Postmodern Studies deals with (any aspect of) postmodernism, or of postmodernity and the postmodern in relation to literature.

Superheroes soar in this promising debut—and they’re kids! Twelve-year-old Daniel, the new kid in town, soon learns the truth about his nice—but odd—new friends: one can fly, another can turn invisible, yet another controls electricity. Incredible. The superkids use their powers to secretly do good in the town, but they’re haunted by the fact that the moment they turn thirteen, their abilities will disappear—along with any memory that they ever had them. Is a memory-stealing supervillain sapping their powers? The answers lie in a long-ago meteor strike, a World War II–era comic book (Fantastic Futures, starring the first superhero, Johnny Noble), the green-flamed Witch Fire, a hidden Shroud cave, and—possibly, unbelievably—“powerless” regular-kid Daniel himself. Superhero kids meet comic book mystery in this action-filled debut about the true meaning of a hero.

In a world of superheroes, the line between good and evil is always clear. Right? Kenna is constantly surrounded by superheroes. Her best friend, her ex-boyfriend, practically everyone she knows has some talent or power. Kenna doesn't have a power. Sure, she's smart and independent, but surrounded by all the extraordinary, it's hard not feel very ordinary. And she's tired of it. So when three villains break into the lab where she interns, Kenna refuses to be a victim. She stands her ground. She's not about to let criminals steal the research that will make her extraordinary too. But in the heat of battle, secrets are spilled and one of the villains saves her life. Twice. Suddenly, everything Kenna thought she knew about good and evil, heroes and villains is upended. And to protect her life and those she loves, she must team up with her sworn enemies on a mission that will redefine what it means to be powerful and powerless... The Hero Agenda Series: Powerless (Book 1) Relentless (Book 2)

'Deeply moving' The Financial Times David is sixteen. A pretty ordinary boy, in most ways - he just wants to hang out in his bedroom, reading his dad's old comics. Comics that are full of his heroes - those figures whose lives are charmed, special, unique. Life hasn't been easy recently for David, though. His father died just a couple of years ago, he has a fractious relationship with his mum, and he has fallen out with his best friend. But, David has a secret, which he hasn't told anyone. He has superpowers. He can soar through the air, he has superhearing, he feels and hears everything super-keenly. So life should be easier, then, shouldn't it? But somehow it's not - and when David gets involved with the girl next door, gorgeous Holly Harper, he begins to realise just how very complicated it can get. David's harbouring another secret, a deeper darker one, and on this journey from boyhood to manhood, will he have the courage to face up to it?

Participating in the reframing of literary studies, Cosmopolitan Fictions identifies, as "cosmopolitan fiction", a genre of global literature that investigates the ethics and politics of complex and multiple belonging. The fictions studied by Katherine Stanton represent and revise the global histories of the past and present, including the "indigenous or native" narratives that are, in Homi Bhabha's words, "internal to" national identity itself. The works take as their subjects: * European unification * the human rights movement * the AIDS epidemic * the new South Africa. And they test the infinite demands for justice against the shifting borders of the nation, rethinking habits of feeling, modes of belonging and practices of citizenship for the global future. Scholars, teachers and students of global literary and cultural studies, Cosmopolitan Fictions is a book to want on your reading list.

Dev is a smuggler with the perfect cover. He's in high demand as a guide for the caravans that carry legitimate goods from the city of Ninavel into the country of Alathia. The route through the Whitefire Mountains is treacherous, and Dev is one of the few climbers who knows how to cross them safely. With his skill and connections, it's easy enough to slip contraband charms from Ninavel - where any magic is fair game, no matter how dark - into Alathia, where most magic is outlawed. But smuggling a few charms is one thing; smuggling a person through the warded Alathian border is near suicidal. Having made a promise to a dying friend, Dev is forced to take on a singularly dangerous cargo: Kiran. A young apprentice on the run from one of the most powerful mages in Ninavel, Kiran is desperate enough to pay a fortune to sneak into a country where discovery means certain execution - and he'll do whatever it takes to prevent Dev from finding out the terrible truth behind his getaway. Yet the young mage is not the only one harboring a deadly secret. Caught up in a web of subterfuge and dark magic, Dev and Kiran must find a way to trust each other - or face not only their own destruction, but that of the entire city of Ninavel.

