This book examines how same-sex sexualities are represented in several post-apartheid South African cultural texts, drawing on a rich local archive of same-sex sexualities that includes recent fiction, drama, film, photography, and popular print culture. While the book situates these texts within the specific context of post-apartheid South Africa, it also looks outwards towards transnational connectivity and cultural flows. The author uses the idea of restlessness to refer to the uneven flow of cultural tropes, political sentiment, ideas, ideologies, and representational modes across geographical boundaries, across time and space, and between genres, presenting sexual cultures as simultaneously rooted and transnational. He focuses on how notions of race and gender, in the shadow of colonialism and apartheid, play out in the present and shape how sexualities are represented. This interdisciplinary book offers a conceptual entry point to several areas of study, including transnationalism, literary and cultural studies, critical race theory, gender and sexuality studies, and African studies, and will be of interest to students and researchers across these fields. Its inclusion of a range of textual genres extends its reach into visual culture, film and media studies, history, and politics.

This book examines how same-sex sexualities are represented in several post-apartheid South African cultural texts, drawing on a rich local archive of same-sex sexualities that includes recent fiction, drama, film, photography, and popular print culture. While the book situates these texts within the specific context of post-apartheid South Africa, it also looks outwards towards transnational connectivity and cultural flows. The author uses the idea of restlessness to refer to the uneven flow of cultural tropes, political sentiment, ideas, ideologies, and representational modes across geographical boundaries, across time and space, and between genres, presenting sexual cultures as simultaneously rooted and transnational. He focuses on how notions of race and gender, in the shadow of colonialism and apartheid, play out in the present and shape how sexualities are represented. This interdisciplinary book offers a conceptual entry point to several areas of study, including transnationalism, literary and cultural studies, critical race theory, gender and sexuality studies, and African studies, and will be of interest to students and researchers across these fields. Its inclusion of a range of textual genres extends its reach into visual culture, film and media studies, history, and politics.

South Africa remains a global leader in the legislative protection of individuals who engage in same-sex relations, and is the only country in Africa where the rights of these individuals are explicitly recognized and protected by the constitution. Yet South Africa’s identities are still contested and evolving, particularly for same-sex desiring teachers – many are forced to locate their sexualities privately for fear of being ostracized, bullied or losing their jobs, resulting in the miseducation of young people in schools. This volume reveals the various ways in which black South African male teachers construct their sexual and professional identities, how they accommodate structural dictates while simultaneously resisting them, and the effect this has on students. Presenting the day-to-day experiences of eight same-sex desiring teachers within repressive contexts, this volume challenges the Western origins and assumptions of queer theory, particularly its inability to confront communal forms of social organizing and its focus on individual agency. It asks for more socially responsive theorizing that takes into account the role played by location, race, class, gender and sexual identification within South African and international contexts.

In postapartheid Cape Town—Africa's gay capital—many Pentecostal men turned to "ex-gay" ministries in hopes of “curing” their homosexuality in order to conform to conservative Christian values and African social norms. In Desire Work Melissa Hackman traces the experiences of predominantly white ex-gay men as they attempt to forge a heterosexual masculinity and enter into heterosexual marriage through emotional, bodily, and religious work. These men subjected themselves to daily self-surveillance and followed prescribed behaviors such as changing how they talked and walked. Ex-gay men also saw themselves as participating in the redemption of the nation, because South African society was perceived as suffering from a crisis of masculinity in which the country lacked enough moral heterosexual men. By tying the experience of ex-gay men to the convergence of social movements and public debates surrounding race, violence, religion, and masculinity in South Africa, Hackman offers insights into the construction of personal identities in the context of sexuality and spirituality.

Heterosexual Africa? The History of an Idea from the Age of Exploration to the Age of AIDS builds from Marc Epprecht’s previous book, Hungochani (which focuses explicitly on same-sex desire in southern Africa), to explore the historical processes by which a singular, heterosexual identity for Africa was constructed—by anthropologists, ethnopsychologists, colonial officials, African elites, and most recently, health care workers seeking to address the HIV/AIDS pandemic. This is an eloquently written, accessible book, based on a rich and diverse range of sources, that will find enthusiastic audiences in classrooms and in the general public. Epprecht argues that Africans, just like people all over the world, have always had a range of sexualities and sexual identities. Over the course of the last two centuries, however, African societies south of the Sahara have come to be viewed as singularly heterosexual. Epprecht carefully traces the many routes by which this singularity, this heteronormativity, became a dominant culture. In telling a fascinating story that will surely generate lively debate, Epprecht makes his project speak to a range of literatures—queer theory, the new imperial history, African social history, queer and women’s studies, and biomedical literature on the HIV/AIDS pandemic. He does this with a light enough hand that his story is not bogged down by endless references to particular debates. Heterosexual Africa? aims to understand an enduring stereotype about Africa and Africans. It asks how Africa came to be defined as a “homosexual-free zone” during the colonial era, and how this idea not only survived the transition to independence but flourished under conditions of globalization and early panicky responses to HIV/AIDS.

At his 1994 inauguration, South African president Nelson Mandela announced the “Rainbow Nation, at peace with itself and the world.” This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include “sexual orientation” as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government’s alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society. Prismatic Performances focuses on the queer embodiments that both reveal and animate the gaps between South Africa’s self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa’s post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized “Africanness;” white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences’ complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies’ identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging.

Images and stories about African sexuality abound in today's globalized media. Frequently old stereotypes and popular opinion inform these stories, and sex in the media is predominately approached as a problem in need of solutions and intervention. The authors gathered here refuse an easy characterization of African sexuality and instead seek to understand the various erotic realities, sexual practices, and gendered changes taking place across the continent. They present a nuanced and comprehensive overview of the field of sex and sexuality in Africa to serve as a guide though the quickly expanding literature. This collection offers a set of texts that use sexuality as a prism for studying how communities coalesce against the canvas of larger political and economic contexts and how personal lives evolve therein. Scholars working in Africa, the U.S., and Europe reflect on issues of representation, health and bio-politics, same-sex relationships and identity, transactional economies of sex, religion and tradition, and the importance of pleasure and agency. This multidimensional reader provides a comprehensive view of sexuality from an African perspective.

The Novel in Africa and the Caribbean since 1950 examines the institutional and social peculiarities that make fiction produced in Africa and the Atlantic World since 1950 important to the history of the novel in English.

Challenging the stereotype that black people who lived under South African apartheid have no happy memories of the past, this examination into nostalgia carves out a path away from the archetypical musings. Even though apartheid itself had no virtue, the author, himself a young black man who spent his childhood under apartheid, insists that it was not a vast moral desert in the lives of those living in townships. In this deep meditation on the experiences of those who lived through apartheid, it points out that despite the poverty and crime, there was still art, literature, music, and morals that, when combined, determined the shape of black life during that era of repression.

"Working Class Homosexuality in South African History provides the first scholarly outline for the development of a narrative of same-sex working class African men. The book's core analytic thrust centres around a previously unpublished primary source from the early twentieth century as well as unique oral history interviews with men remembering their lives in the gay settlement of Mkhumbane. While South Africa's Bill of Rights provides constitutional protection for the right of any person to choose her or his own sexual preferences, this has not prevented violent and even murderous assaults on members of the growing and increasingly vocal LGBTI community. Given the dearth of published works on South Africa's gay communities and reasoned public discussion as well as the recent controversy over the film Inxeba, there is considerable urgency in confronting entrenched bigotry, prejudice, and homophobia. Working Class Homosexuality in South African History inspires South Africans to reimagine an inclusive sense of the past as well as the future."--Back cover.