This is a very popular violin method which features a colorful and creative assortment of solos and studies for the beginning student. Frank Zucco is a master teacher who has taught music to thousands of beginning students. His authoritative knowledge and experience are clearly shown in this fine method. The Mel Bay Violin Method is a modern approach, teaching sound fundamentals of violin performance. Topics covered include time signatures, reading music, pizzicato, articulations, and more. By the time the student has finished this book, he or she will have played in all major and minor keys with up to four accidentals in the key signature. Several of the tunes include accompaniment chords, and others are duets for teacher and student. Third position is also introduced with several practice tunes. The video is 116 minutes and covers the first 77 pages. Includes access to online video.

This is the full eBook version of Violin Basics (Pupil's Book) in fixed-layout format. Violin Basics is a landmark method by two of the leading figures in music education. Comprising pupil's tutor book, teacher's accompaniment book, and online audio, Violin Basics provides everything you need to get playing. This Pupil's Book starts at absolute beginner level and progresses to Grade 1 level. The step-by-step technical progression is supported by fun exercises and warm-ups, a wide range of imaginative repertoire, music theory, and general musicianship activities. Audio of all the accompaniments are available online.

This classic guide offers an accessible initiation into the mysteries of violin-making. Charming in its style and cultivated in its research, it covers every detail of the process and includes a fascinating history of the instrument. More than 200 diagrams, engravings, and photographs complement the text.

ViolinMind is a pedagogical method book that focuses on intonation. It is a transcription for the violin of CelloMind published in 2017 by Ovation Press, Ltd. The co-authors of ViolinMind are Hans Jørgen Jensen, Professor of Cello at the Bienen School of Music at Northwestern University and Grigory Kalinovsky, Professor of Music (Violin) at Indiana University Jacobs School of Music. The mystery of intonation is dissected by defining the scientific principles behind it, and providing easy, intuitive examples of the three main kinds of intonation systems used today: Equal Temperament, Just, and Pythagorean. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense of pitch and harmonic color; however, ViolinMind breaks down this barrier using a highly detailed, systematic approach, making the process of acquiring a sophisticated sense of intonation similar to any other technical skill. Chapters in the book explore in great detail topics such as the harmonic overtone series, the scientific principles behind Cents, the syntonic comma, the just scales, the Pythagorean comma, the Pythagorean semitones, advanced sympathetic vibrations, Tartini tones, and double stops studies in tritones. All chapters in the book include numerous practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: intonation performance practice in the Bach Sonatas and Partitas for Violin Solo (BWV 1001-1006), and intonation performance practice with piano. The appendices in the book provide detailed explanations about the Helmholtz intonation chart, the harmonic series, just intonation, the Schisma, as well as an illustration of two violin fingerboards from two method books from the 18th century showing pitch distribution for just intonation and Pythagorean intonation respectively.

This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.

Dr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.

(String Method). For unaccompanied violin. Text in Spanish and English.

Amazing Violinist is a practical and simple method for helping students learn to play the violin and is suitable for students aged six years and up. This book contains a wide range of musical content, including exercises, songs, etudes and the elements of basic solfège. This method will help create a solid base for recreational or professional play and aid development of the inner ear, auditory-motor memory, general posture, hand coordination, sense of rhythm and musicality. These are developed through simple and interactive learning.