Poul Martin Møller published his most important philosophical treatise in 1837, “Thoughts on the Possibility of Proofs of Human Immortality.” This is the first English translation of this work.

Nihilism – the belief that life is meaningless – is frequently associated with twentieth-century movements such as existentialism, postmodernism and Dadaism, and thought to result from the shocking experiences of the two World Wars and the Holocaust. In his rich and expansive new book, Jon Stewart shows that nihilism's beginnings in fact go back much further to the first half of the nineteenth century. He argues that the true origin of modern nihilism was the rapid development of Enlightenment science, which established a secular worldview. This radically diminished the importance of human beings so that, in the vastness of space and time, individuals now seemed completely insignificant within the universe. The author's panoramic exploration of how nihilism developed – not only in philosophy, but also in religion, poetry and literature – shows what an urgent topic it was for thinkers of all kinds, and how it has continued powerfully to shape intellectual debates ever since.

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the poet and critic Johan Ludvig Heiberg, who attended Hegel’s lectures in Berlin in 1824 and then launched a campaign to popularize Hegel’s philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg’s Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg’s journal. Through these debates Hegel’s philosophy became an important part of Danish cultural life.

This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.

This companion explores Søren Kierkegaard's theological importance, offering a comprehensive reading of his work through a distinctly theological lens, including interpretative concerns, his approach to specific doctrines, and theological trajectories for thinking beyond his work. Beginning with essays on key interpretative factors involved in approaching Kierkegaard's complex corpus, there are also historical accounts of his theological development, followed by – for the first time in a single volume – focused expositions of Kierkegaard's approach to particular doctrinal themes, from those oft-discussed in his work (e.g. Christology) to those more understated (e.g. Pneumatology). The book concludes with theological trajectories for Kierkegaard's thought in the twenty-first century. This volume helps not only to situate Kierkegaard's theology more firmly on the map, but to situate Kierkegaard more firmly on the theological map, as one who has much to offer both the form and content of the theological task.

An Introduction to Hegel's Lectures on the Philosophy of Religion examines Hegel's religious thinking by seeing it against the backdrop of the main religious trends in his own day, specifically the Enlightenment and Romanticism. A basic introduction to Hegel's lectures, it provides an account of the criticism of religion by key Enlightenment thinkers such as Voltaire, Lessing, Hume, and Kant. This is followed by an analysis of how the Romantic thinkers, such as Rousseau, Jacobi and Schleiermacher, responded to these challenges. For Hegel, the views of these thinkers from both the Enlightenment and Romanticism tended to empty religion of its content. The goal that he sets for his own philosophy of religion is to restore this lost content. The book provides a detailed account of Hegel's Lectures on the Philosophy of Religion and argues that the basic ideas of the Enlightenment and Romanticism are still present today, and remain an important issue for both academics and non-academics, regardless of their religious orientation.

The poet and part-time philosopher Johan Ludvig Heiberg published the first issue of his review Perseus, Journal for the Speculative Idea in June of 1837 as a part of his long-standing campaign to convert his Golden Age contemporaries to G.W.F. Hegel's philosophical system. The journal was created in large part as a result of a dispute that Heiberg had with the editorial board of the prestigious Maanedsskrift for Litteratur about an article that he had submitted. Feeling unfairly persecuted, Heiberg retracted his submission and resolved to found a new philosophical journal of his own, in which his controversial piece could be published. Thus Perseus was born. In his prefatory address to the journal's readers, Heiberg calls upon the Greek hero Perseus to be the champion for the cause of Hegelian idealism and to do battle with the pernicious Medusa of realism and empiricism. Although Heiberg's Hegelian review only appeared in two issues in 1837 and 1838, it was widely read and discussed among Danish students and intellectuals of the time. It was reviewed at length by the philosopher Frederik Christian Sibbern and satirized by Søren Kierkegaard in Prefaces. There can be no doubt that Heiberg's Perseus represents a landmark in Golden Age culture.

A major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel.

The period from 1780 to 1850 witnessed an unprecedented explosion of philosophical creativity in the German territories. In the thinking of Kant, Schiller, Fichte, Hegel, and the Hegelian school, new theories of freedom and emancipation, new conceptions of culture, society, and politics, arose in rapid succession. The members of the Hegelian school, forming around Hegel in Berlin and most active in the 1830’s and 1840’s, are often depicted as mere epigones, whose writings are at best of historical interest. In Politics, Religion, and Art: Hegelian Debates, Douglas Moggach moves the discussion past the Cold War–era dogmas that viewed the Hegelians as proto-Marxists and establishes their importance as innovators in the fields of theology, aesthetics, and ethics and as creative contributors to foundational debates about modernity, state, and society.

For over a century, the Danish thinker Søren Kierkegaard (1813-55) has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard's journals and notebooks consists of reflections on a myriad of subjects--philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure--but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard's Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Volume 7 of this 11-volume series includes six of Kierkegaard's important "NB" journals (Journals NB15 through NB20), covering the months from early January 1850 to mid-September of that year. By this time it had become clear that popular sovereignty, ushered in by the revolution of 1848 and ratified by the Danish constitution of 1849, had come to stay, and Kierkegaard now intensified his criticism of the notion that everything, even matters involving the human soul, could be decided by "balloting." He also continued to direct his barbs at the established Danish Church and its clergy (particularly Bishop J. P. Mynster and Professor H. L. Martensen), at the press, and at the attempt by modern philosophy to comprehend the incomprehensibility of faith. Kierkegaard's reading notes include entries on Augustine, the Stoics, German mystics, Luther, pietist authors, and Rousseau, while his autobiographical reflections circle around the question of which, if any, of several essays explaining his life and works he ought to publish. Perhaps unsurprisingly, Kierkegaard's more personal reflections return once again to his public feud with M. A. Goldschmidt and his broken engagement to Regine Olsen. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced.