Studies the artists and movements that have shaped and influenced the development of poster design during a one-hundred-year period

With international coverage, the author describes in text and reproductions a history of poster art from the late nineteenth century on.

In 1966, when the Cultural Revolution took hold, posters, ceramic statues, "Little Red Books," and other material objects were the principal means that the Chinese government used to communicate with the masses. As art and as propaganda, the iconography of these artifacts was used to rally the people around the programs and personalities of the Maoist regime. For graphic artists, collectors, and Sino-historians, they have a growing importance. With nearly 500 color photos, this book is an introductory guide to the meanings and values of the material culture of the Cultural Revolution, along with brief explanations of their historical background.

The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.

The first part of the study discusses the origins of the Armenians, the Urartian Kingdom, Armenia and the Achaemenid, Seleucid, Parthian, Roman, Sasanid and Byzantine periods. It also examines Christinaity in Armenia and the development of an alphabet and literature. The work then continues with the history of Armenia during the Arab, Turkish and Mongol periods. A separate chapter deals with the history of Cilician Armenia and the Crusades. The second part concentrates on the Armenian communities in the Ottoman, Persian, Indian, and Russian empires (1500-1918). It also details the Armenian diaspora in Eastern and Western Europe, Africa, the Arab World, the Far East, and the Americas. The study concludes with lengthy chapters on the history of the three Armenian republics (1918-1920); (1921-1991Soviet Armenia); and the current Armenian republic (1991-2001)

"The Green New Deal is the most exciting idea in American politics for decades––and as theses powerful posters make clear, it’s grabbed the attention not just of policy wonks but of artists who can translate these ideas into images that move us.”––Bill McKibben, bestselling author of Deep Economy Posters with a purpose. A clarion call for our time, the Green New Deal is a bold and far-reaching legislative plan to fight climate change, create millions of good-paying jobs, promote economic and racial equality, and so much more. In its ambition, it’s a vision that mirrors President Franklin D. Roosevelt’s New Deal, which helped pull the country out of the Great Depression. And just as WPA artists mustered support for the New Deal with their work, here are 50 powerful posters to champion the Green New Deal. The posters are original, colorful, and visually striking, with text on the back that explains each issue and how the Green New Deal seeks to address it. Perforated pages make them easy to tear out and hang or use as signs at marches and demonstrations, because it’s not just a book to flip through. Climate change affects everything: the air we breath, the water we drink, the food we eat, the places we call home, and the people we love. And the time to act on it is now.

"Applied art and design have shaped culture and the economy in Finland since the late 19th century. In this process they have become an integral aspect of the identity and international image of the country. This book outlines the evolution of design in Finland from the founding stages of the 1870s to the beginning of the 21st century. It focuses on its main underlying factors -- industries, training and education, culture, designers and products. Design has operated in the tension between art and industry, and continues to do so, belonging to both but never exclusively to either one."--Publisher's description.