The title of the book is self-explanatory…. As I try to include some forgotten people, places, school college, teachers, events, my dear family, relatives and friends who touched and impacted our lives and left an indelible impression on us….we didn’t realize their true worth and took many things for granted as we thought that was the way of life in our sheltered world of simplicity and innocence .

In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers.

The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Søren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 12 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.

"Turner: Five Letters and a postscript" by Lewis Hind is a biography of Joseph Mallord William Turner RA (1775 –1851), known in his time as William Turner. He was an English Romantic painter, printmaker, and watercolorist. He is known for his expressive colorizations, imaginative landscapes, and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolors, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840 and is today regarded as having elevated landscape painting to an eminence rivaling history painting. The book consists of his 5 letters and a postscript. Excerpt: "LETTER I EXPLANATORY Yes: I remember that morning at Exeter when I surprised you by making a drawing of the west porch of the cathedral. Timidly were the unrestored figures of angels, apostles, prophets, kings and warriors—very old, very battered—taking form in your sketch-book:[Pg 12] timidly, for even then you were beginning to be troubled by the blur that rose, after an hour's work, between your eyes and the carven kings and saints. Your sister passed into the cathedral to her devotions carrying white flowers for the altar: we stayed in the sunlight. I cannot remember how Turner became the subject of our talk; but I think it was my mention of his drawing of the west front of Salisbury Cathedral done when he was twenty-three—one of the set exhibited at the Royal Academy in 1799, which hastened his election to an Associateship of the Royal Academy."

"First published in Great Britain in 2020 by Quercus"--Copyright page.