Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC). This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.

Provides a look at the history of the Black Hills country over the last ten thousand years through rock art, which illustrates the rich oral traditions, religious beliefs, and sacred places of the Lakota, Cheyenne, Kiowa, Mandan, and Hidatsa Indians who once lived there. Original

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

Author raises questions about the looting of the lost Indian burial crypt in Le Flore Co OK in 1935.

For centuries, the Caddos occupied the southern prairies and woodlands across portions of Louisiana, Texas, Oklahoma, and Arkansas. Organized into powerful chiefdoms during the Mississippian period, Caddo society was highly ceremonial, revolving around priest-chiefs, trade in exotic items, and the periodic construction of mounds. Their distinctive heritage helped the Caddos to adapt after the European invasion and to remain the dominant political and economic power in the region. New ideas, peoples, and commodities were incorporated into their cultural framework. The Caddos persisted and for a time even thrived, despite continual raids by the Osages and Choctaws, decimation by diseases, and escalating pressures from the French and Spanish. The Caddo Chiefdoms offers the most complete accounting available of early Caddo culture and history. Weaving together French and Spanish archival sources, Caddo oral history, and archaeological evidence, David La Vere presents a fascinating look at the political, social, economic, and religious forces that molded Caddo culture over time. Special attention is given to the relationship between kinship and trade and to the political impulses driving the successive rise and decline of Caddo chiefdoms. Distinguished by thorough scholarship and an interpretive vision that is both theoretically astute and culturally sensitive, this study enhances our understanding of a remarkable southeastern Native people.

A Dan Josselyn Memorial Publication Anthropologists have long talked about chiefdoms as a form of sociopolitical organization, and for several decades Elman Service's description of chiefdoms has been widely accepted as definitive. Nevertheless, in the 1970s, scholars began to question whether all, or any, chiefdoms had the entire range of characteristics described by Service. Most of the questions focused on the (nonmarket) economic organization of these polities, and several contrasting economic models were suggested. None of the models, however, was comprehensively tested against actual chiefdom economies. This study examines the economic organization of the late prehistoric (A.D. 1000 to 1540) chiefdom centered at Moundville, Alabama. Rather than attempting to show that this case fits one or another model, the economic organization is determined empirically using archaeological data. The pattern of production and distribution of subsistence goods, domestic nonutilitarian goods, and imported prestige goods does not fit precisely any of the extant models. Because Moundville's economy was organized in a way that promoted stability, it may be no accident that Moundville was the dominant regional polity for several hundred years. This research opens a new field of archaeological investigation: the relationship between fine details of economic organization and large-scale political fortunes.

This ambitious work offers a coherent and comprehensive look at the material conditions underlying and stimulating political development in southeastern North America during the Mississippian period. After introducing theoretical issues, Muller addresses reproduction, production, distribution, and consumption within their social and material contexts. Examined through the lens of the production, distribution, and consumption of prestige and staple goods, a profoundly domestic, though significantly differentiated, Mississippian political economy emerges. This study's broad synthetic view ensures that neither environment nor ideology are overemphasized. A fine statement of an important theoretical position, the volume features considerable graphic and tabular presentation of data.