In the wake of Pearl Harbor, President Roosevelt called for the largest arms buildup in our nation's history. A shortage of steel, however, quickly slowed the program’s momentum, and arms production fell dangerously behind schedule. The country needed scrap metal. Henry Doorly, publisher of the Omaha World-Herald, had the solution. Prairie Forge tells the story of the great Nebraska scrap drive of 1942—a campaign that swept the nation and yielded five million tons of scrap metal, literally salvaging the war effort itself. James J. Kimble chronicles Doorly’s conception of a fierce competition pitting county against county, business against business, and, in schools across the state, class against class—inspiring Nebraskans to gather 67,000 tons of scrap metal in only three weeks. This astounding feat provided the template for a national drive. A tale of plowshares turned into arms, Prairie Forge gives the first full account of how home became home front for so many civilians.

In the wake of Pearl Harbor, President Roosevelt called for the largest arms buildup in our nation's history. A shortage of steel, however, quickly slowed the program’s momentum, and arms production fell dangerously behind schedule. The country needed scrap metal. Henry Doorly, publisher of the Omaha World-Herald, had the solution. Prairie Forge tells the story of the great Nebraska scrap drive of 1942—a campaign that swept the nation and yielded five million tons of scrap metal, literally salvaging the war effort itself. James J. Kimble chronicles Doorly’s conception of a fierce competition pitting county against county, business against business, and, in schools across the state, class against class—inspiring Nebraskans to gather 67,000 tons of scrap metal in only three weeks. This astounding feat provided the template for a national drive. A tale of plowshares turned into arms, Prairie Forge gives the first full account of how home became home front for so many civilians.

In this compelling, emotionally engaging novel set in 1880, a half-Chinese girl and her white father try to make a home in Dakota Territory, in the face of racism and resistance.

This volume examines crucial moments in the rhetoric of the Cold War, beginning with an exploration of American neutrality and the debate over entering World War II. Other topics include the long-distance debate carried on over international radio between Hitler and Franklin D. Roosevelt; understanding and interpreting World War II propaganda; domestic radio following the war and the use of Abraham Lincoln narratives as vehicles for American propaganda; the influence of foreign policy agents Dean Acheson, Paul Nitze, and George Kennan; and the rhetoric of former presidents John F. Kennedy and Ronald Reagan. Ultimately, this volume offers a broad-based look at the rhetoric framing the Cold War and in doing so offers insight into the political climate of today.

The fight against the Axis required sacrifice and dedication, and Nebraskans proudly answered the call. Three ordnance plants and two naval munitions depots brought employment and economic opportunities but also housing shortages and racial disturbances. The U.S. Army Air Corps established eleven air bases here, leading to community engagement through USOs and war bond drives. In central Nebraska, the North Platte Canteen welcomed thousands of service members en route to war on troop trains. Henry Doorly's successful scrap campaign became a model for a nationwide operation. Local farmers fed the nation, K-9 war dogs trained at Fort Robinson and native sons Ben Kuroki and Andrew Higgins affected the war in very different ways. Through detailed archival research, author Melissa Amateis tells the remarkable story of the Cornhusker State's homefront.

“Will resonate with any readers interested in understanding American landscapes where white, evangelical Christianity dominates both politics and culture.” —Publishers Weekly In the wake of the 2016 election, Lyz Lenz watched as her country and her marriage were torn apart by the competing forces of faith and politics. A mother of two, a Christian, and a lifelong resident of middle America, Lenz was bewildered by the pain and loss around her—the empty churches and the broken hearts. What was happening to faith in the heartland? From drugstores in Sydney, Iowa, to skeet shooting in rural Illinois, to the mega churches of Minneapolis, Lenz set out to discover the changing forces of faith and tradition in God’s country. Part journalism, part memoir, God Land is a journey into the heart of a deeply divided America. Lenz visits places of worship across the heartland and speaks to the everyday people who often struggle to keep their churches afloat and to cope in a land of instability. Through a thoughtful interrogation of the effects of faith and religion on our lives, our relationships, and our country, God Land investigates whether our divides can ever be bridged and if America can ever come together. “God Land, Lyz Lenz’s much-anticipated debut book, is a marvel. Not only is it a window into the middle America so many like to stereotype but fail to fully understand in all of its complexity, but it mixes reportage, memoir, and gorgeous prose so seamlessly I wanted to know how she did it.” —Sarah Weinman, author of The Real Lolita

When Luke Anderson falls in love with Dove Morris, he is aware of her Native American heritage. What he is not prepared for is the prejudice suddenly exhibited by his parents against Dove.

As Owen and Siobhan begin their stint in the Oil Watch, they face military bureaucracy, a harsh environment, and yes, slaying dragons. The sequel to the critically acclaimed The Story of Owen.

Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.

In a moving and bittersweet story, M.J. Andersen chronicles her childhood and adolescence in South Dakota, her departure to forge her own life, and her persistent longing for the landscape she left behind. Her hometown, given the fictional name of Plainville, is so quiet that one local family regularly parks by the tracks to watch the train pass through. Yet small-town life and, especially, the prairie prove to be fertile ground for Andersen's imagination. Exploring subjects as seemingly unrelated as Roy Rogers and Tolstoy's beloved Anna Karenina, she repeatedly locates a transcendent connection with South Dakota's broad horizon. Andersen introduces us to her hardworking newspaper family, which produces one of Plainville's two competing weeklies; to Job's Daughters, a Christian association intended to prepare young women for adversity (Plainville's chapter assumes the added responsibility of throwing the town's best teen dances); and even to a local variety of hardy alfalfa, to which her best friend has a surprising kinship. Leaving behind her physical home, Andersen travels East for college, remaining to begin a journalism career. With her husband she eventually settles into her first house, a beautiful Victorian that, though loved, somehow does not feel like home in the way she had anticipated. Through subsequent travels, memories, and a meditation on Tolstoy's complex relationship to his ancestral home, she arrives at a new idea of what home is -- one that should resonate with every American who has ever had to pull up stakes.