"What is a Greek priest?" The volume, which has its origins in a symposium held at the Center for Hellenic Studies in Washington, D.C., focuses on the question through a variety of lenses: the visual representation of cult personnel, priests as ritual experts, variations of priesthood, ideal concepts and their transformation, and the role of manteis. Each chapter looks at how priests and religious officials used a potential authority to promote themselves and their posts, how they played a role in conserving, shaping and reviving cult activity, how they acted behind the curtain of polis institutions, and how they performed as mediators between men and gods. It becomes clear that Greek priests had many faces, and that the factors that determined their roles and activities are political as well as historical, religious as well as economic, idealistic as well as pragmatic, personal as well as communal.

The essays in this volume provide an unusual historical perspective on the experience of illness: they try to reconstruct what being ill (from a minor ailment to fatal sickness) was like in pre-industrial society from the point of view of the sufferers themselves. The authors examine the meanings that were attached to sickness; popular medical beliefs and practices; the diffusion of popular medical knowledge; and the relations between patients and their doctors (both professional and 'fringe') seen from the patients' point of view. This is an important work, for illness and death dominated life in earlier societies to an enormous degree. Yet almost no studies of this kind have ever been carried out before, practically all previous treatments having been written from the traditional point of view of the doctor, the hospital, or medical science. It will accordingly interest a wide range of readers interested in social history as well as the history of medicine itself.

MANKIND AND PLANET EARTH HAVE TODAY ARRIVED at a critical juncture in their evolutionary journey. At the close of this 75,000 year major cycle, a New World is about to be born. The memories and higher faculties of certain individuals are just today returning to them, and they are beginning to recall the purpose of their incarnation, their duty to humanity and to planet Earth. They are becoming aware of the close attendance of legions of incorporeal divine Emissaries, the exalted ranks to which they inherently belong. They are remembering that they are an essential part of a vast collective effort and tremendously important task, the scope of which stretches back across millions of years and a myriad of past lifetimes upon Earth and elsewhere, all geared toward the forthcoming and conclusive glory. In their remembrance, they are perceiving that they are about to realise the grand consummation of a vital phase of the Divine Plan for Earth, the solar system and beyond. The Servers are awakening, and they are taking up their positions as agents of the New Spirit in order to play an active role within today's expanding world-consciousness around the planet.

This history of evangelical faith healing in nineteenth-century America examines the nation’s shifting attitudes about sickness, suffering, and health. Faith in the Great Physician tells the story of how participants in the divine healing movement transformed the ways Americans coped with physical affliction and pursued bodily wellbeing. Heather D. Curtis offers critical reflection on the theological, cultural, and social forces that come into play when one questions the purpose of suffering and the possibility of healing. Belief in divine healing ran counter to a deep-seated Christian ethic that linked physical suffering with spiritual holiness. By engaging in devotional disciplines and participating in social reform efforts, proponents of faith cure embraced a model of spiritual experience that endorsed active service, rather than passive endurance, as the proper Christian response to illness and pain. Emphasizing the centrality of religious practices to the enterprise of divine healing, Curtis sheds light on the relationship among Christian faith, medical science, and the changing meanings of suffering and healing in American culture. Recipient of the Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History for 2007

Follow the Footsteps of History and Discover the Path to the Gods For the Love of the Gods tells the epic story of theurgy, from its roots in ancient Egypt to its modern day practice. The lives and passions of the early Pagan philosophers come alive in these pages, immersing you in the bustling cities and diverse cultures that spawned theurgy as we know it today. Theurgy is best understood when it is deeply experienced. The stories presented here re-create the experience of these ancient practices and show how they were passed down through generations of teachers and students of differing ethnicities, genders, and ages. It's commonly believed that ancient Pagan theurgy traditions were erased from the earth and replaced by monotheistic religions—but this is a myth. The way to the gods was never lost. For the Love of the Gods shares step-by-step instructions for theurgic rituals, so that you can create relationships with the gods and love them as the ancients did. Discover how to offer devotionals, create living statues, invoke into yourself and others, and achieve personal communion so that you, too, may dwell in the happy presence of the divine.

