Prehistoric Rock Paintings Of Bhimbetka By Dr. Yashodhar Mathpal Is The First Exhaustive Study Of A Single Rock Art Site In India. It Covers The Entire Art Activity In The Form Of Paintings Found In 133 Caves At Bhimbetka, Central India, The Largest Concentration Of Rock Paintings In The Country. For The First Time Copies Of Prehistoric Cave Paintings Have Been Made On The Spot, In Original Colour, To Scale And With Original Background. All The Superimpositions Of Figures Have Been Copied. For The First Time Indian Rock Paintings Are Dated 10,000 Years Back On The Firm Ground Of The Archaeological Findings From The Excavations Of Painted Caves. For The First Time Indian Rock Paintings Have Been Studied In Their Historical Perspective. For Example, The First Discovery Of Rock Paintings Was Made In India 12 Years Before Their Discovery Of Altamira In Spain. India Is Also The First Country To Recognize The Antiquity Of Rock Paintings. For The First Time Too The Maximum Literary, Ethnologic And Archaeological Evidences Have Been Researched For Evidence Of Drawing Material, Motivation And The Antiquity Of Rock Paintings. In His Foreword To This Monumental Work Professor H.D. Sankalia Says: This Work Is Unique Because For The First Time Prehistoric Indian Paintings Are Evaluated By A Scholar Who Is Artist By Nature And Training And A Trained Prehistorian, And Thus Eminently Qualified To Write On The Subject.

Catalog of the artist's visualization inspired by cave painting.

Covering a vast terrain-from Ladakh and other Himalayan locations, to central India including the Vindhyas, the Satpuras, and the Chhota Nagpur Plateau, to southern Deccan and Sri Lanka-the book presents for the first time a well-rounded overview of rock art in India down the ages.

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

An archaeological exploration of the mysterious world of cave art through the ages Deep underground, some of humanity’s earliest artistic endeavors have lain untouched for millennia. The dark interiors of caves, wherever they may be found, seem to have had a powerful draw for ancient peoples, who littered the cave floors with objects they had made. Later, they adorned cave walls with sacred symbols and secret knowledge, from the very first abstract symbols and handprints to complex and vivid arrangements of animals and people. Often undisturbed for many tens of thousands of years, these were among the first visual symbols that humans shared with each other, though they were made so long ago that we have entirely forgotten their meaning. However, as archaeologist Bruno David reveals, caves decorated more recently may help us to unlock their secrets. David tells the story of this mysterious world of decorated caves, from the oldest known painting tools to the magnificent murals of the European Ice Age. Showcasing the most astounding discoveries made in more than 150 years of archaeological exploration, Cave Art explores the creative achievements of our remotest ancestors and what they tell us about the human past.

Number nine in the monograph series of Occasional Australian Rock Art Research Association (AURA) Publications. Contains the proceedings of symposia G and H of the Second AURA Congress in 1992 with contributions by 56 authors on rock art management and preservation. Suited for those involved in the physical preservation or conservation of rock art, or in the ethics and techniques of site management and in the presentation of public rock art sites.