The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.

"The Green New Deal is the most exciting idea in American politics for decades––and as theses powerful posters make clear, it’s grabbed the attention not just of policy wonks but of artists who can translate these ideas into images that move us.”––Bill McKibben, bestselling author of Deep Economy Posters with a purpose. A clarion call for our time, the Green New Deal is a bold and far-reaching legislative plan to fight climate change, create millions of good-paying jobs, promote economic and racial equality, and so much more. In its ambition, it’s a vision that mirrors President Franklin D. Roosevelt’s New Deal, which helped pull the country out of the Great Depression. And just as WPA artists mustered support for the New Deal with their work, here are 50 powerful posters to champion the Green New Deal. The posters are original, colorful, and visually striking, with text on the back that explains each issue and how the Green New Deal seeks to address it. Perforated pages make them easy to tear out and hang or use as signs at marches and demonstrations, because it’s not just a book to flip through. Climate change affects everything: the air we breath, the water we drink, the food we eat, the places we call home, and the people we love. And the time to act on it is now.

Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.

Better posters mean better research. Distilling over a decade of experience from the popular Better Posters blog, Zen Faulkes will help you create a clear and informative conference poster that delivers maximum impact. Academics have used posters to share research for more than five decades, and tens of thousands of posters are presented at conferences every year. Despite the popularity of the format, no in-depth guide has been available on how to create and deliver compelling conference posters. From over-long titles, tiny text and swarms of logos, to bad font choices, chaotic colour schemes and blurry images – it’s easy to leave viewers confused about your poster’s message. The solution is Better Posters: a comprehensive guide to everything you need to know – from writing a title and submitting an abstract, to designing the poster and finally presenting it in the poster session. Your conference poster will be one of your first research outputs, and the poster session is your first introduction to a professional community. Making a great poster develops the skills to create publications, reports, outreach and teaching materials throughout your career. This book also has material for conference organizers on how to make a better poster session for their attendees.

When you’re sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say? Peter Drew’s posters are a familiar sight across Australia – his ‘Real Australians Say Welcome’ and ‘Aussie’ campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why? In this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia’s dark, unacknowledged past and the unspoken conflict at the core of his own family. Packed full of Peter Drew’s memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It’s about politics and art, and why we need them both. And it’s about making a mark. ‘Peter Drew’s work changes how we see our streets and country, as well as activism and art. Be warned: This galvanising book might propel you to start a movement yourself.’ —Benjamin Law 'An unflinching look at modern Australia, Poster Boy is a tale literally told from the streets. It is a stark story where the villains blend in with those devoted to pushing for change. This book floored me.' —Osher Günsberg ‘To read Poster Boy is to experience the life-enriching idea that one person can make real change. Then wait for the minute, the day, the week, when the afterglow of his story works its magic on your own simple deeds. From little things, big things truly grow.’ —Megan Morton ‘An insightful look into the life and mind of one of Australia's most progressive and forthright artists of our generation.’ —Nick Mitzevich, director of the National Gallery of Australia

Inspire your inner powerhouse with empowering broadsides with quotes from history's most influential women. With 30 inspirational posters at your disposal, you can cover every inch of your home or dorm room in motivational statements from powerful women who helped change history. Frame them, hang them as-is, or leave them bound in the book as an eye-catching coffee table reader--the choice is yours. These posters are perfect for hanging in dorm rooms, living rooms, hallways, and anywhere else that needs a pick-me-up! These broadsides are the perfect gift for anyone looking to be inspired by the women who changed history.

A Century of Posters presents a pictorial record of the development of poster art and graphic design from 1880 to 1980. Comprising over 400 colour images, it features a wealth of well-known artists from Henri Toulouse-Lautrec to Jan Tschichold.

“Fine art for font nerds.”—New York Magazine “One of the most engaging homages I have ever seen.”—Steven Heller Swissted takes rock concert posters of the ’70s, ’80s, and ’90s and remixes and reimagines them through a Swiss modernist lens. The result is some of the coolest images you’ve ever seen! The book features 200 posters, all microperforated and ready to frame. Or keep them bound in one collection as an art book. The foreword is written by legendary designer Steven Heller. Posters are from legendary indie, alternative, and punk bands such as Jane’s Addiction, Blondie, the Beastie Boys, the Clash, the Pixies, Green Day, the Ramones, Devo, the Sex Pistols, Dead Kennedys, Public Image Ltd., Sonic Youth, the Cure, Red Hot Chili Peppers, Hüsker Dü, Danzig, the Replacements, Fugazi, the Lemonheads, Pearl Jam, Pavement, Superchunk, They Might Be Giants, Guided by Voices, Sugar, Sleater Kinney, Violent Femmes, Iggy Pop, Fishbone, Nirvana, and many, many more!

A collection of the world's most memorable, provocative, best-selling and groundbreaking posters from Johannes Gutenberg to Barack Obama. This collection charts the history of poster design, from the time when paper was first affordable in the 18th century, through developments in print technology, to the more subtle visual communication of the 21st century. Along the way, it showcases the most impactful designs of the last 300 years. It tells the story of how the artform took off in the late 19th century with the introduction of litho printing and the influence of Henri de Toulouse-Lautrec and Alphonse Mucha. There are posters for events, auctions, public meetings, political rallies, sports games, lectures, and theatrical performances. Some convey political messages, such as the iconic Keep Calm and Carry On poster produced at the dawn of the Second World War. Others advertise the latest must-see movies, including classic designs for ET and Jaws.

A riveting survey of almost three hundred posters, revealing a history of Bay Area artists, activists, and movements from the 1960s to 2012. This catalog of political posters pays homage to an influential and populist art movement that has created some of the most enduring imagery of our time. In All of Us or None, author Lincoln Cushing examines key selections from a remarkable archive of over 24,000 posters amassed by free speech movement activist, author, and educator Michael Rossman over the course of thirty years. This inspiring collection of Bay Area posters illuminates the history of this ad-hoc and ephemeral art form, celebrating its unique capacity to infuse contemporary issues with the urgency and energy of the eternal fight for justice. Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women’s liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers—among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger—together raising their voices in opposition to the status quo. In spring of 2012, the Oakland Museum of California presented its first comprehensive exhibition of this recently acquired treasure; the show, along with this book, presented an unbroken narrative of passionate social justice printmaking from the mid-1960s to 2012. “This engaging catalogue surveys nearly 300 of the late Michael Rossman’s enormous collection of over 24,000 San Francisco Bay Area social justice posters . . . . With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka’s often quoted clenched fist, or the Black Panther Party’s panther symbol as rendered by Emory Douglas and others.” —Publishers Weekly “An extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.” —Paul Buhle, publisher of the SDS magazine Radical America and author of more than forty books on radical politics and culture