Don’t get dirty. Don’t talk loudly. Don’t wear jeans like all the other kids. All her life, Tallulah has heard DON’T. She knows plenty about what she can’t do and what she shouldn’t do, and all about what kind of girl she isn’t. Now she needs to find out what kind of girl she is . In her picture book debut, New York Times bestselling author Tori Spelling teams up with illustrator Vanessa Brantley Newton to bring us the uplifting story of a spunky little girl who, with the help of some special friends, is able to discover her true self—and to let her spirit shine.

Emmeline is always being told what she cannot do because of the kind of girl people perceive her to be, but with the help of the new boy in school, she finds a way to just be herself.

The fourth book in the #1 New York Times bestselling Field Party series—a southern soap opera with football, cute boys, and pick-up trucks—from USA TODAY bestselling author Abbi Glines. Tallulah Liddell had been defined by her appearance for as long as she could remember. Overweight and insecure, she preferred to fly under the radar, draw as little attention to herself so no one can hurt her. The only boy who did seem to ever notice her was her longtime crush, Nash Lee. But when he laughs at a joke aimed at Tallulah the summer before their senior year, Tallulah’s love dissipates, and she becomes determined to lose weight, to no longer be an object of her classmates’—and especially Nash’s—ridicule. Nash Lee has it all—he’s the star running back of Lawton’s football team, being scouted by division one colleges, and on track to have a carefree senior year. But when an accident leaves him with a permanent limp, all of Nash’s present and future plans are destroyed, leaving him bitter, angry, and unrecognizable from the person he used to be. Facing a new school year with her new body, Tallulah is out to seek revenge on Nash’s cruelty. All does not go according to plan, though, and Tallulah and Nash unexpectedly find themselves falling for each other. But with all the pain resting in each of their hearts, can their love survive?

A memoir by the actress best known for her role on "Beverly Hills, 90210" challenges popular misconceptions about her privileged life while discussing such topics as her relationship with her late father, her marriages, and her parenting experiences.

Sanity Jones and Tallulah Vega are best friends on Wilnick, the dilapidated space station they call home at the end of the galaxy. So naturally, when gifted scientist Sanity uses her lab skills and energy allowance to create a definitely-illegal-but-impossibly-cute three-headed kitten, she has to show Tallulah. But Princess, Sparkle, Destroyer of Worlds is a bit of a handful, and it isn't long before the kitten escapes to wreak havoc on the space station. The girls will have to turn Wilnick upside down to find her, but not before causing the whole place to evacuate! Can they save their home before it's too late? Readers will be over the moon for this rollicking space adventure by debut author Molly Brooks.

The popular Hollywood starlet presents a collection of essays about the challenges of life in Hollywood, from navigating tabloid scrutiny and the latest headline-making feud to her visit to the set of the new "90210" and her baby nurse Patsy's health scare.

Meals for social and public occasions.

In this heartwarming story of love and family, a community comes together to help a young girl find the courage to lift her mighty voice. Sundays are June’s favorite days because she gets to spend it with Mommy, Daddy, and her brother, Troy. Next Sunday is more special than most, because she will be leading the youth choir in front of her entire church. June loves to sing. She sings loud, silly songs with Daddy, she sings to herself in front of the bedroom mirror, but performing in front of the entire congregation is another thing altogether. As her special moment approaches, June leans on the support of her whole community to conquer her fear of singing in front of the congregation.

Outrageous, outspoken, and uninhibited, Tallulah Bankhead was an actress known as much for her vices -- cocaine, alcohol, hysterical tirades, and scandalous affairs with both men and women -- as she was for her winning performances on stage. In 1917, a fifteen-year-old Bankhead boldly left her established Alabama political family and fled to New York City to sate her relentless need for attention and become a star. Five years later, she crossed the Atlantic, immediately taking her place as a fixture in British society and the most popular actress in London's West End. By the time she returned to America in the 1930s, she was infamous for throwing marathon parties, bedding her favorite costars, and neglecting to keep her escapades a secret from the press. At times, her notoriety distracted her audience from her formidable talent and achievements on stage and dampened the critical re-sponse to her work. As Bankhead herself put it, "they like me to 'Tallulah,' you know -- dance and sing and romp and fluff my hair and play reckless parts." Still, her reputation as a wild, witty, over-the-top leading lady persisted until the end of her life at the age of sixty-six. From her friendships with such entertainment luminaries as Tennessee Williams, Estelle Winwood, Billie Holiday, Noël Coward, and Marlene Dietrich, to the intimate details of her family relationships and her string of doomed romances, Joel Lobenthal has captured the private essence of the most public star during theater's golden age. Larger-than-life as she was, friends saw through Bankhead's veneer of humor and high times to the heart of a woman who often felt second-best in her father's eyes, who longed for the children she was unableto bear, and who forced herself into the spotlight to hide her deep-seated insecurities. Drawn from scores of exclusive interviews, as well as previously untapped information from Scotland Yard and the FBI, this is the essential biography of Tallulah Bankhead. Having spent twenty-five years researching Bankhead's life, Joel Lobenthal tells her unadulterated story, as told to him by her closest friends, enemies, lovers, and employees. Several have broken decadelong silences; many have given Lobenthal their final interviews. The result is the story of a woman more complex, more shocking, and yet more nuanced than her notorious legend suggests.

Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, and Thunder Below. Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's Lifeboat (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's The Little Foxes and of Sabina in Thornton Wilder's The Skin of Our Teeth. Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody “Dahling.” In Tallulah, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an inside look at American entertainment during a golden age.