Portsmouth Cemeteries, a photographic study of this city's cemeteries, uncovers a compelling history of the area from the Colonial era to the 1900s. These cemeteries provide a direct link to the past, where many stories are told in stone. The gravestones and monuments feature unusual works of art, and the inscriptions act as documents that preserve family histories, valiant military service, and memories of those lost at sea. Through the author's collection of photographs, readers can see how gravestones evolved over time and learn about some of Portsmouth's own practitioners in the art of stone carving.

Hope Cemetery in Barre, Vermont, is one of New England's most renowned graveyards. The cemetery attracts thousands of visitors every year, particularly when the foliage turns during fall. This 85-acre "open-air museum" is noted for the artistry and craftsmanship of its monuments, derived exclusively from legendary Barre gray granite. Barre was a boomtown with a rapidly rising population of European immigrants, especially those from Italy and Scotland, seeking opportunities as artisan carvers and laborers in the area's granite quarries. Ethnic enclaves developed around Barre; most notably, the city's north end became known as Little Italy. This diversity is captured in granite on the monuments of those interred at Hope Cemetery--not only in the surnames etched in stone but also in the monuments' widely varying symbols of remembrance. Within Hope Cemetery, memorials range from traditional European forms, including angels, cherubs, and other religious hallmarks, to highly individualized modern monuments depicting images representative of family life, interests, and leisure in the form of such diverse objects as lounge chairs, airplanes, race cars, a soccer ball, and many more.

African Americans in Portsmouth built a strong, insulated community because they were cognizant of the need to look inward. Whether assisting the pre-Civil War escapes through the Underground Railroad, forming banks, publishing a newspaper, or providing recreational facilities, Portsmouth's African Americans created one of the most stable middle-class black communities in America. Early 20th-century leaders such as Dr. William Reid, Nancy T. Wheeler, and the Reverend Harvey N. Johnson Sr. were civic models and guiding forces for a community emerging from the ravages of slavery, and enduring the hardships of segregation. Black America: Portsmouth, Virginia captures the world of an ever-changing community and a people who persevered, no matter the odds.

PRIMARY COVERAGE AREA: Portsmouth, Dover, Greenland

This volume invites readers to get up close and personal with one of the most respected and beloved writers of the last four decades. Carolyn J. Sharp has transcribed numerous table conversations between Walter Brueggemann and his colleagues and former students, in addition to several of his addresses and sermons from both academic and congregational settings. The result is the essential Brueggemann: readers will learn about his views on scholarship, faith, and the church; get insights into his "contagious charisma," grace, and charity; and appreciate the candid reflections on the fears, uncertainties, and difficulties he faced over the course of his career. Anyone interested in Brueggemann's work and thoughts will be gifted with thought-provoking, inspirational reading from within these pages.

Historic Burial Grounds of the New Hampshire Seacoast, a photographic study of Colonial Era-burial grounds, uncovers the fascinating history of the area from the 1680s to 1810. These early cemeteries are a direct link to our past, and yet very little has been done to preserve their history through photographs. By understanding how, why, and by whom these gravestones were made, the symbolism they portray can be understood, and we will gain a clearer understanding of the ways in which our ancestors lived and died. The burial grounds and the gravestones within them have often been called open air museums. They contain some of the oldest works of art found in the area; some gravestones are more than 300 years old. Through the authors collection of photographs, one can see the entire range of images present in the areas old burial grounds, including grinning skulls and crossbones, heavenly cherubs, and epitaphs that tell magnificent tales. This collection is a must for anyone interested in local history, genealogy, or colonial-era art.