Press Box Revolution is a journey through the evolution of reporting in New York and around the nation by a reporter who has witnessed every second of it in the past three decades. Rich Coutinho, a New York-based reporter who has covered numerous major sporting events, will escort readers into corners of the press box and locker room they have never seen and discusses what the business will look like down the road. Coutinho gives an insider’s view of the evolving technology in the business, the growth of women in sports creating much needed diversity in the reporting landscape, the emergence of sports talk radio and the Internet, as well as the personalities on the New York sports scene that make it so challenging to cover. Press Box Revolution lifts the curtain on all the myths about how sports is reported and it will help fans realistically evaluate the information they read and hear that is labeled “Breaking News” or “Insider Report.” It is a must-read for all well-informed fans and aspiring sports journalists.

Marty Glickman began his career in the mid-1930s, just a few years after sports broadcasting began. Being in the industry during these early days, Glickman is uniquely able to provide a historical perspective on the profession as it has grown into a powerful force in sports. In this spirited autobiography he brings to life the most influential teams and personalities in the sports world. Some of the topics he covers in this Large Print edition include growing up in the Depression; high school and college athletics; jocks in broadcasting; originating basketball broadcasting; and recreating baseball games. Glickman discusses being the pioneer broadcaster on cable TV for Home Box Office (HBO), being an announcer coach for NBC and for the Madison Square Garden and Sports Channel cable networks, and coaching the first woman to do play-by-play on a professional football telecast. He also recounts associations and friendships with Bill Bradley, Bill Russell, Red Auerbach, and Allie Sherman. The Fastest Kid on the Block concludes with trenchant observations about Glickman's fellow sports broadcasters and personal tips on how to break into the competitive, wonderful world of sports broadcasting.

In April 1956, a refitted oil tanker carried fifty-eight shipping containers from Newark to Houston. From that modest beginning, container shipping developed into a huge industry that reshaped manufacturing. But the container didn't just happen. Its adoption required huge sums of money, years of high-stakes bargaining, and delicate negotiation on standards. Now with a new chapter, The Box tells the dramatic story of how the drive and imagination of an iconoclastic entrepreneur turned containerization from an impractical idea into a phenomenon that transformed economic geography, slashed transportation costs, and made the boom in global trade possible. -- from back cover.

“A crisp, dramatic examination of how technology and human ingenuity are undermining North Korea’s secretive dictatorship.”—Kirkus Reviews One of the least understood countries in the world, North Korea has long been known for its repressive regime. Yet it is far from being an impenetrable black box. Media flows covertly into the country, and fault lines are appearing in the government’s sealed informational borders. Drawing on deeply personal interviews with North Korean defectors from all walks of life, ranging from propaganda artists to diplomats, Jieun Baek tells the story of North Korea’s information underground—the network of citizens who take extraordinary risks by circulating illicit content such as foreign films, television shows, soap operas, books, and encyclopedias. By fostering an awareness of life outside North Korea and enhancing cultural knowledge, the materials these citizens disseminate are affecting the social and political consciousness of a people, as well as their everyday lives. “A fine primer on the country, based on extensive interviews with defectors.”—Times Literary Supplement “A fascinating book.”—The New York Times “[A] timely and cogent book.”—Los Angeles Review of Books “A fascinating and intelligent overview of the ways that information is liberating North Koreans’ minds.”—Robert S. Boynton, author of The Invitation-Only Zone: The True Story of North Korea's Abduction Project “A fascinating, important, and vivid account of how unofficial information is increasingly seeping into the North and chipping away at the regime’s myths—and hence its control of North Korean society.”—Sue Mi Terry, former CIA analyst and senior research scholar at the Weatherhead East Asia Institute, Columbia University

"This is a clear, incisively written narrative history of American anxiety about British domination---political, military, economic, cultural---from the War of 1812 to the mid-nineteenth century. Unfinished Revolution's predominant thoughtfulness and readable verve across a very extensive canvass should commend it to a wide range of readers as a valuable reconnaissance of what was arguably the most consequential national anxiety faced by the `young republic' during its middle period."---Lawrence Buell, Harvard University --

"Astounding... extraordinary... Jumping between highlighting his indie cult status as an artist and the mindset behind the abstraction of some of comics most beloved characters, the collection ultimately acts as a stunning visual love letter to one of comics most revered artists."-- Comics Beat Bill Sienkiewicz (pronounced sin-KEV-itch) is an Eisner-winning, Emmy-nominated artist best known for revolutionizing the way comic books are drawn and made. His work has graced the National Museum of Fine Arts in Rio de Janeiro, Brazil; art galleries in Paris, Barcelona, and Tuscany; and advertising campaigns for Nike, MTV, Nissan, the 2006 Winter Olympics, and dozens of Hollywood movies. Sienkiewicz is a classically trained painter whose artworks incorporate abstract and expressionist influences and combine oil painting, acrylics, watercolor, mixed media, collage, and mimeograph. Bill Sienkiewicz: Revolution is the first time the artist's work and career have been taken out of the context of comic books and evaluated as fine art. Ben Davis, award-winning Senior Writer for Artnet News, considers Sienkiewicz's process and places him within the context of art and popular culture. Edited by Sal Abbinanti, Sienkiewicz's representative and colleague for 12 years, Bill Sienkiewicz: Revolution features an introduction by Neil Gaiman, who collaborated with Sienkiewicz on the New York Times bestseller The Sandman, and an interview in which the artist explains his influences and techniques and offers his view on the future of comic book art. The book is covered in luxurious 100% cloth fabric, with two embossed, tipped-in images on the front and back cover.

"Communism and Christianism" by William Montgomery Brown. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Presents information on the printing press, including its invention, history, how it works, and how it has affected people's lives.

Ted Hopkins achieved the ultimate in Australian Football when he played a starring role in Carlton's 1970 premiership. As a football statistician, Hopkins was not the first to accumulate the numbers that drive the AFL game, but he is the first to treat statistics as the first part of the equation - statistics, according to Hopkins, are the starting point to understanding how the game is played.