The Divine is a multicultural 100-page coloring book for people of all ages (especially the child in all of us) inspired by folklore and spirituality from the Philippines (Diwatas), Haiti (Lwas of Vodou) and Brazil (Orixás of Candomble and deities of the Indigenous Brazilian Tupi Tribe). Thirteen divinities from each culture are represented, along with the folklore and symbolism associated with each of the divinities. Included throughout the book are inspirational quotes, mindfulness activities for children, and poetry featuring Eniafe Isis of All Her Words, Aimee Amparo, and Haitian songs by Daniel "Brav" Brevil. 40 full-page, 8.5x11 illustrations. Artists include: Andre Hora, Gabrielle Tesfaye, Fermina Caragay Armstrong, Salima Silagon Saway, Grace Bio, Rahana Dariah, Zachary "Bodinho" Present, Stephen Hamilton, Cece Carpio, Nikila Badua/MamaWisdom1, Wisthon Thime, Dee Jae Pa'este, Ubi Maya, Mitzi Ulloa, Rodney Sanon and Laylie Frazier. While many of us grew up with mythologies about Greek and Roman gods, as well as stories like Cinderella, Little Mermaid and Robin Hood, few of us have been exposed to the stories included in The Divine--stories that have been passed down from generation to generation through traditional dance, music, and oral storytelling. The Divine draws a connection between the cultures and beliefs of these diasporas, in hopes of giving them the attention they deserve. From the Americas to Africa to the islands, let's continue to carry and pass down the wisdom that lies in these stories. This book is something meant to grow with and meet the reader where they are. Read and color for yourself, or do it with a little one. Mindfulness activities are meant for children and adults to do together. The poetry, quotes and songs are meant for older youth and adults. And the folklore/symbolism is meant for older youth and grown-ups to read with little ones. Every people, every culture has its own way of honoring the sacred and the spiritual. When we apply the wisdom of these stories to our everyday lives, we discover a deeper relationship to the world around us. Before our lives began, before we believed, the Divine has been both within us and outside of us.

Kabbalistic initiatory teachings for becoming a vessel for illumination, prophecy, and peace by creating an inner dwelling place for God’s divine presence • Reveals practices for self mastery and revelation based on the holy design of the first Hebrew Sanctuary, the lives of the Hebrew Prophets, and the Tree of Life • Shows how the Tree of Life’s ten sefirot correspond to the Torah’s prophetic Ten Songs of Creation; to alchemical ritual practices of fire, water, air, and earth; and to specific parts of the body, emotions, and aspects of the soul Many synagogues and churches, including the First and Second Temples of the Hebrews, follow an archetypal design first used in the Ohel Moed, or Tent of Meeting, and its sacred Tabernacle, which housed the Ark of the Covenant and the Ten Commandments. Drawing from a wealth of sources including the Hebrew Bible, the oral Mishnaic tradition of Judaism, and 16th-century Judaic texts, Zohara Hieronimus explains how, like the Ohel Moed, we are designed to receive and reflect the divine qualities of the Creator. Exploring the kabbalistic initiatory teachings within the Chassidic tradition of Judaism and the lives and writings of the Hebrew prophets, she reveals how our physical and spiritual worlds are not separate but interdependent, one affecting the other, often in unexpected and sometimes miraculous ways. Examining the ten-part system of Kabbalah’s Tree of Life as reflected in the holy design of the Hebrews’ first Sanctuary, Hieronimus shows how the Tree of Life’s ten sefirot correspond to the Torah’s prophetic Ten Songs of Creation; to alchemical ritual practices of fire, water, air, and earth; and to specific parts of the body, emotions, and aspects of the soul. Starting from Malchut (Kingdom) at the bottom of the Tree of Life and ascending to Keter (Crown) at the top, the author discusses related biblical and scholarly texts and traditional Hebrew practices and teachings that can lead to spiritual enlightenment, illumination, and peace, allowing each of us to become a sanctuary for God’s presence through self-refinement, ritual devotion, and prayer, as practiced since biblical times.

Assisted reproduction, with its test tubes, injections, and gamete donors, raises concerns about the nature of life and kinship. Yet these concerns do not take the same shape around the world. In this innovative ethnography of in vitro fertilization in Ecuador, Elizabeth F.S. Roberts explores how reproduction by way of biotechnological assistance is not only accepted but embraced despite widespread poverty and condemnation from the Catholic Church. Roberts’ intimate portrait of IVF practitioners and their patients reveals how technological intervention is folded into an Andean understanding of reproduction as always assisted, whether through kin or God. She argues that the Ecuadorian incarnation of reproductive technology is less about a national desire for modernity than it is a product of colonial racial history, Catholic practice, and kinship configurations. God’s Laboratory offers a grounded introduction to critical debates in medical anthropology and science studies, as well as a nuanced ethnography of the interplay between science, religion, race and history in the formation of Andean families.

This book connects traditional religions to the thriving religious activity in Africa today.