"Hattie Gossett takes on the madness and sweetness of urban life in this energetic collection."--BOOK JACKET.

Women have had a complex experience in African American culture. The first work of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective. While Yolanda Williams Page's Encyclopedia of African American Women Writers provides biographical entries on more than 150 literary figures, this book is much broader in scope. Included are several hundred alphabetically arranged entries on African American women writers, as well as on male writers who have treated women in their works. Entries on genres, periods, themes, characters, historical events, texts, places, and other topics are included as well. Each entry is written by an expert contributor and relates its subject to the overall experience of women in African American literature. Entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography. African American culture is enormously diverse, and the experience of women in African American society is especially complex. Women were among the first African American writers, and works by black women writers are popular among students and general readers alike. At the same time, African American women have been oppressed, and texts by black male authors represent women in a variety of ways. The first of its kind, this encyclopedia approaches African American literature from a Women's Studies perspective, and thus significantly illuminates the African American cultural experience through literary works. Included are several hundred alphabetically arranged entries, written by numerous expert contributors. In addition to covering male and female African American authors, the encyclopedia also discusses themes, major works and characters, genres, periods, historical events, places, and other topics. Included are entries on such authors as: ; Maya Angelou ; James Baldwin ; Frederick Douglass ; Nikki Giovanni ; June Jordan ; Claude McKay ; Ishmael Reed ; Sojourner Truth ; Phillis Wheatley ; And many others. In addition, the many works discussed include: ; Beloved ; Blanche on the Lam ; Iknow Why the Caged Bird Sings ; The Men of Brewster Place ; Quicksand ; The Street ; Waiting to Exhale ; And many more. The many topical entries cover: ; Black Feminism ; Black Nationalism ; Conjuring ; Children's and Young Adult Literature ; Detective Fiction ; Epistolary Novel ; Motherhood ; Sexuality ; Spirituality ; Stereotypes ; And many others. Entries relate their topics to the experience of African American women and cite works for further reading. Features and Benefits: ; Includes hundreds of alphabetically arranged entries. ; Draws on the work of numerous expert contributors. ; Includes a selected, general bibliography. ; Offers a range of finding aids, such as a list of entries, a guide to related topics, and an extensive index. ; Supports the literature curriculum by helping students analyze major writers and works. ; Supports the social studies curriculum by helping students use literature to understand the experience of African American women. ; Covers the full chronological range of African American literature. ; Fosters a respect for cultural diversity. ; Develops research skills by directing students to additional sources of information. ; Builds bridges between African American history, literature, and Women's Studies.

The first collection focused on the writing of provocative author and performance artist Sapphire, including her groundbreaking novel PUSH that has since become the Academy-award-winning film Precious.

We have been bombarded by images of the U.S. Secretary of State as the Great Diplomat, walking onto the tarmac of a foreign country as if she were a rock star, an intellectual giant, and the embodiment of the American dream all rolled into one. Meanwhile, she has spoken out against affirmative action, lied to the 9/11 Commission, defended a disastrous war in Iraq, and been the mouthpiece for an administration at its most shameful moments. Who is she, and why does she hold such a special place in the national imagination? How does the Right use her to front racist and sexist policies in the U.S. and abroad? Why does the Left repress criticisms and thorough evaluations of one of the most influential people in Washington? Here is a compendium of think pieces, visual art, and imaginative works inspired by Dr. Condoleezza Rice. Contributors include Amiri Baraka, Kate Bornstein, Ann Butler, Sue Coe, Wanda Coleman, Coco Fusco, hattie gossett, Rachel Holmes, Gary Indiana, Jason Mecier, Jill Nelson, Faith Ringgold, Paul Robeson, Jr., Sapphire, Astra Taylor, Kara Walker, and Haifa Zangana.

V. 1. International dimensions of Black women's writing -- .

Tenor saxophonist Dexter Gordon was one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. She shows that his image of the cool jazzman fails to come to terms with the three-dimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. --

Writing from the upper west side of Manhattan, where Harlem intersects with waves of immigrants from the Dominican Republic, Cuba, Puerto Rico, Korea, Cambodia, Ivory Coast, India, Native America, and from all over the globe, hattie gossett vividly invokes her neighborhood experience. With wit and candor, she questions why so many people are forced from their home countries, only to be despised as interlopers in the United States; why older immigrants see younger ones as the enemy; who gets paid a living wage, who gentrifies their neighborhood, and who sends their money back home. From the grocery store to the cleaners to the tenement walk-up and everywhere in between, gossett captures the voices overheard and imagined in this breathless immigrant suite.

Originally published in 1978, this book caused a storm of controversy as Michele Wallace blasted the masculinist bias of the black politics that emerged from the sixties. She described how women remained marginalized by the patriarchal culture of Black Power and the ways in which a genuine female subjectivity was blocked by the traditional myths of black womanhood. In 1990 the author added a new introduction examining the debate the book had sparked between intellectuals and political leaders; an extensive bibliography of contemporary black feminist studies was also added. Black Macho raised issues and arguments that framed the terms of current feminist and black theory and continues to be relevant today.

Works by African-American women. In an excerpt from Marita Golden's novel, And Do Remember Me, a one- breasted woman is convinced by the man she loves not to wear a prosthesis, in J. California Cooper's Vanity, a woman is driven to destruction by an obsession with her looks.

" ... Some of the most articulate, astute, and influential feminist thinkers of our time assess the movement's depth, complexity, and implications from a range of perspectives."--Back cover.