Everyone can name a couple made up of famous, rich, or powerful partners, who cultivate a joint media image which is stronger than either of their individual identities. Since the 1980s they have been known as "power couples". Yet while the term is recent, the concept is not. More than 2,000 years ago, Greeks and Romans became aware of the media potential of couples and used it as an instrument to reinforce political power. Notable examples are Philip II of Macedonia and Olympias, Cleopatra and Mark Antony, or the Emperor Augustus and his wife Livia. Power Couples in Antiquity brings together the reflections of ten specialists on Greek and Roman power couples from the fourth century BCE to the first century CE. It is focused on the birth and the development of the "ruling couple" in the Hellenistic Greek kingdoms and in Rome between the end of the Republic and the beginning of the Empire. By taking some emblematic cases, this book analyses the redistribution of public and private roles within these couples, examines the sentimental bonds or the relations of domination established between partners, explores how these relationships played out in private, and highlights the many common points between ancient and contemporary power couples. This book offers a fascinating insight into power dynamics in the ancient world, exploring not only the subtleties within these often complex relationships, but also their relationships with their subjects through the cultivation and manipulation of their joint public image.

This volume offers the first comprehensive look at the role of women in the monarchies of the ancient Mediterranean. It consistently addresses certain issues across all dynasties: title; role in succession; the situation of mothers, wives, and daughters of kings; regnant and co-regnant women; role in cult and in dynastic image; and examines a sampling of the careers of individual women while placing them within broader contexts. Written by an international group of experts, this collection is based on the assumption that women played a fundamental role in ancient monarchy, that they were part of, not apart from it, and that it is necessary to understand their role to understand ancient monarchies. This is a crucial resource for anyone interested in the role of women in antiquity.

Who were the first celebrity couples? How was their success forged? Which forces influenced their self-fashioning and marketing strategies? These questions are at the core of this study, which looks at the birth of a phenomenon, that of the couple in show business, with a focus on the promotional strategies devised by two professional performers: Giovan Battista Andreini (1576–1654) and Virginia Ramponi (1583–ca.1631). This book examines their artistic path – a deliberately crafted and mutually beneficial joint career – and links it to the historical, social, and cultural context of post-Tridentine Italy. Rooted in a broad research field, encompassing theatre history, Italian studies, celebrity studies, gender studies, and performance studies, The Theatre Couple in Early Modern Italy revises the conventional view of the Italian diva, investigates the deployment of Catholic devotion as a marketing tool, and argues for the importance of the couple system in the history of Commedia dell’Arte, a system that continues to shape celebrity today.

Marriage was historically not only a romantic ideal, but a tool of exploitation of women in many regards. Women were often considered commodities and marriage was far away from the romantic stereotypes people relate to it today. While marriages served as diplomatic tools or means of political legitimization in the past, the discourses about marital relationships changed and women expressed their demands more openly. Discourses about marriage in history and literature naturally became more and more heated, especially during the "long" 19th century, when marriages were contested by social reformers or political radicals, male and female alike. The present volume provides a discussion of the role of marriage and the discourses about in different chronological and geographical contexts and shows which arguments played an important role for the demand for more equality in martial relationships. It focuses on marriage discourses, may they have been legal or rather socio-political ones. In addition, the disputes about marriage in literary works of the 19th and 20th centuries are presented to complement the historical debates.

Combined Arms Warfare in Ancient Greece examines the timelines of military developments that led from the hoplite-based armies of the ancient Greeks to the hugely successful and multi-faceted armies of Philip II, Alexander the Great, and his Successors. It concentrates on the introduction and development of individual units and their tactical coordination and use in battle in what is termed "combined arms": the effective integration of different unit types into one cohesive battle plan and army allowing each unit to focus on its strengths without having to worry about its weaknesses. This volume traces the development, and argues for the vital importance, of the use of combined arms in Greek warfare from the Archaic period onwards, especially concerning the Macedonian hegemony, through to its developmental completion in the form of fully "integrated warfare" at the battle of Ipsus in 301 BCE. It argues crucially that warfare should never be viewed in isolation in individual states, regions, conflicts or periods but taken as a collective whole tracing the mutual influence of other cultures and the successful innovations that always result. Wrightson analyses Greek and Macedonian warfare through the lens of modern military theoretical terminology, making this study accessible to those with a general interest in military history as well as those studying this specific period.

The Bible, Homer, and the Search for Meaning in Ancient Myths explores and compares the most influential sets of divine myths in Western culture: the Homeric pantheon and Yahweh, the God of the Old Testament. Heath argues that not only does the God of the Old Testament bear a striking resemblance to the Olympians, but also that the Homeric system rejected by the Judeo-Christian tradition offers a better model for the human condition. The universe depicted by Homer and populated by his gods is one that creates a unique and powerful responsibility – almost directly counter to that evoked by the Bible—for humans to discover ethical norms, accept death as a necessary human limit, develop compassion to mitigate a tragic existence, appreciate frankly both the glory and dangers of sex, and embrace and respond courageously to an indifferent universe that was clearly not designed for human dominion. Heath builds on recent work in biblical and classical studies to examine the contemporary value of mythical deities. Judeo-Christian theologians over the millennia have tried to explain away Yahweh’s Olympian nature while dismissing the Homeric deities for the same reason Greek philosophers abandoned them: they don’t live up to preconceptions of what a deity should be. In particular, the Homeric gods are disappointingly plural, anthropomorphic, and amoral (at best). But Heath argues that Homer’s polytheistic apparatus challenges us to live meaningfully without any help from the divine. In other words, to live well in Homer’s tragic world – an insight gleaned by Achilles, the hero of the Iliad – one must live as if there were no gods at all. The Bible, Homer, and the Search for Meaning in Ancient Myths should change the conversation academics in classics, biblical studies, theology and philosophy have – especially between disciplines – about the gods of early Greek epic, while reframing on a more popular level the discussion of the role of ancient myth in shaping a thoughtful life.

