Fashion isn't everything. It's the only thing. Halloween comes to Winston Prep and the newly named teen fashion label POSEUR introduces this season's must-have accessory: a red-hot handbag called the Trick-or-Treater. But whose design is sweetest? Janie, Petra, Melissa, and Charlotte all insist: Mine. You see the problem? Good thing, then, for the sweetness of revenge. Time to dust off that costume and put your best mask forward. 'Tis the season for candy, conflict, and couture. The Good, the Fab, and the Ugly is the second juicy novel in the stylish and hilarious new series from the publisher of the national bestselling Gossip Girl, The Clique, The It Girl, and The A-List. Includes 5 do-it-yourself patterns by real-life fashion label Compai and fashion sketches throughout by the author!

po·seur (noun): a person who pretends to be what he or she is not. Charlotte Beverwil, Janie Farrish, Melissa Moon, and Petra Greene attend exclusive Winston Prep in the Hollywood Hills. And that's all they have in common. But hang out together? They'd rather be hanged. Borrow one another's clothes? They'd sooner borrow a zit. So when these four sophomores are forced into a class to create their own fashion label, they Clash with a capital C. Janie thinks Melissa and Charlotte are Beverly Hills brats. They dismiss Janie as a Valley rat in sheep's clothing. And Petra, well . . . Petra couldn't care less. Can a cool coquette, a shy punk, a hippie goddess, and a ghettoglam egomaniac make beautiful couture together? At Winston Prep, survival of the fittest comes down to who fits in-and what fits. Introducing a juicy new series from the publisher of the national bestselling series Gossip Girl, The Clique, The It Girl, and The A-List. Includes Do-It-Yourself instructions by NYC fashion label Compai and fashion sketches throughout by the author

"Nikki Maxwell has the worst luck. Of all the schools she could have been assigned to for the student exchange week program, she's stuck at North Hampton Hills, her arch nemesis MacKenzie Hollister's new school. Even worse, there might just be someone at NHH who can out-MacKenzie MacKenzie! At least Nikki can write about every moment of drama in her diary, so readers won't miss a moment of it. Can the queen of dorks survive a week at the head CCP's new school or will it be a dorky disaster? ("--

Fashion isn't everything. It's the only thing. Halloween comes to Winston Prep and the newly named teen fashion label POSEUR introduces this season's must-have accessory: a red-hot handbag called the Trick-or-Treater. But whose design is sweetest? Janie, Petra, Melissa, and Charlotte all insist: Mine. You see the problem? Good thing, then, for the sweetness of revenge. Time to dust off that costume and put your best mask forward. 'Tis the season for candy, conflict, and couture. The Good, the Fab, and the Ugly is the second juicy novel in the stylish and hilarious new series from the publisher of the national bestselling Gossip Girl, The Clique, The It Girl, and The A-List. Includes 5 do-it-yourself patterns by real-life fashion label Compai and fashion sketches throughout by the author!

Springtime brings crazy adventures to Nikki and her friends Chloe, Zoey, and Brandon.

The Singularity has happened, and life afterward proves to be more bizarre than we thought. "SF book of the year" (Interzone).

Feuds. Dudes. Attitudes. You're not wearing that, are you? Hipster bible Nylon magazine plans to feature Winston Prep's exclusive-icious POSEUR label in its "20 under 20" fashion issue. But only one of the 20 designers gets to outfit the cover model. Is ghetto-fabulous Melissa the only one in POSEUR's freakishly fabulous foursome who's paying attention? They say the course of true love never did run smooth, and with Janie, Charlotte, and Petra each chasing the dragon of her own romantic bonfire, it's going to take a miracle--or something hysterical--to get all the POSEUR girls present and accounted for. Photo shoooot! Or you're dead.

Second in the Rifters Trilogy, Hugo Award-winning author Peter Watts' Maelstrom is a terrifying explosion of cyberpunk noir. This is the way the world ends: A nuclear strike on a deep sea vent. The target was an ancient microbe—voracious enough to drive the whole biosphere to extinction—and a handful of amphibious humans called rifters who'd inadvertently released it from three billion years of solitary confinement. The resulting tsunami killed millions. It's not as through there was a choice: saving the world excuses almost any degree of collateral damage. Unless, of course, you miss the target. Now North America's west coast lies in ruins. Millions of refugees rally around a mythical figure mysteriously risen from the deep sea. A world already wobbling towards collapse barely notices the spread of one more blight along its shores. And buried in the seething fast-forward jungle that use to be called Internet, something vast and inhuman reaches out to a woman with empty white eyes and machinery in her chest. A woman driven by rage, and incubating Armageddon. Her name is Lenie Clarke. She's a rifter. She's not nearly as dead as everyone thinks. And the whole damn world is collateral damage as far as she's concerned. . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.