This book is third in a series of textbooks on geometric pattern design used at the Istanbul Design Center. It is intended as a tutorial book for 30 hours basic course on geometric patterns in Islamic arts. The content of this book covers some major areas of geometric pattern design. In chapter 2 we discuss how one can approach a complex geometric pattern. It is the most important part in understanding the general structure of any pattern. In chapter 3 we discuss and experiment with patterns built on triangular grids and square grids. This is the simplest group of geometric patterns and usually neglected. In chapters 4 and 5 we deal with 6 and 12 fold patterns. These are the patterns with local symmetries D6 and D12. Usually, we refer to them as hexagonal and dodecagonal patterns. In chapters 6 and 7 we discuss octagonal patterns. Here we also briefly discuss differences between eastern (Central Asia and India) and western octagonal patterns (Morocco and Spain). Finally, in chapter 8 we discuss briefly decagonal patterns, i.e. patterns with D10 local symmetries. More about decagonal patterns readers can find in two other books published by Istanbul Design Publishing in 2019.

Presents an introduction to the origins and principles of geometry, describing geometric constructions that can be achieved through the use of rulers and compasses.

Combines wide-ranging research with the author's artistic skills to reveal the techniques used to create the patterns adorning buildings in the Islamic world

Across the Islamic world, illuminating Korans from Morocco to Malaysia, and adorning mosques, mausoleums and palaces, are hidden some of the most exquisite geometrical devices ever conceived by man. In this excellent little book, geometer Daud Sutton unravels the mystery of Islamic patterns, explaining where they come from, how to draw them, and hinting at the Divine messages they encode. WOODEN BOOKS are small but packed with information. "e;Fascinating"e; FINANCIAL TIMES. "e;Beautiful"e; LONDON REVIEW OF BOOKS. "e;Rich and Artful"e; THE LANCET. "e;Genuinely mind-expanding"e; FORTEAN TIMES. "e;Excellent"e; NEW SCIENTIST. "e;Stunning"e; NEW YORK TIMES. Small books, big ideas.

Featuring new patterns with detailed explanatory texts, this revised edition is an inspirational guide for craftspeople and artists alike. The marvels of Islamic patterns—the most recognizable visual expression of Islamic art and architecture—are not just a beautiful accident. The ancient practitioners of this craft used traditional methods of measurement to create dazzling geometric compositions, often based on the repetition of a single pattern. The results are magnificent in their beauty and awe-inspiring in their execution. Now, with the aid of this book, everyone can learn how to master this ancient art and create their own intricate patterns or re-create classic examples. All that is needed is a pencil, a ruler, a compass, and a steady hand. Technical tips demonstrate the geometric basics such as how to create designs from one of the foundational “family” shapes: a square, hexagon, or pentagon. This is followed by step-by-step instructions for reproducing some of the best examples of geometric patterns. Islamic Geometric Patterns contains twenty-three geometric patterns and brief histories of some of the most famous and beautiful Islamic art and architecture from around the world. This revised edition features seven new patterns from locations including: Ak Medrese in Nigde, Turkey; Chellah necropolis in Rabat, Morocco; Shah Jahan Mosque in Thatta, Pakistan; the Tomb of I’timad-ud-Daulah in Agra, India; the Alcazar in Seville, Spain; Zaouia Moulay Idriss II in Fes, Morocco; and Darwish Pasha Mosque in Damascus, Syria.

Nearly 200 examples exhibit the wide range of Islamic art, including hexagon and octagon designs, combinations of stars and rosettes, and many variations on other geometric patterns. Twenty-eight examples from traditional sources in Cairo and Damascus include sanctuary doors, openwork windows, and inlaid marble pavements and ceilings.

A fresh take on adult coloring books, featuring the intricate patterns of Islamic design Building on the concept of a traditional coloring book, the Islamic Design Workbook opens up the world of intricate Islamic patterns, allowing designers and doodlers alike to learn about these works of art as they produce their own. With forty-eight Islamic geometric compositions from around the world to choose from, artists at all skill levels will relish the myriad opportunities to replicate these intricate patterns, or create their own. The workbook’s clever design invites the pattern-maker to consider a composition in the book, take a corresponding loose leaf from the back of the book, and figure out which sections of lines to trace to make the composition. Readers will have the unique satisfaction of making patterns appear where previously none were visible. Compositions—including a mix of more familiar geometric compositions and those that have scarcely been documented—are categorized by region and have various levels of complexity, making it possible for beginners to get started and artists or designers to develop their skills. Compositions are sourced from Samarkand, Delhi, Fes, Isfahan, and Cairo, among many others.

What can we learn from 1,400 years of design excellence? What rules and conventions have guaranteed consistent quality for centuries across the Islamic world? Eric Broug looks at a wide range of visual evidence and codifies these rules: he reveals the design practices of traditional builders: how to scale a composition, how to create an engaging composition, how to innovate etc. This book shows how it was done, it shows how to apply best practice now, and it shows the most common problems in contemporary Islamic geometric design, and how to avoid them.

Learn how to draw seven geometric star patterns from around the Islamic world, using only a pencil, straight edge, and a pair of compasses. Patterns featured are from Baghdad, Fes, Cairo, Konya, Delhi and Damascus. Suitable for ages 9 and up. No calculations are necessary. The least complicated way of learning Islamic geometric design is to understand and use the same techniques that craftsmen in the Islamic world have used for centuries. These craftsmen were not mathematicians; they knew how to make things with their hands but they did not use measurements or calculate angles to make their compositions. Their tools were a pair of compasses, a ruler and a pencil. By drawing lines, circles and arcs they were able to make all their patterns and compositions. This is also how you will be able to draw these patterns.This book will teach you how to draw seven different star patterns. All the patterns in this book can be made without calculations and measurements. They can be made by hand or on a computer. All you need to be able to do is draw circles and lines. The tools you need if you are drawing by hand are a pair of compasses, a ruler and pencils. Each pattern is constructed in a step-by-step process.