The mos maiorum stated that only men could hold magistracies and military office, operating in the spaces dedicated to the city’s politics — the senate, the popular assemblies, the courts, the Forum. Women, on the other hand, were obliged to conform to traditional behavioural models which excluded them from any form of political activity. Nevertheless, in the 1st century BCE, the emergency situation of the civil wars led some women to undertake political initiatives. This opportunity arose from the Roman matrons’ contingent need to represent and replace the men who until recently had managed the city’s politics, and to safeguard the ruling power among the families on which the oligarchic system was founded. Their contemporaries and subsequent historiographers often found ways to justify these women’s actions in order not to compromise their families’ reputations. To that end, certain legends, recast during the Late Republic and the Early Principate, identify authoritative precedents that would legitimise women’s initiatives in the present. This book studies the protagonists, the methods, the aims, the consequences, and the judgement of matrons’ political acts. The purpose of this study is twofold: on the one hand, it seeks to shed light upon a defining moment in the history of women; on the other hand, it aims to reconstruct a crucial aspect of the political history of ancient Rome.

The first modern biography of one of the most influential yet long-neglected rulers of the ancient world: Cleopatra Selene, daughter of Antony and Cleopatra. “A vibrant, fascinating portrait of a great woman who deserves her place in the pantheon of Roman queens.” —Emma Southon As the only daughter of Roman Triumvir Marc Antony and Egyptian Queen Cleopatra VII, Cleopatra Selene was expected to uphold traditional feminine virtues; to marry well and bear sons; and to legitimize and strengthen her parents’ rule. Yet with their parents’ deaths by suicide, the princess and her brothers found themselves the inheritors of Egypt, a claim that placed them squarely in the warpath of the Roman emperor. “Supported by a feast of visual and literary references” (Caroline Lawrence), Cleopatra’s Daughter reimagines the life of Cleopatra Selene, a woman who, although born into Egyptian royalty and raised in her mother’s court, was cruelly abandoned and held captive by Augustus Caesar. Creating a narrative from frescos and coinage, ivory dolls and bronzes, historian and archaeologist Jane Draycott shows how Cleopatra Selene navigated years of imprisonment on Palatine Hill—where Octavia, the emperor’s sister and Antony’s fourth wife, housed royal children orphaned in the wake of Roman expansion—and emerged a queen. Despite the disrepute of her family, Cleopatra Selene in time endeared herself to her captors through her remarkable intellect and political acumen. Rather than put her to death, Augustus wed her to the Numidian prince Juba, son of the deposed regent Juba I, and installed them both as client rulers of Mauretania in Africa. There, Cleopatra Selene ruled successfully for nearly twenty years, promoting trade, fostering the arts, and reclaiming her mother’s legacy—all at a time, Draycott reminds us, when kingship was an inherently male activity. A princess who became a prisoner and a prisoner who became a queen, Cleopatra Selene here “finally attains her rightful place in history” (Barry Strauss). A much-needed corrective, Cleopatra’s Daughter sheds new and revelatory light on Egyptian and Roman politics, society, and culture in the early days of the Roman Empire.

The definitive story of the seven Cleopatras, the powerful goddess-queens of ancient Egypt One of history’s most iconic figures, Cleopatra is rightly remembered as a clever and charismatic ruler. But few today realize that she was the last in a long line of Egyptian queens who bore that name. In The Cleopatras, historian Lloyd Llewellyn-Jones tells the dramatic story of these seven incomparable women, vividly recapturing the lost world of Hellenistic Egypt and tracing the kingdom’s final centuries before its fall to Rome. The Cleopatras were Greek-speaking descendants of Ptolemy, the general who conquered Egypt alongside Alexander the Great. They were closely related as mothers, daughters, sisters, half-sisters, and nieces. Each wielded absolute power, easily overshadowing their husbands or sons, and all proved to be shrewd and capable leaders. Styling themselves as goddess-queens, the Cleopatras ruled through the canny deployment of arcane rituals, opulent spectacles, and unparalleled wealth. They navigated political turmoil and court intrigues, led armies into battle and commanded fleets of ships, and ruthlessly dispatched their dynastic rivals. The Cleopatras is a fascinating and richly textured biography of seven extraordinary women, restoring these queens to their deserved place among history’s greatest rulers.

Recent work on the ancient economy has tended to concentrate on market exchange, but other forces also caused goods to change hands. Such nonmarket transfers ranged from small private gifts to the wholesale confiscation of cities, lands, and their peoples. The papers presented in this volume examine aspects of this extramercantile economy, particularly benefaction and the role of associations, as well as their impact on the market economy. This volume brings together ancient historians, New Testament scholars, and classicists to assess critically the New Institutional Economics framework. Combining theoretical approaches with detailed investigations of particular regions and topics, its chapters examine Greek economic thought, the benefits of membership in private associations, and the economic role of civic euergetism from classical Athens to the municipalities of Roman Spain. The Extramercantile Economies of Greek and Roman Cities will be of use to those interested in the economic context of ancient religions, the role of associations in the economy, theoretical approaches to the study of the ancient economy, labor and politics in the ancient city, as well as how Greek philosophers, from Xenophon to Philodemus, developed ethical ideas about economic behavior.