"Every chapter gets better and better. Can't wait to read more. Have no idea where this is going and loving it." - Ryan McKinney, Writer and Director, The Invited When Einstein's well-intentioned experiment goes horribly awry, our favorite band of survivors finds themselves face-to-face with a giant, genetically-enhanced killer rat. But that's just the beginning of their troubles. Packed with pop culture references, laugh-out-loud moments, and edge-of-your-seat action, "Let the Mischief Begin" delivers a perfect blend of humor and horror. As Joe and his clones face their most bizarre challenge yet, they'll discover that in the post-apocalyptic world, sometimes the biggest threats come in unexpectedly large packages. Will our heroes triumph over their rodent nemesis, or will they become the world's last all-you-can-eat buffet? Dive into this uproarious adventure and find out why Post-Apocalyptic Joe continues to be the most entertaining survivor in the wasteland! Who knew the end of the world could be this much fun? HURRY, DON'T MISS OUT ON THIS LIMITED TIME OFFER FOR A DISCOUNTED PRICE! REGULAR PRICE $2.99 USD Hold on to your popcorn because there’s one more episode until this thrilling post-apocalyptic storyline concludes with an explosive finale. Trust us, you won't want to miss it! ----- Episode 5 of "Post-Apocalyptic Joe in a Cinematic Wasteland" is the fifth episode of a six-episode story arc that makes up Season 1 and is meant to be enjoyed as one continuous tale.

"Every chapter gets better and better. Can't wait to read more. Have no idea where this is going and loving it." - Ryan McKinney, Writer and Director, The Invited Survive. Clone. Repeat. When the world ends, Joe's adventure begins! Armed with alien tech and a cloning machine, he accidentally creates a squad of quirky lookalikes. Now they must battle giant rats, uncover government secrets, and master the art of post-apocalyptic living. It's like "Multiplicity" meets "Fallout," with a dash of "The Hitchhiker's Guide to the Galaxy." Buckle up for the wildest ride since the apocalypse! Who knew the end of the world could be this much fun? All six episodes of Post-Apocalyptic Joe in a Cinematic Wasteland bundled together for your reading pleasure. Post-Apocalyptic Joe in a Cinematic Wasteland: Season One: Episode 1: When It Rains, It Pours Episode 2: It's the End of the World As We Know It, and I Don't Feel Fine Episode 3: The Rise of Post-Apocalyptic Joe Episode 4: Killer Rodents of Unusual Size Episode 5: Let the Mischief Begin Episode 6: Know Thy Enemy Post-Apocalyptic Joe in a Cinematic Wasteland: Where the end of the world is just the beginning of the story. ----- Post-Apocalyptic Joe in a Cinematic Wasteland: Season 1 is a six-episode story arc that is meant to be enjoyed as one continuous tale.

"On the surface, Thompson looks like any other blue-collar New Jersey town. But beneath the working-class exterior lies a bizarro world of fetishistic crime, sleazy motels, and squid. In these three bizarro-noir novellas, the reader is thrown into a world of murderers, drugs made from squid parts, deformed gun-toting veterans, and a mischievous apocolyptic donkey." -- Back cover

This book offers analyses of the roles of race, gender, and sexuality in the post-apocalyptic visions of early twenty-first century film and television shows. Contributors examine the production, reproduction, and re-imagination of some of our most deeply held human ideals through sociological, anthropological, historical, and feminist approaches.

A unique exploration of the history of the bicycle in cinema, from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films. Cycling and Cinema explores the history of the bicycle in cinema from the late nineteenth century through to the present day. In this new book from Goldsmiths Press, Bruce Bennett examines a wide variety of films from around the world, ranging from Hollywood blockbusters and slapstick comedies to documentaries, realist dramas, and experimental films, to consider the complex, shifting cultural significance of the bicycle. The bicycle is an everyday technology, but in examining the ways in which bicycles are used in films, Bennett reveals the rich social and cultural importance of this apparently unremarkable machine. The cinematic bicycles discussed in this book have various functions. They are the source of absurd comedy in silent films, and the vehicles that allow their owners to work in sports films and social realist cinema. They are a means of independence and escape for children in melodramas and kids' films, and the tools that offer political agency and freedom to women, as depicted in films from around the world. In recounting the cinematic history of the bicycle, Bennett reminds us that this machine is not just a practical means of transport or a child's toy, but the vehicle for a wide range of meanings concerning individual identity, social class, nationhood and belonging, family, gender, and sexuality and pleasure. As this book shows, two hundred years on from its invention, the bicycle is a revolutionary technology that retains the power to transform the world.

