Controversial and unconventional, this collection examines Canadian identity in terms of the fashion worn and designed over the last three centuries, and the internal and external influences of those socio-cultural decisions.

Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.

Whether a beret or brimmed, straw, felt, or cloth, a pillbox or cone-hats can define a time and place, be it on the street or on stage. In this practical workbook, Tim Dial takes readers through the process of design and construction of hats, using specific exercises to create basic kinds of headwear that can easily be adapted to different historic periods. Learn about measuring and patterning, using tools, and achieving apparently contradictory goals-hats that are theatrically appropriate, but also strong, durable, and efficient to build. Tim's book incorporates these special features essential to hat making: a modern-day perspective highlighting contemporary tools and skills clear instructions and safety notes for use in or out of the classroom progressive exercises that make it easy to explore and expand on techniques a focus on working with buckram, straw, and cloth-staples of the milliner's art plentiful high-quality photos that guide readers through each project. Take advantage of Tim's tips, techniques, and philosophies-some traditional, some familiar but improved, many totally new, all very doable. Then explore your own artistry.