This book deals with the prehistory of the region encompassed by the present state of Alabama and spans a period of some 11,000 years—from 9000 B.C. and the earliest documented appearance of human beings in the area to A.D. 1750, when the early European settlements were well established. Only within the last five decades have remains of these prehistoric peoples been scientifically investigated. This volume is the product of intensive archaeological investigations in Alabama by scores of amateur and professional researchers. It represents no end product but rather is an initial step in our ongoing study of Alabama's prehistoric past. The extent of current industrial development and highway construction within Alabama and the damming of more and more rivers and streams underscore the necessity that an unprecedented effort be made to preserve the traces of prehistoric human beings that are destroyed every day by our own progress.

The Native American tribes of what is now the southeastern United States left intriguing relics of their ancient cultural life. Arrowheads, spear points, stone tools, and other artifacts are found in newly plowed fields, on hillsides after a fresh rain, or in washed-out creek beds. These are tangible clues to the anthropology of the Paleo-Indians, and the highly developed Mississippian peoples. This indispensable guide to identifying and understanding such finds is for conscientious amateur archeologists who make their discoveries in surface terrain. Many are eager to understand the culture that produced the artifact, what kind of people created it, how it was made, how old it is, and what its purpose was. Here is a handbook that seeks identification through the clues of cultural history. In discussing materials used, the process of manufacture, and the relationship between the artifacts and the environments, it reveals ancient discoveries to be not merely interesting trinkets but by-products from the once vital societies in areas that are now Alabama, Arkansas, Georgia, Kentucky, Louisiana, Mississippi, the Carolinas, as well as in southeastern Texas, southern Missouri, southern Illinois, and southern Indiana. The text is documented by more than a hundred drawings in the actual size of the artifacts, as well as by a glossary of archeological terms and a helpful list of state and regional archeological societies.

Social history of the native peoples of the American South, bridging prehistory and history The past 20 years have witnessed a change in the study of the prehistory and history of the native peoples of the American South. This paradigm shift is the bridging of prehistory and history to fashion a seamless social history that includes not only the 16th-century Late Mississippian period and the 18th-century colonial period but also the largely forgotten--and critically important--century in between. The shift is in part methodological, for it involves combining methods from anthropology, history, and archaeology. It is also conceptual and theoretical, employing historical and archaeological data to reconstruct broad patterns of history--not just political history with Native Americans as a backdrop, nor simply an archaeology with added historical specificity, but a true social history of the Southeastern Indians, spanning their entire existence in the American South. The scholarship underlying this shift comes from many directions, but much of the groundwork can be attributed to Charles Hudson. The papers in this volume were contributed by Hudson’s colleagues and former students (many now leading scholars themselves) in his honor. The assumption links these papers is that of a historical transformation between Mississippian societies and the Indian societies of the historic era that requires explanation and critical analysis. In all of the chapters, the legacy of Hudson’s work is evident. Anthropologists, archaeologists, and historians are storming the bridge that connects prehistory and history in a manner unimaginable 20 years ago. While there remains much work to do on the path toward understanding this transformation and constructing a complete social history of the Southeastern Indians, the work of Charles Hudson and his colleagues have shown the way.

From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in Sun Circles and Human Hands present the archaeological record of the art and native crafts of the prehistoric southeastern Indians, painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.

A groundbreaking work that linked historic tribes with prehistoric "antiquities"

The story of Georgia’s Indians from elephant hunts to the European invasion. Spanning 12,000 years, this scientifically accurate and very readable book guides readers through the prehistoric and historic archaeological evidence left by Georgia’s native peoples. It is the only comprehensive, up-to-date, and text-based overview of its kind in print. Drawing on an extensive body of archaeological and historical data, White traces Native American cultural development and accomplishment over the millennia preceding the establishment of Georgia as a colony and state. Each chapter opens with a vivid fictional vignette transporting the reader to a past culture and setting the scene for the narrative that follows. From hunting giant buffalo and elephants to attempts in the 1700s and 1800s to maintain tribal integrity in the face of European and Euro-American violence and threats, White takes the reader on an archaeologically based tour of the land that today is Georgia. Evidence from selected archaeological sites and projects is woven into the narrative, and insets supplement the main text to highlight informative passages from archaeological reports and historical documents. A generous number of photographs, maps, and illustrations aid the reader in identifying artifacts and testify to the artistic abilities of these indigenous peoples of Georgia.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.