Dye wool without chemicals How to dye wool with acid dyes Gene's tips and techniques for dyeing yarn and wool yardage Essential for all wool fiber artists, especially those working in rug hooking, wool appliqu�, or quilting with wool Learn how to marbleize, spot dye, marry colors, and casserole dye to make exquisite wool

This long-awaited guide serves as a tool to explain the general principles of natural dyeing, and to help dyers to become more accomplished at their craft through an increased understanding of the process. Photos of more than 450 samples demonstrate the results of actual dye tests, and detailed information covers every aspect of natural dyeing including theory, fibers, mordants, dyes, printing, organic indigo vats, finishing, and the evaluation of dye fastness. Special techniques of printing and discharging indigo are featured as well. The book is intended for dyers and printers who wish to more completely understand the "why" and the "how," while ensuring safe and sustainable practices. Written by a textile engineer and chemist (Boutrup) and a textile artist and practitioner (Ellis), its detailed and tested recipes for every process, including charts and comparisons, make it the ideal resource for dyers with all levels of experience.

Traditional Dyes for Modern Fabric Lovers. Color, color, and more color-dyeing fabric was just as important to the citizens of 18th-century America in places such as Williamsburg, Virginia, as it is to today's quilters and fabric artists. Using traditional dyestuffs in nontoxic ways, quilters can blend the historic old with a vibrant new world of pure color. Nine natural color sources are used in recipes to create 14 beautiful colors for wool, cotton, or linen fabrics, textiles, and yarns. Professional photography by Barbara Lombardi.

A reference guide to all you need to know to dye fabric, including necessary tools, the best dyes, which fabrics to use, additives, precautions, and more. Dyeing expert and author of Fabric Dyer’s Dictionary, Linda Johansen offers a full overview of the process, including special tips and techniques for tricky colors. The compact size is perfect to take along to a class or to the fabric store to match complementary fabrics and materials. And the hidden wire-o binding will allow the guide to lay flat next to your work surface for easy reference. Dyeing is addictive! You’ll come back to this must-have guide over and over Complete and easy-to-follow recipes for every shade and hue for each color of the spectrum Includes directions for Dharma and ProChemical dyes

“Kristine’s book breaks down natural dyeing from both a scientific and creative perspective, making the process feel as approachable as it is beautiful.” —Design*Sponge Thousands of natural materials can produce glorious color—the insect cochineal produces pink, maroon, and purple, and more than 500 species of plants produce indigo blue. In The Modern Natural Dyer expert Kristine Vejar shares the most user-friendly techniques for dyeing yarn, fabric, and finished goods at home with foraged and garden-raised dyestuffs as well as with convenient natural dye extracts. Demystifying the “magic,” Vejar explains in explicit, easy-to-follow detail how to produce consistent, long-lasting color. With stunning photography of the dyes themselves, the dyeing process, and twenty projects for home and wardrobe (some to knit, some to sew, and some just a matter of submerging a finished piece in a prepared bath), The Modern Natural Dyer is a complete resource for aspiring and experienced dye artisans. “A terrific primer for anyone new to the technique. Kristine walks you through the ins and outs of the process, from defining what scouring and mordanting mean to helping you learn how best to achieve desired colors.” —DIY Network “Vejar’s lovely book is very sophisticated and detailed.” —Library Journal (starred review) “Absolutely stunning . . . The projects range from dyeing pre-made items like a slip, silk scarf or tote bag to dyeing yarn to knit a hat, shawl or cardigan . . . exceeded all my high expectations.” —Make Something

Do you love plants? Do you love crafting? Would you like to dye your own fabric, yarn or clothing? Learn the relaxing art of botanical dyeing with natural dyer, Rebecca Desnos. Connect with nature and open your eyes to the colour potential of plants. Discover how to: produce a wide palette of colours, including pink from avocados, yellow from pomegranates and coral from eucalyptus leaves; extract dye from just about any plant from the kitchen, garden or wild; use the ancient method of soya milk mordanting to achieve rich and long-lasting colour on plant fibres, such as cotton and linen; produce reliable colours that withstand washing and exposure to light.

Through step-by-step instructions and color-saturated photographs, textile designer Sasha Duerr explains the basics of making and using natural plant dye, from gathering materials and making the dyes to simple ideas for how to use them. --from publisher description

A Heritage of Colour explores the techniques that can be used to create a wealth of colours from 50 plants, including many that have been in constant use as dyes for over 2000 years. Inspired by the colours on textile fragments from the Iron Age and by the achievements of early dyers, the author describes some of the dyes and methods of the past and considers how they can be adapted for use by today's dyers. The book covers all the basics of natural dyeing and explains in detail how to experiment with local plants, wherever you may live, to produce a wide range of beautiful, rich colours on textile fibres. A Heritage of Colour also includes sections on dyeing with fungi, contact printing on cloth and dyeing multi-coloured fibres and fabrics. The emphasis throughout is on environmentally-friendly methods and on the thrill of personal discovery through practical experience. Follow Jenny's blog on http://www.jennydean.co.uk/

This book describes some 300 plants and 30 animals (marine mollusks and scale insects) that are used as sources for natural dyes. Botanical or zoological details are given for each source and the chemical structures is shown for each dye. Dyes employed by different civilisations, identified by dye analyses, are illustrated and relevant historical recipes and detailed descriptions of dyeing processes by traditional dyers are quoted and explained in the light of modern science. Other current uses of natural colorants, e.g. in medicine and for food and cosmetics, and replacement of synthetic by natural dyes are also noted.

Persian blue, pomegranate flower, spiny lobster, wine soup, pale flesh, dove breast, golden wax, grass green, green sand, rotten olive, modest plum, agate, rich French gray, gunpowder of the English……..just some of the color names of old fabric to fire the imagination. Memoirs on Dyeing concerns a unique manuscript from the eighteenth century; a dyers memoirs from Languedoc, containing recipes for dyes with corresponding color samples. It is an exceptional document, hugely rare and of great significance not only to textile historians but dyers and colorists today, as thanks to the information in the manuscript the colors can be reproduced exactly, with the same ingredients, or reproduced using modern techniques by matching the color samples. To the English translation of the text, together with facsimile pages reproduced in color from the original manuscript, are added essays meant to situate it in its historical, economic and technological contexts. For those historians who have long been fascinated by the change in scale and the amount of innovation that occurred in woollen cloth production in Europe during the 17th and 18th centuries, the Memoirs on Dyeing bring firsthand insight into the daily preoccupations and tasks of a key actor in the success story of the Languedocian broadcloth production specially devised for export to the Levant. Even non-specialists may be interested in understanding the clever management and technical organization that made it possible for the author to produce, dye, finish, pack and export up to 1,375 pieces of superfine broadcloth per year, representing nearly 51 km of cloth.