From the star YouTube reviewer, “a fantastic selection of movies, both big and small, that all film lovers can enjoy . . . a wonderful reference guide” (Alicia Malone, author Backwards and in Heels). Comic book heroes, ice princesses, apocalyptic lovestruck teens, whatever masterpiece Pixar is rolling out—not to mention countless indies and foreign films—there’s been no shortage of things to watch in recent years. But which films are the best of the best? What are the top twenty-first century movies to see before you die? Chris Stuckmann, one of YouTube’s most popular film reviewers with over 125 million views, gives us his best of the best in this list of the fifty very best movies since 2000—with all the style and punch his YouTube fans have come to love. “Chris Stuckmann is the Roger Ebert of Youtube and this book is awesome.” —Varla Ventura, author of Sheroes

Named to ten BEST OF THE YEAR lists and selected as a William C. Morris Award Winner,The Serpent King is the critically acclaimed, much-beloved story of three teens who find themselves--and each other--while on the cusp of graduating from high school with hopes of leaving their small-town behind. Perfect for fans of John Green's Turtles All the Way Down. "Move over, John Green; Zentner is coming for you." —The New York Public Library “Will fill the infinite space that was left in your chest after you finished The Perks of Being a Wallflower.” —BookRiot.com Dill isn't the most popular kid at his rural Tennessee high school. After his father fell from grace in a public scandal that reverberated throughout their small town, Dill became a target. Fortunately, his two fellow misfits and best friends, Travis and Lydia, have his back. But as they begin their senior year, Dill feels the coils of his future tightening around him. His only escapes are music and his secret feelings for Lydia--neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending--one that will rock his life to the core. Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past. “A story about friendship, family and forgiveness, it’s as funny and witty as it is utterly heartbreaking.” —PasteMagazine.com “A brutally honest portrayal of teen life . . . [and] a love letter to the South from a man who really understands it.” —Mashable.com “I adored all three of these characters and the way they talked to and loved one another.”—New York Times

For four hundred years--from the first Spanish assaults against the Arawak people of Hispaniola in the 1490s to the U.S. Army's massacre of Sioux Indians at Wounded Knee in the 1890s--the indigenous inhabitants of North and South America endured an unending firestorm of violence. During that time the native population of the Western Hemisphere declined by as many as 100 million people. Indeed, as historian David E. Stannard argues in this stunning new book, the European and white American destruction of the native peoples of the Americas was the most massive act of genocide in the history of the world. Stannard begins with a portrait of the enormous richness and diversity of life in the Americas prior to Columbus's fateful voyage in 1492. He then follows the path of genocide from the Indies to Mexico and Central and South America, then north to Florida, Virginia, and New England, and finally out across the Great Plains and Southwest to California and the North Pacific Coast. Stannard reveals that wherever Europeans or white Americans went, the native people were caught between imported plagues and barbarous atrocities, typically resulting in the annihilation of 95 percent of their populations. What kind of people, he asks, do such horrendous things to others? His highly provocative answer: Christians. Digging deeply into ancient European and Christian attitudes toward sex, race, and war, he finds the cultural ground well prepared by the end of the Middle Ages for the centuries-long genocide campaign that Europeans and their descendants launched--and in places continue to wage--against the New World's original inhabitants. Advancing a thesis that is sure to create much controversy, Stannard contends that the perpetrators of the American Holocaust drew on the same ideological wellspring as did the later architects of the Nazi Holocaust. It is an ideology that remains dangerously alive today, he adds, and one that in recent years has surfaced in American justifications for large-scale military intervention in Southeast Asia and the Middle East. At once sweeping in scope and meticulously detailed, American Holocaust is a work of impassioned scholarship that is certain to ignite intense historical and moral debate.

Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America. In The Sopranos: Born under a Bad Sign, Franco Ricci examines the groundbreaking HBO series and its impact as a cultural phenomenon. Ricci demonstrates an encyclopedic knowledge of the series, the genre, and their social context in his analysis of the show’s complex themes and characters. He explores The Sopranos’ deep engagement with problems of race, class, gender, and identity, specifically in its portrayal of the Italian-American experience, consumer and media-driven society, and contemporary psychosocial issues. The series’ protagonist, Mafia boss and patriarch Tony Soprano, in many ways embodies the anxieties of our age. Focusing on Tony’s internal struggles and interactions with his therapist, family, and associates, Ricci traces this archetypal character’s existential conflicts and sheds light on his search for self, connection, and meaning. Comprehensive in scope and sophisticated in approach, The Sopranos: Born under a Bad Sign is richly rewarding reading for anyone with an interest in the popular television drama, both as entertainment and social commentary.

Keith Beattie's study offers a clear and comprehensive analysis of documentary film and television by adopting a 'documentary studies' approach in which non-fictional work is situated within historical, economic and disciplinary contexts.