In darkness, we find danger. In danger, I find Beau. Ash is a prison guard, she's tough, she's strong and she never backs away from a fight. She takes her job seriously, she takes her training seriously, and everything in her life goes as planned. Until the day he is brought into the prison. She'll never forget meeting Beau 'Krypt' Dawson for the first time. He's a member of the Jokers' Wrath MC and it is said he killed an innocent family in the middle of a cafe, in cold blood. Deranged. Crazy. Psychotic. All those words describe the infamous Krypt, but Ash suspects there's far more to the quiet man than meets the eye. Secrets are being hidden by the club, information is being kept under wraps. Krypt is silent for a reason. Ash is desperate to know that reason. Continually fighting, Krypt is transferred to a high security prison. Ash is in charge. She's always prepared, always alert. Not even her skills will stop the club from ambushing them and taking back Krypt. Only Ash ends up right in the middle of it. They take her, too. Now she's stuck with a Motorcycle Club who are determined not to let her go. She's too much of a risk. Until the situation can be sorted, they send her and Krypt into the mountains together....alone. The dark, sexy, handsome biker will crawl into her soul and embed himself there. Changing her life forever. An epic, dangerous love will be built on the foundations of darkness.

In an era of irregular labor, nagging recession, nuclear contamination, and a shrinking population, Japan is facing precarious times. How the Japanese experience insecurity in their daily and social lives is the subject of Precarious Japan. Tacking between the structural conditions of socioeconomic life and the ways people are making do, or not, Anne Allison chronicles the loss of home affecting many Japanese, not only in the literal sense but also in the figurative sense of not belonging. Until the collapse of Japan's economic bubble in 1991, lifelong employment and a secure income were within reach of most Japanese men, enabling them to maintain their families in a comfortable middle-class lifestyle. Now, as fewer and fewer people are able to find full-time work, hope turns to hopelessness and security gives way to a pervasive unease. Yet some Japanese are getting by, partly by reconceiving notions of home, family, and togetherness.

In her most impassioned and personal book to date, Judith Butler responds in this profound appraisal of post-9/11 America to the current US policies to wage perpetual war, and calls for a deeper understanding of how mourning and violence might instead inspire solidarity and a quest for global justice.

Drawing on and responding to the writings of theorists such as Judith Butler, Sara Ahmed, Lauren Berlant, and Lisa Lowe, this book proposes the notion of “precarious intimacies” to navigate a dilemma: how to recognize, affirm, and value love, touch, and care while challenging the racialized and gendered politics in which they are embedded. Twenty-first-century Europe is undergoing dramatic political and economic transformations that produce new forms of transnational contact as well as new regimes of exclusion and economic precarity. These political and economic shifts both circumscribe and enable new possibilities for intimacy. Many European films of the last two decades depict experiences of political and economic vulnerability in narratives of precarious intimacies. In these films, stories of intimacy, sex, love, and friendship are embedded in violence and exclusion, but, as Maria Stehle and Beverly Weber show, the politics of touch and connection also offers avenues to theorize forms of attention and affection that challenge exclusive notions of race, citizenship, and belonging. Precarious Intimacies examines the aesthetic strategies that respond to this tension and proposes a politics of interpretation that identifies the potential and possibility of intimacy.

Using an arts-based inquiry, "Precarious spaces" addresses current concerns around the instrumentality and agency of art in the context of the precarity of daily life. The book offers a survey of socially and community-engaged art practices in South America, focusing in particular on Brazil s informal situation, and contributes much to the ongoing debate of the possibility for change through social, environmental, and ecological solutions. The individual chapters, compiled by Katarzyna Kosmala and Miguel Imas, present a wide spectrum of contemporary social agency models with a particular emphasis on detailed case studies and local histories. Featuring critical reflections on the spaces of urban voids, derelict buildings, self-built communities such as "favela," and roadside occupations, "Precarious spaces" will make readers question their assumptions about precarity, and life in precarious realms.

A Precarious Game is an ethnographic examination of video game production. The developers that Ergin Bulut researched for almost three years in a medium-sized studio in the U.S. loved making video games that millions play. Only some, however, can enjoy this dream job, which can be precarious and alienating for many others. That is, the passion of a predominantly white-male labor force relies on material inequalities involving the sacrificial labor of their families, unacknowledged work of precarious testers, and thousands of racialized and gendered workers in the Global South. A Precarious Game explores the politics of doing what one loves. In the context of work, passion and love imply freedom, participation, and choice, but in fact they accelerate self-exploitation and can impose emotional toxicity on other workers by forcing them to work endless hours. Bulut argues that such ludic discourses in the game industry disguise the racialized and gendered inequalities on which a profitable transnational industry thrives. Within capitalism, work is not just an economic matter, and the political nature of employment and love can still be undemocratic even when based on mutual consent. As Bulut demonstrates, rather than considering work simply as a matter of economics based on trade-offs in the workplace, we should consider the question of work and love as one of democracy rooted in politics.

First work to couple materialist and rhetorical frameworks with interdisciplinary understandings of precarity to study pressing issues of our time.

Examines the underlying precarity in twenty-first-century immigrant fiction and reveals the contradictions inherent in neoliberalism as an ideology.

Precarious Forms: Performing Utopia in the Neoliberal Americas explores how performance art and poetry convey utopian desires even in the bleakest of times. Candice Amich argues that utopian longing in the neoliberal Americas paradoxically arises from the material conditions of socioeconomic crisis. Working across national, linguistic, and generic boundaries, Amich identifies new political and affective modes of reception in her examination of resistant art forms. She locates texts in the activist struggles of the Global South, where neoliberal extraction and exploitation most palpably reanimate the colonial and imperial legacies of earlier stages of capitalism. The poets and artists surveyed in Precarious Forms enact gestures of solidarity and mutual care at sites of neoliberal dispossession. In her analysis of poems, body art, and multimedia installations that illuminate the persistence of a radical utopian imaginary in the Americas, Amich engages critical debates in performance studies, Latin American cultural studies, literature, and art history.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. Precarious Claims tells the human story behind the bureaucratic process of fighting for justice in the U.S. workplace. The global economy has fueled vast concentrations of wealth that have driven a demand for cheap and flexible labor. Workplace violations such as wage theft, unsafe work environments, and discrimination are widespread in low-wage industries such as retail, restaurants, hospitality, and domestic work, where jobs are often held by immigrants and other vulnerable workers. How and why do these workers, despite enormous barriers, come forward to seek justice, and what happens once they do? Based on extensive fieldwork in Northern California, Gleeson investigates the array of gatekeepers with whom workers must negotiate in the labor standards enforcement bureaucracy and, ultimately, the limited reach of formal legal protections. The author also tracks how workplace injustices—and the arduous process of contesting them—carry long-term effects on their everyday lives. Workers sometimes win, but their chances are precarious at best.