jung, George Orwell, and Arthur Koestler, Funny: The Book explores the evolution, theories, principles, and practice of comedy, as well as the psychological, philosophical, and even theological underpinnings of humor, coming to the conclusion that (Spoiler Alert!) Comedy is God.

An insiders' look at the land of 10,000 laughs--how Minneapolis became a hotspot for comedy. It is a lively look back at the wild '80s scene and the creative legacy it wrought.