A superpowered sequel to Matthew Cody’s popular debut novel, Powerless! Daniel Corrigan is as regular as can be, especially when compared to the Supers: kids in his new hometown with actual powers like flight and super-strength. But Daniel’s not powerless. Only he was able to stop the Shroud, a supervillain bent on stealing his newfound friends’ powers. And thanks to him, his friends got to keep those powers. Now Daniel himself is starting to display powers, while at the same time his friends are losing theirs. His friend Eric thinks Daniel is just becoming a Super himself, a late-blooming one. But Daniel worries there may be something more sinister at work, since his power-stealing ability is uncomfortably like the Shroud’s. Of course, the Shroud is gone now . . . isn't he? Or could Daniel himself be his new vessel?

In the 1980s, America witnessed an explosion in the production, popularity, and influence of literary works by people of color and a decade-long economic downturn that severely affected America's inner cities and the already disadvantaged communities of color that lived there. Marked by soaring levels of unemployment, homelessness, violence, drug abuse, and despair, this urban crisis gave the lie to the American dream, particularly when contrasted with the success enjoyed by the era's iconic stockbrokers and other privileged groups, whose fortunes increased dramatically under Reaganomics.In Urban Triage, James Kyung-Jin Lee explores how these parallel trends of literary celebration and social misery manifested themselves in fictional narratives of racial anxiety by focusing on four key works: Alejandro Morales's The Brick People, John Edgar Wideman's Philadelphia Fire, Hisaye Yamamoto's "A Fire in Fontana," and Tom Wolfe's The Bonfire of the Vanities. Each of these fictions, he finds, addresses the decade's racial, ethnic, and economic inequities from differing perspectives: Morales's revisions of Chicano identity, Yamamoto's troubled invocation of the affinities between African Americans and Asian Americans, the problematic connections between black intellectuals and the black community aired by Wideman, and Wolfe's satirization of white privilege. Drawing on the fields of literary criticism, public policy, sociology, and journalism, Lee deftly assesses the success with which these multicultural fictions engaged in the debates over these issues and the extent to which they may actually have alienated the very communities that their creators purported to represent.Challenging both the uncritical celebration of abstract multiculturalism and its simpleminded vilification, Lee roots Urban Triage in specific instances of multiracial contact and deeply informed readings of works that have been canonized within ethnic studies and of those that either remain misunderstood or were misguided from the start.James Kyung-Jin Lee is assistant professor of English and Asian American studies at the University of Texas at Austin.

Dream Tonight of Peacock Tails marks the first in-depth examination of Pynchon’s debut novel, which was immediately recognized as a breakthrough masterpiece. The eight essays collected in the volume provide both scholars and avid readers with new and original insights into a too-often underestimated work that, probably even more than Gravity’s Rainbow, established Pynchon as one of the great masters of twentieth-century American literature. This book deliberately privileges a multidisciplinary and transnational approach, encompassing collaborations from a particularly international and diverse academic context. As such, this volume offers a multifaceted pattern of expanding investigation that tackles the novel’s apparently chaotic but meticulously organized structure by rereading it in the light of recent US and European history and economics, as well as by exploring its many real and imagined locations. Not only are the essays brought together here revelatory of Pynchon’s way of working, but they also tell us something about our own ways of approaching his fiction.

Don DeLillo is widely regarded as one of the most significant, and prescient, writers of our time. Since the 1960s, DeLillo's fiction has been at the cutting edge of thought on American identity, globalization, technology, environmental destruction, and terrorism, always with a distinctively macabre and humorous eye. Don DeLillo: Contemporary Critical Perspectives brings together leading scholars of the contemporary American novel to guide readers through DeLillo's oeuvre, from his early short stories through to 2016's Zero K, including his theatrical work. As well as critically exploring DeLillo's engagement with key contemporary themes, the book also includes a new interview with the author, annotated guides to further reading, and a chronology of his life and work.