Folk art has long been a part of the cultural heritage of the Hudson River Valley. The Hudson River school of painting traces its roots to the valley, as does a unique decorative style of stoneware--preserve pots and jugs with scenes of birds, flowers, and animals that were part of the potter's life. While the Hudson River paintings, usually commissioned by wealthy landowners, have achieved universal acclaim, the utilitarian stoneware, owned by even the least successful merchants and farmers, has been widely collected but little understood. Poughkeepsie Potters and the Plague makes an important contribution toward an understanding of the stoneware tradition of the Hudson Valley. Based on years of research, it uncovers for the first time the significance of early stoneware production at Poughkeepsie and outlines its one-hundred-year history. Astonishingly, its early beginnings may be attributed to a series of yellow-fever epidemics that struck New York City during the 1795-1805 period. These epidemics forced a migration of people away from the beleaguered city to places such as Poughkeepsie. Poughkeepsie Potters and the Plague began with a dated butter pot that was made by the first stoneware potters of Poughkeepsie as a tribute to the epidemic victims of New York City in 1798--a single piece of pottery transcending time and location to bring to life the historical triumph of the enduring human spirit.

At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters, every issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience.The 2006 issue of Ceramics in America will offer another comprehensive compilation of articles and new discoveries. This issue will review evidence of Dutch and English delft tiles used in seventeenth- and eighteenth-century American fireplaces. It will also feature new information about American stoneware and the archaeological recovery of commemorative wares related to George Washington in Alexandria, Virginia. The highlight of the journal will be the second part of John Austin's examination of potter Palin Thorely's career and production in Williamsburg, Virginia.

The Encyclopedia of New York State is one of the most complete works on the Empire State to be published in a half-century. In nearly 2,000 pages and 4,000 signed entries, this single volume captures the impressive complexity of New York State as a historic crossroads of people and ideas, as a cradle of abolitionism and feminism, and as an apex of modern urban, suburban, and rural life. The Encyclopedia is packed with fascinating details from fields ranging from sociology and geography to history. Did you know that Manhattan's Lower East Side was once the most populated neighborhood in the world, but Hamilton County in the Adirondacks is the least densely populated county east of the Mississippi; New York is the only state to border both the Great Lakes and the Atlantic Ocean; the Erie Canal opened New York City to rich farmland upstate . . . and to the west. Entries by experts chronicle New York's varied areas, politics, and persuasions with a cornucopia of subjects from environmentalism to higher education to railroads, weaving the state's diverse regions and peoples into one idea of New York State. Lavishly illustrated with 500 photographs and figures, 120 maps, and 140 tables, the Encyclopedia is key to understanding the state's past, present, and future. It is a crucial reference for students, teachers, historians, and business people, for New Yorkers of all persuasions, and for anyone interested in finding out more about New York State.

The Epidemic tells the story of how a vain and reckless businessman became responsible for a typhoid epidemic in 1903 that devastated Cornell University and the surrounding town of Ithaca, New York. Eighty-two people died, including twenty-nine Cornell students. Protected by influential friends, William T. Morris faced no retribution for this outrage. His legacy was a corporation—first known as Associated Gas & Electric Co. and later as General Public Utilities Corp.—that bedeviled America for a century. The Three Mile Island nuclear accident in 1979 was its most notorious historical event, but hardly its only offense against the public interest. The Ithaca epidemic came at a time when engineers knew how to prevent typhoid outbreaks but physicians could not yet cure the disease. Both professions were helpless when it came to stopping a corporate executive who placed profit over the public health. Government was a concerned but helpless bystander. In this emotionally gripping book, David DeKok, a former award-winning investigative reporter and the author of widely praised books on the mine fire that devastated Centralia, Pennsylvania, brings this tragedy home by taking us into the lives of many of those most deeply affected. For modern-day readers acutely aware of the risk of a devastating global pandemic and of the dangers of unrestrained corporate power, The Epidemic provides a riveting look back at a heretofore little-known, frightening episode in America’s past that seems all too familiar.Written in the tradition of The Devil in the White City, it is an utterly compelling, thoroughly researched work of narrative history with an edge.

February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index.

More horror movies are produced and released each year than any other film genre. While horror enjoys broad popularity, many hardcore fans voraciously consume films from their favorite subgenres while avoiding others entirely. This says something interesting about the films and their audiences. This primer and reference guide defines and explores 75 alphabetically listed subgenres of horror film, from Abduction to Witchcraft and two Zombie subgenres. Each sizeable entry provides a critical survey of the subgenre, a detailed examination of its characteristic elements and themes, and a discussion of three or four exemplary titles as well as other titles of interest.

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